Cover of Bell Orchestre Recording A Tape The Colour Of The Light
odradek

• Rating:

For fans of arcade fire, lovers of instrumental and experimental indie music, listeners interested in vibrant chamber and rock hybrids.
 Share

THE REVIEW

I don't know about you, but the first Arcade Fire album was a nice surprise for me: I listened to it a lot after purchasing it, and if I listen to it again, it still seems noteworthy. However, (I don't know about you) I am distracted, not prone to enthusiasm, compulsive, bored. In short, an old teenager. And so, already the second one, which is a good record, did not play with the same frequency in the player. Between one album and the next, however, a couple of those Canadians along with other young people from Montreal and its surroundings had put together a group and had allowed themselves a day off. The result is the strange creature I am listening to, named Bell Orchestre. Had you heard of them? I hadn't; I discovered them today, by chance.

And I like it, I like it a lot: you can tell they were eager, you can understand that they enjoyed their free walk, armed with diverse instrumentation: free from song form, they string together a sequence of scenes that unfolds naturally, creating a changing sonic theater. They play a lot with brass instruments (the horn, especially) and carefully dose the strings, often turning the arrangements into a sort of bucolic, sui generis classicism but evocative in its own way. They don't forgo a certain rhythmic emphasis but blend it into settings thick with spicy, "rounded" sounds, or immerse it in a climax with slightly ironic tones ("Les Lumieres Part.2") to then steer towards sudden spaces of airy brightness, almost dreamy. And from there they start again, trotting or galloping, with a constant breeze slightly stirring the scene. Vital and generous, without excessive pretenses but not without reason, the album flows with surprising ease, and the tracks, in the intersection between a sort of chamber music and certain tendencies to hybridize "rock" genres already emerged in Arcade Fire, enjoy an almost physiological "singability," although they are all instrumental.

A small album, but rich, well-crafted, tasteful, and sincere. I don't know about you, but for me, sometimes, it's a godsend.

Loading comments  slowly

Summary by Bot

Bell Orchestre's 'Recording A Tape The Colour Of The Light' is a well-crafted, lively instrumental album blending chamber music and rock influences. The group uses diverse instrumentation, especially brass and strings, to create scenes of dynamic sound and mood. The album flows naturally with a playful yet sincere tone, offering a fresh and engaging listening experience. It stands out as a rewarding discovery connected loosely to Arcade Fire's Montreal scene.

Tracklist Lyrics Videos

01   Recording a Tunnel (The Horns Play Underneath the Canal) (00:42)

02   Les Lumières, Part 1 (06:17)

03   Les Lumières, Part 2 (03:50)

04   Throw It on a Fire (04:46)

instrumental

05   Recording a Tunnel (The Horns Play Underneath the Canal) (01:53)

06   The Upwards March (04:21)

07   The Bells Play the Band (01:19)

08   Recording a Tape... (Typewriter Duet) (03:41)

09   Nuevo (05:51)

10   Salvatore Amato (06:39)

11   Recording a Tunnel (The Invisible Bells) (13:28)

Bell Orchestre

Montreal-based instrumental ensemble known for blending chamber-music textures with post-rock sensibilities; notable albums include Recording a Tape the Colour of the Light and As Seen Through Windows.
01 Reviews