Cover of New Order Waiting For The Sirens' Call
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For fans of new order,critics of new wave revival,listeners interested in 2000s music,followers of post-punk and new wave,music reviewers and enthusiasts
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THE REVIEW

I am speechless.

An album so cloying, fake, and anachronistic hasn't been heard in I don't know how long.
Simplified tempos over classic 3/4, classic major chords of disarming obviousness, practically nonexistent choruses and refrains: in short, I don't understand why anyone would come up with an album like this today, when the new wave is dead and buried, except for pure money and for some unfortunate nostalgist convinced they're still hearing echoes of Joy Division (read: Duran Duran effect).

Never has an album title been so spot on: NO (indeed). Album completely useless and downright boring.
To those who buy it= wasted money and to those who review it= wasted time (indeed).

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Summary by Bot

This review harshly criticizes New Order's album 'Waiting For The Sirens' Call' as cloying, fake, and outdated. The music is described as simplified with predictable structures and lacking memorable choruses. The reviewer sees it as a failed attempt to revive a dead genre, driven by nostalgia or commercial motives. Overall, the album is called boring and a waste of time and money.

Tracklist Lyrics Videos

02   Hey Now What You Doing (05:16)

03   Waiting for the Sirens' Call (05:42)

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05   I Told You So (06:00)

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06   Morning Night and Day (05:12)

07   Dracula's Castle (05:40)

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09   Guilt Is a Useless Emotion (05:39)

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11   Working Overtime (03:25)

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New Order

New Order are an English band formed in Manchester in 1980 by Bernard Sumner, Peter Hook and Stephen Morris after the end of Joy Division; Gillian Gilbert later joined. They became influential for merging post-punk with electronic and dance music, with classics such as “Blue Monday.”
26 Reviews

Other reviews

By SouthMan

 Peter Hook as usual is superb; his unmistakable bass tone is an audible guarantee for the New Order style.

 An album without praise or blame, high-finish pop-rock, with great production.