You are not logged in
DeRank ™: 1,09 • DeAge™ : 7222 days
A film that could have been clever, dynamic, and somewhat unique suddenly turned into a jumble of poorly resolved 'good intentions.' A 'mediocre' film, I would say sweetish and covered with sappy and sticky sugariness that you can't get rid of even by washing your hands with Viakal.
A film that could have been clever, dynamic, and somewhat unique suddenly turned into a jumble of poorly resolved 'good intentions.'
A 'mediocre' film, I would say sweetish and covered with sappy and sticky sugariness that you can't get rid of even by washing your hands with Viakal.
The reviewer found Ben Stiller's 'Walter Mitty' disappointing despite its beautiful locations. The film suffers from weak direction, slow pacing, and clichéd themes. While some dream sequences add minor interest, the overall experience was dull and frustrating. The ending was deemed banal and unconvincing. Discover why Walter Mitty falls short despite its stunning visuals—read the full review and decide for yourself!
"This is too harsh, too much blood, no." An artist obsessed with details, capable of filling EVERY SINGLE panel with any object, even the most marginal.
"This is too harsh, too much blood, no."
An artist obsessed with details, capable of filling EVERY SINGLE panel with any object, even the most marginal.
This review praises Frank Miller's original Robocop comic, highlighting its raw brutality and rich details unlike the softened film adaptation. The artwork by Juan José Ryp is celebrated for its meticulous complexity, making the comic a mesmerizing but intense read. The story blends violence with moments of humor and epic machismo, encouraging readers to dive back in again and again. Dive into Frank Miller's original savage Robocop comic—explore the raw story and mesmerizing art now!
"Don Zauker, the insane exorcist priest from whom Quentin Tarantino will soon make a film (or at least I really hope so)." "A grotesque and delightful comic containing the most malicious, misogynistic, violent, pornographic, blasphemous and politically incorrect things one can read in a comic book today."
"Don Zauker, the insane exorcist priest from whom Quentin Tarantino will soon make a film (or at least I really hope so)."
"A grotesque and delightful comic containing the most malicious, misogynistic, violent, pornographic, blasphemous and politically incorrect things one can read in a comic book today."
Don Zauker Esorcista is a boldly irreverent comic by Emiliano Pagani and Daniele Caluri, featuring a cynical exorcist priest who challenges religious and social norms. With sharp sarcasm and controversial themes, this graphic novel stands out for its unique humor and bold political incorrectness. The large, glossy collection of short episodes combines provocative commentary and striking artwork, sparking debates and praise alike. Dive into Don Zauker’s audacious world—read this provocative comic and experience humor like never before!
This weak and old pseudo satire without any bite and without the slightest ability to outrage, scandalize, or shame anyone? Enough with the gratuitous desecrations. Enough with the sleazy exploiters, who circulate both in politics and in civil society.
This weak and old pseudo satire without any bite and without the slightest ability to outrage, scandalize, or shame anyone?
Enough with the gratuitous desecrations. Enough with the sleazy exploiters, who circulate both in politics and in civil society.
This review harshly criticizes the revived Il Male magazine as weak, outdated, and lacking the provocative edge of the original publication. The author laments the loss of the magazine's historical significance and sharp satire, blaming the current publishers and authors for exploiting its name without delivering impactful content. The reviewer calls for the return of the original spirit or the closure of this version. Discover why the new Il Male fails to deliver the sharp satire it once was—read the full critical review now!
The three short stories are the most sluggish Apaz has presented to us. I'd rather go back to reading Pompeo, Zanardi or Penthotal.... where YES, it's a whole other "storielett."
The three short stories are the most sluggish Apaz has presented to us.
I'd rather go back to reading Pompeo, Zanardi or Penthotal.... where YES, it's a whole other "storielett."
The review expresses disappointment in Andrea Pazienza's 'Sotto Il Cielo Del Brasil,' describing the stories as sluggish and lacking creativity. The reviewer criticizes the use of coarse colors and professional but uninspired dialogues. Despite Pazienza's fame, these works fail to excite compared to his other creations like 'Zanardi' or 'Pompeo.' The album receives a low rating, highlighting unmet expectations. Discover the full review and decide if Andrea Pazienza’s lesser-known stories are worth your time.
