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 Mary Gauthier has an intense voice, rough and direct, but capable of unexpected sweetness and languor.

 In the infinite and sometimes imperceptible shades of gray, rather than in the dichotomy between blacks and whites, we observe the slow, inexorable progression.

Mary Gauthier's fifth album showcases her intense, raw voice with moments of sweetness and emotional depth. Produced by Joe Henry, the album explores complex themes between light and shadow with mature songwriting. It presents a subtle, powerful progression rather than dramatic outbursts, confirming her growth since Mercy Now. The essential instrumentation supports her poignant lyrical imagery, creating a compelling listening experience. Listen to Mary Gauthier's Between Daylight And Dark and experience her raw, soulful storytelling today.

 They string together a sequence of scenes that unfolds naturally, creating a changing sonic theater.

 A small album, but rich, well-crafted, tasteful, and sincere.

Bell Orchestre's 'Recording A Tape The Colour Of The Light' is a well-crafted, lively instrumental album blending chamber music and rock influences. The group uses diverse instrumentation, especially brass and strings, to create scenes of dynamic sound and mood. The album flows naturally with a playful yet sincere tone, offering a fresh and engaging listening experience. It stands out as a rewarding discovery connected loosely to Arcade Fire's Montreal scene. Listen to Bell Orchestre's rich and inventive instrumental album for a refreshing sonic journey.

 ‘E Pluribus Unum’ is an album divided into two long parts, blending psychedelia with the soul of indomitable blues.

 These 'long-haired guys' were traveling towards an elsewhere that would bring them back to the center of the mystery that inhabits us.

This review invites listeners on a rich, psychedelic journey through Sandy Bull’s 1968 album E Pluribus Unum. It highlights the blend of Eastern musical influences with blues and folk, its extended instrumental tracks, and the evocative atmosphere that crosses time and space. The reviewer appreciates Bull’s artistry and the album’s questing spirit, encouraging fans of 1960s experimental music to explore this lesser-known gem. Discover the mesmerizing blend of blues and Eastern psychedelia in Sandy Bull’s E Pluribus Unum—listen now and embark on a timeless musical journey.

 The voice is open, powerful, alive. And it immediately enters the bloodstream, takes possession of the inner space, armed with the disarming power of simplicity.

 It erases the unerasable distance marked by time and delivers to me a present that adheres to mine.

This review celebrates Charlie Patton as the foundational figure in Delta Blues. The author connects deeply with Patton's raw, powerful voice and authentic style. It highlights Patton’s pioneering role in blues history and the timeless, immersive quality of his music. The review blends personal reflection with admiration for Patton’s legacy. Listen to Charlie Patton’s legendary Delta Blues and experience the roots of American music history today.

 We perceive the existence of a small, abstract yet vivid world, rich in details.

 Listening to the second album of the September Collective turns out to be one of the most interesting walks taken this year.

September Collective’s second album, All the Birds Were Anarchists, invites listeners into a vibrant and immersive sonic landscape. The record combines gentle electronics with acoustic softness, creating ethereal atmospheres rich in intricate details. The improvised and manipulated sessions result in a unique and captivating sonic experience. The album stands out amidst similar productions as a memorable and rewarding auditory journey. Explore September Collective’s mesmerizing blend of electronic and acoustic sounds—listen to All the Birds Were Anarchists today!

 From the piano, a few notes rise: we see them oscillate and dissolve in the air, releasing reflections before they vanish.

 Rafael Anton Irisarri immerses us in a substance of nebulous and pearly luminescence, fostering the condition evoked by the title.

Rafael Anton Irisarri's debut album Daydreaming offers an ethereal blend of piano and ambient digital sounds. The music unfolds delicately, oscillating between wakefulness and hypnosis. The album creates a fragile emotional space full of fleeting reflections. Though subtle and introspective, its atmosphere lingers after listening. It represents a nuanced, modern take on classical and ambient fusion. Discover the hypnotic blend of piano and ambient textures in Rafael Anton Irisarri's Daydreaming — listen now and drift into its reflective soundscape.

 The album presents crystal-clear sounds where every subtle nuance of the alto clarinet’s timbre and suggestive percussion have the opportunity to 'resonate' like bright pearls.

 It seems to come from a pure yet not diaphanous source, teeming with riches accumulated over time and wonderfully re-proposed with modern sensitivity and spirit.

The review highlights Gianluigi Trovesi's album Vaghissimo Ritratto as a refined and lyrically rich jazz work blending European musical traditions with modern improvisation. The trio, including pianist Umberto Petrin and percussionist Fulvio Maras, creates a delicate yet dynamic sound landscape characterized by subtle nuances and interplay. The album balances experimental textures, ethnic hints, and singable melodies while emphasizing Trovesi's distinct clarinet voice. Praised for its quality and timeless appeal, the record is recommended as a standout release in contemporary jazz. Explore the intricate and lyrical jazz world of Trovesi’s Vaghissimo Ritratto—listen now and experience a modern classic in jazz.

 The album envelops us in an immersive atmosphere, painting scenarios rich in meticulous details.

 It is, undoubtedly, a cool album.

Artanker Convoy's Cozy Endings offers an immersive, genre-defying musical experience rich in vintage keyboard sounds and atmospheric detail. The sextet balances winds, guitars, drums, and percussion to create fluid, expressive tracks. The album's connection with visual art enhances its depth but remains compelling on its own. Overall, it’s an engaging and cool album without pretension. Listen to Artanker Convoy's Cozy Endings and dive into its rich, immersive jazz fusion soundscape today!

 Nothing but the three of them, those dialogues between guitars and drums, with sudden shifts and abrupt scene changes but in a constant flow (almost seamlessly).

 A game that seems to suffice in itself. And to them three. And also to me.

This 2006 album by Auto!Automatic!! impresses with its intricate interplay between guitars and drums, presenting a tense yet smooth flow. Unlike the more cerebral Battles, it focuses on pure musical dialogue without trying to prove a point. Despite being lesser known, it delivers an engaging listening experience infused with subtle energy and polish. Listen now to Auto!Automatic!!'s 'Another Round Won't Get Us Down' and explore its captivating musical dialogues.

 This is what it’s about: a collection of twelve unreleased tracks inspired by as many works of art.

 These are mostly rarefied tracks, generally electronic in genre, with rare electroacoustic inserts, vaguely ambient, sometimes traversed by some crackling sampling, sometimes by the saturation of a frequency, often slightly “dazed” as if wrapped in a fog.

On How A Picture Can Sound is a unique compilation blending electronic and ambient tracks inspired by famous and contemporary artworks. Released by the independent label I Dischi della Lepre, the album offers a rarefied, experimental listening experience that connects visual art with sound. The reviewer appreciates the concept and atmosphere, highlighting specific contributions like Maxanto's track inspired by Klein Blue. Though not life-changing, the project is a refreshing alternative in the music landscape. Discover how art translates into sound—listen to On How A Picture Can Sound now!