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DeRank ™: 3,77 • DeAge™ : 7037 days
"Johnny And Mary" is a summarizing manifesto of the work’s spirit and Palmer’s new season. Clues is characterized by a well-balanced selection of tracks between electronics and more traditional sounds.
"Johnny And Mary" is a summarizing manifesto of the work’s spirit and Palmer’s new season.
Clues is characterized by a well-balanced selection of tracks between electronics and more traditional sounds.
Robert Palmer's 1980 album Clues marks a shift towards New Wave influenced sounds, blending electronic and traditional styles. Featuring collaborations with Gary Numan and Chris Frantz, the album balances simplicity and immediacy. Standout tracks include Johnny And Mary and a Beatles cover, Not A Second Time. Clues showcases Palmer’s evolving artistry between soul and electronic rock. Discover Robert Palmer’s unique blend of New Wave and soul—listen to Clues and experience the 1980 sound revolution.
"The product is absolutely boring, instrumental jams, barely audible dialogues, except for John’s offers for a bit of shared coke." "John is a different person and Paul notices it immediately. Drugs are slowly devouring him; he is completely shattered."
"The product is absolutely boring, instrumental jams, barely audible dialogues, except for John’s offers for a bit of shared coke."
"John is a different person and Paul notices it immediately. Drugs are slowly devouring him; he is completely shattered."
This review recounts the rare 1974 studio reunion of John Lennon and Paul McCartney amid Lennon's troubled "lost weekend" period. The session is described as fragmented, drug-fueled, and lacking the Chemistry of their Beatles days. Despite attempts at reconnection, the dialogue and music remain disjointed. The review highlights the personal and professional challenges that overshadowed their brief encounter, marking a poignant moment in rock history. Discover the untold story of John and Paul's rare 1974 session and explore the complex reality behind a legendary musical reunion.
"One in a thousand makes it, but how hard is the climb." "You don't know the weight of this light music, you fall in love with it and live, but you can die from it when night falls."
"One in a thousand makes it, but how hard is the climb."
"You don't know the weight of this light music, you fall in love with it and live, but you can die from it when night falls."
Gianni Morandi's 1985 song 'Uno Su Mille' marked his successful return to Italian music after struggling through the 1970s. Written by Franco Migliacci and Roberto Fia, the song blends heartfelt lyrics with a captivating melody, highlighting themes of resilience and personal strength. Morandi's shift to a more refined style helped him regain his place in the music world. The song remains a beloved anthem for those facing hardships. Listen to 'Uno Su Mille' and experience Gianni Morandi’s inspiring comeback anthem of hope and strength.
"Only You is the film that best captures the spirit of the work." This film is a small great gem of animated cinema, a pleasure for the eyes thanks to the beautiful settings and backgrounds.
"Only You is the film that best captures the spirit of the work."
This film is a small great gem of animated cinema, a pleasure for the eyes thanks to the beautiful settings and backgrounds.
Mamoru Oshii's 1983 film Lamù: Only You captures the essence of Rumiko Takahashi's iconic manga and TV series with humor and space-themed adventure. The film stands out for its beautiful animation, well-calibrated sound design, and memorable characters. It uniquely blends comedic and reflective moments while paying homage to sci-fi classics. This movie remains a vital piece in anime history, preceding Oshii's other renowned works. Watch Mamoru Oshii's Lamù: Only You and experience a timeless classic blending laughter, space adventure, and unforgettable anime art!
"A fresh, homogeneous, and tremendously catchy work." "Ringo beats on his drums with newfound vigor, sings decidedly better than in the past, and perhaps produces his best solo work."
"A fresh, homogeneous, and tremendously catchy work."
"Ringo beats on his drums with newfound vigor, sings decidedly better than in the past, and perhaps produces his best solo work."
After a nine-year break and overcoming personal struggles, Ringo Starr returns with 'Time Takes Time,' a fresh and catchy album paying tribute to 60s Beatles-like rock. Produced with Jeff Lynne, it showcases improved vocals, lively drumming, and notable collaborations. Although sales were moderate, critics praised this work as Ringo’s best solo effort, marking a strong comeback. Listen to Ringo Starr’s revitalized 'Time Takes Time' and experience his best solo comeback yet!
"'Bad Boy' is a mediocre product, lacking real artistic value... it’s difficult to find a track that stands out, too anonymous." "This LP is the worst in the drummer’s career, with songs lacking energy and recorded with poor spirit."
