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 "A truly atypical record for the national production that seemed to want to make Edoardo say 'don’t label me, I can do other things and you can’t constrain me in a genre or label'"

 "...magnificent this vintage Bennato, autarchic, nonconformist, irreverent, and damnably out of line... light years away from this puppet with strings we see nowadays..."

The review highlights Edoardo Bennato's 1980 album Uffà! Uffà! as an unconventional and bold release that defied Italian music norms. The album is praised for its diverse tracks, literary and musical experimentation, and prophetic lyrics. Bennato’s irreverence and creativity shine through both the music and its unique cover art, making it a standout entry in his discography. Listen to Edoardo Bennato's Uffà! Uffà! and experience a bold blend of rock, funk, and irreverence that shaped Italian music history.

 It’s the body that plays. Here bodies communicate and do so “together”, in an ancient and simple communion.

 Fantasy, originality, and overflowing eclecticism are not lacking, and there is much fun to be had, especially live.

Rosolina Mar's 'Before and After Dinner' is a vibrant and unpredictable album blending rock, funk, and post-rock influences with a physical, visceral energy. The band avoids traditional vocal dominance, focusing on instrumental interplay and jam-inspired tracks. Their eclectic style ranges from Hendrix-like complexity to indie and hard rock references, creating a unique sound from a Venetian power trio. The review praises the album's originality and live performance vitality, anticipating future works. Listen to Rosolina Mar's 'Before and After Dinner' now and experience a fresh, energetic twist on rock music!

 An insanely mad and strangely fascinating album where the boundaries between instruments and the parts obtained from the computer become increasingly blurred until they vanish.

 Old Frank had already figured everything out and, as usual, was turning everything upside down, laying the foundations for new music without genre definition and without structural or formal limits.

Jazz From Hell is a visionary 1986 album by Frank Zappa that blurred the lines between live instrumentation and computer-generated sounds. Ahead of its time, the record challenges genre classifications and is seen by many as an avant-garde near-masterpiece. The album's intricate rhythms and innovative production highlight Zappa's genius and experimental spirit. Recommended for listeners with adventurous ears looking for boundary-pushing music. Dive into Frank Zappa’s Jazz From Hell and experience an unparalleled journey through avant-garde soundscapes!

 An album born 'tired,' lacking in punch, with the same monotonous rhythm.

 A dreadfully boring album, in fact, even more.

This review harshly critiques Neil Young & Crazy Horse's 2003 album Greendale as dull and lifeless, lamenting its monotonous rhythms and unengaging lyrics. Despite acknowledging Neil Young's historic significance, the reviewer finds the album boring and lacking musical excitement. The lyrical content is considered obscure and inaccessible, failing to save the album from overall disappointment. Discover why Neil Young's Greendale missed the mark for some—read the full review and listen to decide for yourself!

 Just a band of scruffy musicians who, between a serious album and a quick gig, enjoyed playing the classic dance venue tunes of the fourth rate.

 Little songs as small and tender as a baguette just out of the oven, like a little marzipan airplane, like a glass of soda from the old days.

Pascal Comelade's album Un Tal Jazz is a charming and playful mix of folk, ballroom, rumba, and tango rooted in Central European tradition. The album features quirky instruments like accordions and toy instruments, evoking a vintage European folk vibe. It lacks experimentation but offers genuine fun and warm, tender songs. Fans of Yann Tiersen or Les Négresses Vertes may appreciate its chaotic yet nostalgic atmosphere. Overall, it's a delightful listen full of character and charm. Dive into the whimsical world of Un Tal Jazz and experience Pascal Comelade’s playful homage to European folk traditions.

 The desperate, futureless melancholy of the soft, introspective singing... induced me, after just one listen, to make an extreme... and irrevocable decision.

 The Lolli of the early '70s, with his 'joie de vivre' took over... and slitting both wrists was the only possible reaction... inevitable and, if I must say, let's even call it 'liberating'...

This review expresses a deeply emotional and resigned reaction to Claudio Lolli's album 'Un uomo in crisi.' The melancholic, slow-paced songs and somber guitar evoke a heavy, almost suicidal mood. The reviewer contrasts this with Lolli's later more lively prog/fusion style but ultimately criticizes this specific early 1970s work for its bleak tone and difficult listening experience. Dive into the intense melancholy of Claudio Lolli's 'Un uomo in crisi' and explore a classic of Italian singer-songwriter music.

 If you want to get close to one of the best contemporary sounds, arm yourselves with 3D glasses and you’ll see the absolute masterpiece of this guitarist.

 This album holds an extremely high artistic (and I would say... therapeutic) value that reconciles anyone with the world.

Beyond The Missouri Sky by Charlie Haden and Pat Metheny is praised as a fresh and refined jazz album with a unique, almost 3D musical depth. The review highlights the peaceful, evocative atmosphere created through delicate interplay between guitar and double bass. It is seen as an artistic and therapeutic masterpiece that transcends typical virtuoso displays in favor of subtle, emotive expression. The album's title perfectly captures the enveloping mood. Discover the soothing 3D soundscape of Beyond The Missouri Sky—listen now and experience jazz like never before.

 What’s the point of practically remaking these little songs identical, again, charming and enjoyable but suitable only for TV jingles?

 Here from the Kronos Quartet of the good old days, only some pleasant fiddling is left, blurred by some tablas and a few pipa.

The album blends Bollywood classics by RD Burman with Kronos Quartet's string arrangements, featuring Asha Bhosle's vocals and contributions from Zakir Hussain and Wu Man. While pleasant, the reinterpretation lacks the bold, innovative spirit fans expect from the quartet, resulting in a safe but uninspired production. The reviewer suggests the collaborators missed an opportunity to truly experiment and elevate the material. Listen to Kronos Quartet & Asha Bhosle's Bollywood tribute and decide if it hits the mark or misses the boldness!

 I saw them live and found them electrifying, Zappa-esque, and unpredictable.

 Minor flaw: the lack of vocals/a singer to better bind the vast amount of material presented.

Rosolina Mar's debut album delivers an electrifying and unpredictable mix of jazz fusion, hard rock, and progressive influences reminiscent of Frank Zappa. The Verona-based trio’s live energy is well captured, though the album’s instrumental focus lacks vocals that might unify its diverse material. Their upcoming second album may reveal a shift towards song format, promising further exploration. Discover Rosolina Mar's unique jazz-rock fusion—listen to their debut and stay tuned for their next album!

 An album so cloying, fake, and anachronistic hasn’t been heard in I don’t know how long.

 Never has an album title been so spot on: NO (indeed). Album completely useless and downright boring.

This review harshly criticizes New Order's album 'Waiting For The Sirens' Call' as cloying, fake, and outdated. The music is described as simplified with predictable structures and lacking memorable choruses. The reviewer sees it as a failed attempt to revive a dead genre, driven by nostalgia or commercial motives. Overall, the album is called boring and a waste of time and money. Read the full review to see why this New Order album fails to impress and explore more honest music critiques.