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  • Here since 25 september 2005

 This new creation, like the Greek myth, is sonically rich, exciting in its choice of solutions, and evocative as only they know how to be.

 Dionysus proves decidedly more dark, dashing, visionary, rich, and powerful.

The review reflects on Dead Can Dance's new album Dionysus as a richly textured and visionary work inspired by Greek mythology. It contrasts with their previous album Anastasis by being darker and more powerful. The duo's signature style shines through, blending ancestral echoes with profound musical research. The reviewer appreciates the album's depth, evocativeness, and its successful continuation of the band's artistic legacy. Dive into Dead Can Dance's Dionysus and experience a mesmerizing journey through myth and sound.

 A good-natured Glen Danzig who, instead of pounding weights with bodybuilding, engages in the sacred art of crocheting and cross-stitching by candlelight.

 It invites you to sit, or rather to lie down comfortably and savor it with sadness and serenity.

Love Machine's Times To Come offers a unique blend of agro-pastoral folk-rock and psychedelic influences. The album features charming acoustic guitars, meditative flutes, and progressive keyboards wrapped in a quirky vocal style. Despite the reviewer's humorous digression about disliking feet, the album's calming and introspective mood shines through. This is a relaxing listen that invites serenity and reflection. Listen to Love Machine's Times To Come for a quirky and meditative folk-rock experience!

 Thank heaven, in this Loincloth album, there is no guitar-hero flooding the ether with their ancestral talent.

 The virtue of the project is precisely this: earth-shattering barrages, jagged rhythms, panic-inducing blows, and off-time tempos.

This review highlights Loincloth's album Iron Balls of Steel as a raw, drum-centric metal record. Moving away from overstated guitar solos of the '80s, it centers on Steven Shelton's relentless drumming and gritty instrumental execution. The album's fast, abrasive tracks deliver a rustic and intense noise-rock-metal experience. The reviewer admires the focus on percussive force over guitar heroics but notes the abrasive and unpolished nature of the sound. Dive into Loincloth’s fierce and raw drum-powered metal—listen to Iron Balls of Steel now and experience relentless intensity!

 Imagine, therefore, the surprise of managing to reach the end of the concert... with a smile plastered on my face with the desire to hear 'more'.

 He organized quite an uproar between percussive rhythms reminiscent of the early Einstürzende Neubauten and Young Gods and ample ultra-melodic parentheses à la Serge Gainsbourg and/or Charles Aznavour.

Usé, the chaotic solo project of Nicolas Belvalette, delivered an electrifying and unpredictable live set at the Here I Stay Festival. Blending wave-electropunk and tribal chanson influences, his intense performance kept the reviewer captivated despite the wild noise. The show ended with a frenetic cover of Michael Jackson's "Smooth Criminal". The festival’s atmosphere and unique offerings, including local food, rounded off a memorable experience. Discover Usé's wild blend of electro-punk chaos and melody—listen to his live set from Here I Stay Festival now!

 The attack strategy finds me in agreement: nowadays it seems there’s far too much useless noise and this ecological option is a strategy endowed with both reason and sense.

 When placing the needle on the vinyl, one is almost disconcerted to hear a Battiato-record-without-Battiato - as the cover itself suggests - but that initial sense of bewilderment... is soon replaced by the intact pleasure of listening.

Fabio Cinti's 'La voce del padrone - un adattamento gentile' is a thoughtful chamber-classical reinterpretation of one of Italy's most iconic pop albums. The album replaces the original's electronic instrumentation with strings and piano, offering clarity and refinement. Despite initial skepticism, the reviewer finds Cinti's approach respectful and enjoyable, capturing the essence of the original while presenting a fresh perspective. The adaptation succeeds in conveying both homage and artistic clarity. Explore Fabio Cinti’s delicate adaptation of La voce del padrone and experience a fresh chamber-classical tribute to an Italian classic.

 What you are about to listen to will be a classic black massacre but amidst all this darkness, there will be sudden, unexpected flashes of light, creativity, and hope.

 Beyond Sanctorum represents the peak, the acme, the summit, the pinnacle, the vertex, the zenith, the climax, as well as their compositional/executive apogee.

The review reflects on Therion's 1992 album Beyond Sanctorum, highlighting its raw Viking-inspired death metal style infused with creative flashes and hopeful moments. Despite an unattractive cover, the music is a powerful and classic example of extreme metal. The reviewer appreciates its contribution to the metal scene and contrasting it with modern mediocrity. Vocals and instrumentation exhibit a wild, almost boorish charm, making this album a pinnacle of Therion's early work. Discover the raw power and creative spark of Therion's Beyond Sanctorum—listen now and experience a classic metal journey!

 The album sounds quite solid & varied, but mostly rehearses/recycles the same riffs without bringing any significant new element.

 You feel like you’re twenty again (minus), and you want to headbutt down your home log cabin.

This review examines At the Gates’ newest album, praising its solid and familiar death metal sound while noting it lacks the originality and spark of their 1990s classic. With a lineup change and solid riffs, the album appeals to fans but does not break new ground. The reviewer remains somewhat critical, suggesting longtime fans may prefer the band’s earlier work. Explore At the Gates’ latest album and decide if their death metal legacy still rings true today.

 Just the first track, 'Jean Pierre', wipes out entire discographies of hundreds of billions of bands you’ve hailed until now.

 A frenetic, rustic, crazy album, totally free from ties, laces, and lapis lazuli: certainly fun; in its own way also exhausting if one isn’t adequately armored aurally.

HyperCut by Hardcore Anal Hydrogen is an eclectic and frenetic album blending genres from free jazz to black metal and vintage pop. Its chaotic yet clear sound challenges traditional music boundaries. The standout track 'Jean Pierre' exemplifies the album's unpredictable and vibrant style. This thrilling audio experience is both exhausting and rewarding for listeners open to adventurous music. Dive into Hardcore Anal Hydrogen's HyperCut and experience a daring fusion of sounds that defy music norms.

 "A total rock sound dense, fluid, with a nice ultra-slapped bass intertwined with powerful injections of funk, rap, and electro-dub."

 "Sweet Lizard Illtet throws it [much] less into politics, adopting stylistically a much more expansive and layered crossover formula."

Sweet Lizard Illtet's 1992 self-titled album represents a significant example of 90s rock crossover, mixing funk, rap, and electro-dub elements with innovative compositional freedom. The New Jersey band, though lesser-known, offers a dense, fluid sound that stands out from contemporaries. Released by Warner Bros, the album boasts high production quality and is recommended for fans wanting to explore beyond mainstream crossover bands. It's a rare gem worthy of revisiting and free to download today. Listen to Sweet Lizard Illtet's unique crossover sound and rediscover a hidden 90s rock gem today!

 The book is a long and passionate dialogue/confrontation between two... retracing his life and activity as a 'journalist.'

 What I seemed to gather... is that he was a curious explorer of different and unknown worlds.

This review explores Tiziano Terzani's book 'La fine è il mio inizio' as a heartfelt and passionate dialogue between the author and his son. It reflects on Terzani's life and work as a journalist, and his curiosity about spiritual and unknown worlds. The reviewer shares personal skepticism towards religion but appreciates the book’s introspective nature and the courage to confront family ties. Overall, it is recognized as a meaningful exploration of life and legacy. Discover the touching dialogue of Terzani and his son—read 'La fine è il mio inizio' today.