Bartleboom

 "Trapped! fits perfectly into this picture of a power not yet 'corrupted' and, indeed, represents one of its best exemplars."

 "The result is an album that almost doesn’t care about sounding 'metal' at all costs... catchy vocal lines and danceable melodies."

The review highlights Rage's 1992 album Trapped! as a prime example of early Teutonic power metal before the genre became overly commercialized. The album is praised for its technical skill, dynamic compositions, and catchy melodies, particularly crediting Manni Schmidt's guitar work and Peavy Wagner's matured vocals. The reviewer emphasizes that despite criticism of power metal’s later evolution, albums like Trapped! retain their quality and significance within the genre’s history. Explore Rage's Trapped! album to experience a raw and dynamic foundation of Teutonic power metal history.

 "A mosaic whose pieces are indeed placed next to each other, but without there being any real adhesive to blend them into a unified figure."

 "An album that, just like the 'small circular walks' of the title, seems to embark on many, perhaps too many paths, yet never truly arrives anywhere..."

The Pilgrim Fathers' debut album explores a blend of space rock, post-core, and 70s blues with richly textured soundscapes. While the album boasts enchanting and tense atmospheres and notable influences from Pink Floyd and Mogwai, its musical patchwork feels overly forced at times. The frequent shifts in style and sound suggest many paths without a clear destination, leading to a mixed overall impression. Discover the unique blend of space rock and post-core in Pilgrim Fathers' debut—listen now and explore their intriguing musical journey!

 "In terms of heavy-psych, I don't think there's anything better out there at the moment" (quoted from Rumore).

 "This 'Morning Wood' is very little smoke and a lot of roast."

Blowback's 'Morning Wood' offers heavy, Sabbath-like riffs and stoner boogie grooves reminiscent of Orange Goblin. However, it lacks the psychedelic effects and originality that define heavy psych. The album feels familiar and outdated, not standing out in the current scene. Discover if Blowback's 'Morning Wood' lives up to the heavy psych hype—listen and decide for yourself!

 I want to offer my sincerest apologies for initially ridiculing [Sabotage Bar] with a '...it's a dump!'

 Manni’s expressions... an octopus with saboteur genius aspirations, cracking up the audience with funny faces.

The reviewer shares a nostalgic and intimate account of driving 480 km to see Colour Haze live in a small, rough but charming venue in Vicenza. Despite initial hesitations, the concert's atmosphere, the band's performance, and amusing interactions made it memorable. The Sabotage Bar's unique character and friendly vibe stood out as much as the music itself. Minor flaws did not overshadow the overall enjoyment and personal significance of the event. Discover the raw charm of Colour Haze live—read the full review and immerse yourself in this unforgettable stoner rock night!

 They play pure seventies school hard fuzz, primitive and ignorant, borrowing from the proto heavy blues of their fellow townsmen Blue Cheer.

 No rock star poses, more enthusiasm than personal hygiene, production that rather than 'Garage' would be called 'Hand Car Wash' and sounds more low-fi than vintage.

Dzjenghis Khan's self-titled debut album delivers raw 70s-style hard fuzz rock infused with punk attitude and psychedelic touches. The trio from San Francisco leans heavily on influences like Blue Cheer and Hawkwind, producing a lo-fi sound full of energy and sweat rather than polish. Though not groundbreaking or essential, the album offers fun nostalgia and rugged charm. Its stripped-down, gritty style is perfect for fans of primitive hard rock and garage punk scenes. Dive into Dzjenghis Khan’s gritty fuzz rock and experience a raw blast of 70s proto heavy blues today!

 In that book, the debut of a slightly over twenty-year-old Enrico Brizzi, I found everything I had and everything I would have wanted to have.

 I recently reread 'Jack Frusciante è uscito dal gruppo'... and found it still 'alive'... 'sincere'... devoid of the embarrassing artificiality that soils so much of today’s youth literature.

The reviewer recounts the intense personal connection with Enrico Brizzi’s 'Jack Frusciante è uscito dal gruppo' at age 16, highlighting its youthful passion and nostalgic appeal. Revisiting the book later, they recognize its honest sincerity but also its adolescent naiveties and forced elements. The review blends fond memories with critical maturity, reflecting growth and changing perspectives over time. Rediscover the raw emotions of youth with Enrico Brizzi’s classic coming-of-age novel.

 It’s an album that loves to wear a space suit over one of those corduroy suits my father wore when he was young.

 When 'Fin' comes on, you know the journey is over. You sit down, stretch your legs, and watch the sunset, knowing you can stare it in the eye without getting hurt.

Nebula's 2003 album Atomic Ritual delivers a rewarding blend of stoner, garage, and psychedelic rock full of fuzz and Hendrix-inspired wah wah. Despite minor flaws in a few tracks, the band resurrects the spirit of their earlier works with dynamic riffs and spacey aesthetics. Eddie Glass leads with strong guitar performances alongside solid contributions from drummer Ruben Romano and bassist Tom Davies. The album balances vintage rock with modern stoner vibes, creating a compelling musical journey. Dive into Nebula’s Atomic Ritual and experience a powerful stoner rock voyage full of psychedelic riffs and vintage vibes!

 NINETY minutes of 'cosmic hard rock instrumental' jams and psychedelic lights flashing in the dark like B-beams near the Tannhauser gate.

 Drummer Mario Rubalcaba drops his pants and shows the world that... he’s got balls that big underneath.

Earthless’ Live at Roadburn captures a 90-minute journey of cosmic hard rock jams blending blues, stoner, and space rock. The San Diego trio’s live improvisations showcase intense musicianship, especially the commanding drumming. While the lengthy psycho-instrumental drift can be hypnotic and immersive, it may challenge casual listeners. Overall, the album highlights the unique live energy and experimental spirit of the band and the festival. Dive into Earthless’ epic live jams and experience the cosmic psychedelic ride from Roadburn now!

 A record of vintage distortions so gripping it’s like being stuck to '220V'.

 A very successful 'sonic déjà vu' through the streets of a city one thought they knew by heart.

Graveyard's 2008 self-titled debut captures the spirit of late 60s and early 70s rock with impressive authenticity and soulful execution. The band successfully combines vintage riffs, blues, and psychedelia with fresh songwriting. Their sound stands out among peers by blending influences with elegance and analog roughness. The album is praised for its nostalgic yet inspired atmosphere that invites listeners to rediscover classic rock's essence. It’s a seasoned revival rather than mere imitation. Discover Graveyard's vintage rock revival—listen to their debut and experience classic riffs reimagined with soul.

 Colour Haze managed to renew those sensations in me.

 I would be content if [the album] were considered an album that doesn’t need words to be explained.

The reviewer reminisces about the deep connection once felt toward music and finds that Colour Haze rekindled those emotions. The interview with Stefan Koglek offers insights into the band's evolution, broad musical influences, and personal experiences. Koglek emphasizes their diverse inspirations beyond typical stoner rock labels and reflects on meaningful moments in their career. The review highlights the passion behind the music and the thrill of being a fan again. Read this heartfelt interview and rediscover the passion behind Colour Haze's unique sound!