A kind of demented and at times brilliant TOM & JERRY, without words, without filters, without 'well-meaning' that pierced (and spoiled!) the young minds of the readers. The contrast between the 'childish' sign and the 'heavy' contents indeed created a unique short circuit.
A kind of demented and at times brilliant TOM & JERRY, without words, without filters, without 'well-meaning' that pierced (and spoiled!) the young minds of the readers.
The contrast between the 'childish' sign and the 'heavy' contents indeed created a unique short circuit.
Massimo Mattioli's Squeak The Mouse is a pioneering underground comic from 1982, known for its childish drawing style paired with brutal violence, sex, and dark humor. Inspired by Robert Crumb, it broke traditional comic norms and was frequently censored. The work remains a rare cult classic with a unique mix of irreverence and artistic boldness. Its contrast between innocent visuals and heavy content offers a shocking and memorable reading experience. Discover the wild world of Squeak The Mouse and experience a cult comic like no other!
"It is the supreme mockery, the metaphysics of exploded Italy, the portrait of the last two - crucial - years of a pleasure-seeking and eating power." "NEVER, as after the 'reading' of this book, have I felt so 'disgusted' to feel Italian."
"It is the supreme mockery, the metaphysics of exploded Italy, the portrait of the last two - crucial - years of a pleasure-seeking and eating power."
"NEVER, as after the 'reading' of this book, have I felt so 'disgusted' to feel Italian."
UltraCAFONAL by Roberto D'Agostino and Umberto Pizzi is a biting satire capturing Italy's decadence over recent years. Combining cynical commentary and provocative imagery, it depicts a society engulfed in vulgarity, corruption, and moral decay. The review sees the book as unapologetically disturbing and deeply discomforting, evoking feelings of nausea and indignation. Despite its harshness, the book powerfully reflects on the distorted realities of modern Italy. Discover UltraCAFONAL for a provocative and unfiltered look at Italy's chaotic soul.
A film dramatically ruined by the Italian dubbing, with a voice I would dare call "television-like," not at all dramatic and too forced. An ending so foolish even Ed Wood would never have conceived it!
A film dramatically ruined by the Italian dubbing, with a voice I would dare call "television-like," not at all dramatic and too forced.
An ending so foolish even Ed Wood would never have conceived it!
Rodrigo Cortés' film Buried, touted as innovative, fails to deliver with an overhyped premise of a man trapped in a coffin. Despite skilled cinematography, the single-actor setup, poor Italian dubbing, and implausible plot details mar the experience. The reviewer finds the film riddled with technical absurdities and an absurdly foolish ending. Ultimately, the film is dismissed as a cinematic flop that did not live up to its hype. Discover why Buried failed to live up to the hype—read the review or watch the film to judge for yourself!
This 'King of Limbs'... is a faded copy of things we’ve already heard. No use: everything got lost behind elaborated and skillfully distorted sound-design... but at the same time uninteresting and much less memorable.
This 'King of Limbs'... is a faded copy of things we’ve already heard.
No use: everything got lost behind elaborated and skillfully distorted sound-design... but at the same time uninteresting and much less memorable.
The King Of Limbs, Radiohead's 2011 album, is seen as a missed opportunity with only eight tracks under 36 minutes. The album feels rushed and uninspired, recycling old ideas without the band's usual creativity. It lacks the memorable songwriting of previous works like Kid A and OK Computer. Overall, the review expresses disappointment and hopes for a stronger future release. Discover if Radiohead’s The King Of Limbs lives up to the hype – read the full review and decide for yourself!
"Happy Family, Unhappy Film." A frankly bad film, that doesn’t entertain (you NEVER laugh), filled with “old” stereotypes that never add an interesting touch.
"Happy Family, Unhappy Film."
A frankly bad film, that doesn’t entertain (you NEVER laugh), filled with “old” stereotypes that never add an interesting touch.
Happy Family by Gabriele Salvatores is viewed as a dreary, superficial film lacking direction and fresh ideas. The movie fails to entertain, burdened by clichés and awkward acting. Despite a brief moment of interest in a Pirandellian scene, the overall experience is one of boredom and disappointment. Discover why Happy Family falls flat—read the full review and see if you agree!
DeRank™: 5,88
DeRank™: 2,19
DeAge 6730
DeAge 7279
DeRank™: 1,58
DeRank™: 9,08
DeRank™: 12,07
DeRank™: 2,74
DeRank™: 0,00
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.