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 Qodest cibernetic-man is* (or at least appears to be) irremediably, completely, integrally, absolutely, irrefutably, fully and totally, wonderfully crazy!

 If and when (hopefully soon: before it is alas too late) the Aliens [...] decide finally to save planet Earth by completely exterminating the human race, these ten-and-fragmented-first could represent the last (dis)human requiem granted(us) before the final eradication.

The review praises Dopplereffekt's 'Calabi Yau Space' as a brilliantly crazy, cybernetic musical work that explores sci-fi and mathematical themes. It highlights the album's experimental nature, rich soundscapes, and references to robotics and alien conceptions. The reviewer admires its complexity and unique sound, likening parts to Kraftwerk and Richard D. James. The album is framed as a cosmic and futuristic requiem blending otherworldly ideas with electronic music. Dive into Dopplereffekt’s cosmic soundscape—listen to 'Calabi Yau Space' and experience futuristic electronic brilliance now!

 A perfect and synergic musical-literary amalgam named 'La terra della mia anima', based on the adventurous, documented vicissitudes of the itinerant Beniamino Rossini.

 I personally appreciated some remarkable reprises of some among the most brilliant and epochal Aree-Areostatic pieces.

This review celebrates the live performance of 'La Terra Della Mia Anima' by Patrizio Fariselli Project, featuring Massimo Carlotto's narration and immersive musical accompaniment. The show brilliantly merges literary storytelling with dynamic, multi-layered progressive rock and electronic sounds. Highlights include reinterpretations of classic Aree pieces and a vivid portrayal of the turbulent life of Beniamino Rossini. Despite a modest audience, the event offered a deeply enriching and unique artistic experience. Discover the captivating fusion of music and literature in Patrizio Fariselli’s La Terra Della Mia Anima—listen and explore this unique live performance!

 They provide a valid opportunity for those who feel the need to (re)approach certain sounds characterized by strong aggressiveness.

 These filthy-busted, voluminous, pan-Germanic and reactualized Amphetamine Reptile convolutions appear to me as the best that can be offered piously to the enthusiastic sound-capturing pavilion.

Pissed Jeans' second album Hope For Men offers a compelling noise-rock experience influenced by iconic underground bands of the 90s. The album features aggressive guitars, intense vocals, and strong imagination, making it enjoyable even to those less accustomed to harsh sounds. Released by SubPop, it revives a style characterized by rawness and performance skill. Fans of innovative and challenging rock should give it a listen. Dive into Pissed Jeans' Hope For Men and experience the raw energy of noise rock—listen now and unleash the underground sound!

 The global sound-space-temporal coordinates staged... truly do not differ substantially from what has already been eavesdropped in the more or less recent past.

 The intervention of His (Cure)Majesty Mr. Robert Smith in the cunning "Please" appears increasingly pleonastic if not completely avoidable.

Paul Hartnoll’s debut solo album 'The Ideal Condition' offers a familiar electro/house/techno soundscape with some experimental moments. While some tracks evoke Orbital-era nostalgia and feature notable guest artists like Joseph Arthur and Robert Smith, the album overall lacks major innovation. Highlights include 'For Silence' and 'Patchwork Guilt', but certain elements, such as Robert Smith’s contribution, feel unnecessary. Listeners seeking both comfort and novelty will weigh its strengths and limitations closely. Explore Paul Hartnoll's 'The Ideal Condition' to discover a blend of classic electronic sounds and unique collaborations.

 The film pleasantly intrigues for the audacity of certain unusual imaginative and plot-making options and for the understandable/commendable capacity to want to break free from the unfortunate/stale classic standards.

 It tends to want to equilibristically handle a pseudo-experimental immaterial drama with ashen metaphysical horror tints of which it does not possess the total, adequate and effective cine-brain-manual skill.

Alex Infascelli's H2Odio is an ambitious third film noted for its innovative distribution and unique artistic elements, including a soundtrack by Steve Von Till and visuals by Ana Bagayan. While it impresses with some audacious plot and stylistic choices, the film struggles with inconsistent execution and lacks full cinematic mastery. It challenges traditional Italian film distribution by bypassing usual channels, aiming for wider access. Overall, it is a noteworthy but uneven piece appreciated for its daring approach. Discover the bold vision of H2Odio—explore this daring Italian film's unique style and innovative distribution today!