"'Bad Boy' is a mediocre product, lacking real artistic value... it’s difficult to find a track that stands out, too anonymous."
"This LP is the worst in the drummer’s career, with songs lacking energy and recorded with poor spirit."
Ringo Starr's 1978 album 'Bad Boy' is largely regarded as uninspired and lacking artistic value. It is mostly a cover album of lesser-known rock 'n' roll songs with two forgettable originals. The album failed commercially and critically, marking a difficult period in Starr's solo career. The promotion included a TV special featuring Starr but couldn't prevent low sales. Overall, 'Bad Boy' is considered the weakest album in his solo discography. Discover why 'Bad Boy' remains a low point for Ringo Starr and explore his solo journey through this detailed review.
The album lacks the positive sparkle that had magically seasoned the previous experiences. The album was not very successful for various reasons, firstly, the poor quality of the material combined with a now worn-out formula (that of 'all-stars').
The album lacks the positive sparkle that had magically seasoned the previous experiences.
The album was not very successful for various reasons, firstly, the poor quality of the material combined with a now worn-out formula (that of 'all-stars').
Ringo Starr's 1976 album 'Ringo's Rotogravure' marks a decline in the drummer's solo career, suffering from weak songwriting and lackluster material. Despite contributions from famous collaborators like George Harrison, John Lennon, Paul McCartney, and Eric Clapton, the album fails to recapture the charm of his earlier works. Starr's personal issues and limited promotion contributed to the album's poor reception. Subsequent albums continued this downward trend. Discover the highs and lows of Ringo Starr’s solo career with this in-depth review of 'Ringo's Rotogravure'.
Taylor plays everything by himself and goes heavy on synthesizers, filtered voices, and expansive and ethereal atmospheres. 'Fun In Space' is very varied, having, in the author’s desire to create, an extra gear that turns listening to a debut work into an interesting experience.
Taylor plays everything by himself and goes heavy on synthesizers, filtered voices, and expansive and ethereal atmospheres.
'Fun In Space' is very varied, having, in the author’s desire to create, an extra gear that turns listening to a debut work into an interesting experience.
Roger Taylor's 1981 solo album 'Fun In Space' marks a daring departure from Queen's sound with a rich blend of space rock and electronic elements. Playing all instruments himself, Taylor explores varied musical styles from white reggae to upbeat rock, crafting an atmosphere that evokes cosmic vastness. The debut highlights his eclectic creativity and stands out as a pleasant and engaging listen. This album is recommended for those seeking unique, genre-blending rock beyond Queen. Dive into Roger Taylor's 'Fun In Space' and experience a bold, eclectic solo album beyond Queen's legacy!
You can’t use the same criteria to judge Ringo’s work as his three Beatles friends. His drumming is clean and perfect as always, earning him the nickname 'the metronome'.
You can’t use the same criteria to judge Ringo’s work as his three Beatles friends.
His drumming is clean and perfect as always, earning him the nickname 'the metronome'.
Ringo Starr's 1983 album Old Wave is an underrated pop-rock record created with a lighthearted spirit despite personal challenges. Featuring contributions from Joe Walsh, Eric Clapton, and others, the album blends quality songwriting with impeccable drumming. Though initially dismissed and released in limited countries, it deserves recognition for its honest and enjoyable approach. The album also marks a turning point in Starr's life as he fought alcoholism afterwards. Listen to Ringo Starr’s Old Wave and rediscover a hidden pop-rock treasure!
"Ringo The 4th, or the beginning of the commercial decline of Ringo Starr as a solo artist." The album is just passable, Ringo veers towards disco and R&B sounds with decidedly unconvincing results.
"Ringo The 4th, or the beginning of the commercial decline of Ringo Starr as a solo artist."
The album is just passable, Ringo veers towards disco and R&B sounds with decidedly unconvincing results.
Released in 1977, 'Ringo The 4th' represents a commercial downturn for Ringo Starr, marked by a shift to disco and R&B that fell flat. Despite excellent musicianship from collaborators like Tony Levin and Steve Gadd, and some decent tracks, the album suffers from weak vocal charisma. Personal issues and absence of former Beatles' contributions contributed to its lackluster appeal. Explore Ringo Starr's 'Ringo The 4th' and discover the challenges behind this lesser-known solo album.
DeAge 7039
DeRank™: 0,24
DeRank™: 39,03
DeRank™: -0,17
DeRank™: 0,64
DeRank™: 9,57
DeRank™: 6,61
DeRank™: 1,76
DeRank™: 0,37
DeRank™: 0,00
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