the green manalishi

 Perhaps this is Arjen Anthony Lucassen’s most inspired side project, sealed by an excellent live, Live On Earth.

 The sounds of “Space Metal” are generally very close to the Ayreon style, especially with regard to the keyboard elements.

Star One's Space Metal is a highly praised concept album by Arjen Lucassen’s side project, featuring exceptional musicianship and vocal performances. The album blends 70s metal and space rock influences with sci-fi-inspired themes. Notable singers include Damian Wilson, Russell Allen, and Floor Jansen. The compositions are unique and rich in melodic and space metal elements. Despite the project being currently closed, Space Metal remains a highlight in Lucassen's musical career. Dive into Star One’s Space Metal and experience a prog-metal journey inspired by space and sci-fi legends. Listen now and explore the cosmic soundscape!

 "The big weak point is the vocals, often slow, dragged, tired, despite the excellent voice of Ronnie James Dio."

 "This album could indeed easily be a solo album by Dio, as repetitive as only the latest albums by Ronnie James are known to be."

The reviewer expresses disappointment with Heaven & Hell's album The Devil You Know, considering it weaker than previous works by the same lineup. Despite high expectations and excellent musicianship, the vocals and songwriting feel tired and repetitive. A few tracks like 'Bible Black' and 'Rock And Roll Angel' stand out, but overall the album fails to meet the standard set by earlier Black Sabbath and Dio records. Dive deeper into the pros and cons of The Devil You Know and decide if Heaven & Hell's return hits the mark for you!

 The lineup is really tight, and its sound consequently very solid.

 This album is extremely personal, with excellent ideas coming from the contributions of the individual artists.

Trace’s self-titled 1974 album marks a standout moment in Dutch progressive rock, showcasing virtuosic performances and a solid trio lineup. Rick Van Der Linden’s keyboard mastery, combined with notable bass and drum solos, results in a distinctive and personal sound. While echoing elements of his previous band Ekseption, Trace embraces a heavier use of synthesizers and tighter arrangements. This album is a testament to the innovative spirit of the band before their eventual disbandment. Discover Trace’s unique prog fusion—listen to their 1974 debut and delve into a Dutch prog classic today!

 The style is typical of early 70s rock bands, with that post-beat contamination that characterized almost all Dutch bands of that era.

 Their first album is what can be defined as an excellent debut.

Earth and Fire's debut album is recognized as an excellent representation of early 70s Dutch rock. The band showcased major hits like 'Wild And Exciting' and 'Ruby Is The One,' driven by strong guitar and keyboard work. Although Jerney Kaagman's vocals were sometimes still raw, the album’s overall impact is impressive. The review also covers the band's evolution and later decline, alongside vivid details about the album’s cover art. Dive into Earth and Fire’s explosive 70s debut and discover the roots of classic Dutch rock today!

 I frankly don’t think I would have gone home very satisfied if I had gone to see a concert from this tour.

 The real weak point of 'A Little Light Music' perhaps remains the fact that the pieces... are less incisive compared to the originals.

Jethro Tull's 'A Little Light Music' captures their 1992 acoustic tour marked by rearranged classics and lineup shifts. While some performances shine, others feel less impactful compared to original versions. The album reflects both the risks and rewards of reinterpreting a vast repertoire acoustically and offers insight into Ian Anderson's evolving vocal condition. Overall, it appeals more to dedicated fans but may leave casual listeners less enthusiastic. Discover the nuanced acoustic side of Jethro Tull—listen to 'A Little Light Music' and hear classic hits like never before!

 Stepping out of Ian Anderson’s shadow has benefited Martin Barre, allowing him to find his own space and dimension.

 'Stage Left' shows that Martin Barre is a technically excellent guitarist with a good dose of creativity when it comes to writing guitar solos.

Martin Barre’s 'Stage Left' marks a strong solo effort distinguished by instrumental versatility and superior guitar work. Though some tracks fall short, the album shines with remarkable compositions like 'Count The Chickens' and 'Winter Snowscape.' Barre steps out of Ian Anderson’s shadow, showcasing his own creative space and technical mastery. Despite a few weaker songs, the album remains a commendable work for fans of instrumental and progressive rock. Listen to Martin Barre’s 'Stage Left' to experience his solo guitar mastery and explore his creative independence from Jethro Tull.

 "Perhaps, musically, what strikes the most is the great energy that emanates from the 11 tracks of this album."

 "Obsession belongs to that category of albums that represent a last bastion, a sort of swan song of an era... marked by exquisite execution and a high level of song composition."

UFO’s 1978 album Obsession captures a peak moment marred by internal band tensions, notably Michael Schenker’s struggles and temporary departure. Despite these issues and strict producer oversight, Obsession delivers high energy and powerful compositions, including standout tracks like "Only You Can Rock Me" and "Cherry." The album serves as a poignant swan song for Schenker’s era in the band while featuring memorable orchestral elements and a striking Hipgnosis cover. Dive into UFO’s Obsession — an iconic rock album blending powerful riffs and complex band dynamics. Listen now and explore its classic energy!

 "The oars and the wave sing an ancient song / fatigue... fatigue... fatigue and commitment."

 "Davide's style is unique, reaching straight to the heart of the listener and especially of those who appreciate the values he communicates."

Singul De Punta is a deeply poetic and evocative audio-visual tribute to rowing traditions on Lake Como. The album features narration in the Como dialect complemented by Davide Van De Sfroos' unique musical contributions. The standout track is the title song, celebrating the sculling rower. This project, paired with the book Colpi di Remo, intertwines history, music, and local culture, creating a rich folk experience that resonates emotionally. Dive into the heartfelt traditions of Lake Como with Davide Van De Sfroos' Singul De Punta – listen and feel the spirit of rowing and folk poetry!

 Herman Brood was a character, no ifs, ands, or buts. The personification of the cliché "sex, drugs, and rock’n’roll."

 "Shpritsz" is a great album. And I’m not only referring to Saturday Night, the album’s big hit, which peaked in the Dutch, German, and French charts.

This review explores Herman Brood's career and his landmark album Shpritsz, praised for its energetic rock ’n’ roll and anti-drug messages. It highlights his musical talent, troubled life, and lasting impact on Dutch music. Despite personal struggles, the album remains a powerful, catchy masterpiece. The review honors Brood’s complex legacy as both artist and icon. Discover the raw energy and legacy of Herman Brood’s Shpritsz—listen today and dive into Dutch rock history!

 The reason? Very simple: it’s not really his album.

 When there are no ideas, perhaps it’s better not to start a project, especially as important as a studio album.

Alan White’s 1976 solo album Ramshackled is largely seen as an uninspired and poorly executed effort. Unlike other Yes members’ solo projects, this album lacks White’s songwriting input and features predominantly session musicians. With inconsistent soul, funk, and reggae influences and an unremarkable drumming performance, the album fails to captivate. Even guest appearances by Yes members cannot elevate the overall flatness. Ramshackled remains a forgettable chapter in Alan White's career. Dive into the story behind Alan White’s Ramshackled and discover why this solo album falls flat despite Yes connections.