 Among the most intense, bold, neuronally destabilizing, and subliminally cathartic works presented in the past decade.

 A filmic structure dominated and permeated by an almost paradoxical stillness: indescribable endless long takes filled with deafening silences.

Sharunas Bartas’ 1996 film 'Few Of Us' is a daring and intense cinematic experience. Shot entirely in Siberia, it embraces stillness, silence, and long, hypnotic takes. The film defies conventional narrative with no dialogue and minimal human interaction, creating a deeply cathartic and exhausting viewing. Presented at Cannes in the Un Certain Regard section, it stands as a bold work of visual and emotional art. Explore Sharunas Bartas' bold and immersive film 'Few Of Us'—an unforgettable journey into cinematic silence and visual poetry.

 Festen is a cantankerous, disorienting piece, endowed with a delightful anarchic, irreverent profile at times caustically hilarious.

 The film highlights, through a noticeable dose of unhealthy irony, the poorly concealed and destabilizing grim baseness potentially inherent in the human soul.

Festen, directed by Thomas Vinterberg, stands as a groundbreaking and unsettling debut film that launched the Dogme95 movement. Known for its raw, handheld filming style and strict creative rules, the film explores a tense family reunion where dark secrets resurface. It combines anarchic humor with a sobering examination of human hypocrisy and emotional depth. Festen remains a landmark for radical independent cinema. Discover the bold world of Dogme95 by watching Festen—experience cinema stripped to its raw emotional core.

 Et Voila a successful and anything but cloying/sickening way to organize sound/noise.

 The remarkable tonnage of mighty/spiky synthesizerhood indelibly furrow the space (void?) between the two fleshy-cartilaginous auditory-perceptive cranial extremities.

Kling Klang’s debut album 'The Esthetik Of Destruction' offers a compelling mix of heavy experimental synths rooted in krautrock traditions. Featuring dense, spiky synthesizers and a rich blend of vintage and futuristic sounds, the album stands out with tracks like 'Heavydale' and 'Apex.' Originating from the UK yet inspired by German electronic pioneers, this 2006 release consolidates past works into a tightly crafted sonic experience. The review praises its innovative approach and captivating sound dynamics. Dive into Kling Klang’s bold synth explorations and experience the fusion of past and future krautrock soundscapes!

 The sensation caused by the complete listening ... is that of admiring a striking sound-constellation characterized by a very high density of executive richness.

 A thick series of elements (contemporary, jazz, improv., free, psychedelia, hard-bop and who knows what else) are miraculously gathered (not overlapped) and rendered exquisitely accessible.

Rob Mazurek’s Exploding Star Orchestra album 'We Are All From Somewhere Else' is a rich, cosmic jazz fusion work blending jazz, free improv, and psychedelia into a sophisticated soundscape. The album’s structure and dense orchestration offer a captivating listening experience that channels Sun Ra’s influence while introducing fresh elements. Its layered instrumentation and exploratory spirit make it a rewarding listen for adventurous jazz lovers. The review praises its complexity, accessibility, and innovative blend of styles. Discover the cosmic depths of Rob Mazurek’s Exploding Star Orchestra and experience jazz like never before.

 "The succinct, digital-delicacy intrinsic to the crepuscular fragment named 'Moan' leaves more than pleasantly surprised."

 "There are... several fragments not exactly (con)vincing if not concretely negligible, but this doesn’t so heavily affect the sporadically appreciable results of the ample work."

The review examines Trentemøller's debut album 'The Last Resort', noting its ambitious two-CD length and diverse electronic styles. While some tracks like 'Moan' and 'Take Me Into Your Skin' are praised for their depth and atmosphere, others fall into cliché or routine dance-floor territory. Despite unevenness, the album offers a substantial contribution to the techno and deep house scene with appreciable moments, positioning Trentemøller as a promising artist. Discover Trentemøller's debut album and explore its rich, atmospheric electronic soundscapes today!