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DeRank : 14,42 • DeAge™ : 7922 days

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  • Here since 21 october 2003

 If 'the important thing is not the fall but the landing,' this review/sports commentary is the only worthy thing about this record.

 As every time I 'land' after listening to it, nothing remains; in short, no action for the replay.

This review critiques Korn's sixth album, 'Take A Look In The Mirror,' for failing to deliver the raw intensity seen in their first three albums. The reviewer finds the music largely repetitive and lacking innovation, with some highlights like 'Right Now' and 'Did My Time.' Despite some decent tracks, the album overall disappoints a fan longing for the old Korn sound. Discover why 'Take A Look In The Mirror' left fans longing for more—read the full review and listen to Korn's controversial sixth album now!

 This was the most commercially political accurate move in music history, let's say a 'Trojan horse' for the Billboard (in a good sense).

 With this last work... my admiration for Zack has increased... Zack has always said that RATM is not a band, they are the RAGE AGAINST THE MACHINE, and the music is secondary.

The review discusses the blend of metal and rap in Rage Against The Machine's 'The Battle Of Los Angeles,' highlighting the band's matured approach to political messages. While some fans felt the album lacked instinctiveness, the reviewer appreciates the strategic 'Trojan horse' approach to mainstream with strong political intent. Notable tracks like 'Guerrilla Radio' and 'Sleep Now In The Fire' grow stronger upon deeper engagement. The band’s evolution in image and style reflects their balanced rage and reasoning. Discover the power and politics behind Rage Against The Machine’s 'The Battle Of Los Angeles'—listen now and explore their revolutionary sound!

 Extremely intricate rhythms subject to continuous changes of speed, (while always keeping it very high).

 I’ve seen it multiple times among the 10 best metal albums of all time on various sites and magazines, surely the band’s masterpiece.

The review recounts a listener's journey from confusion to admiration for Meshuggah's Destroy Erase Improve. Praised for its intricate rhythms, jazz-fusion solos, and powerful performances, the album stands out as a metal masterpiece. The writer highlights its diversity, technical skill, and lasting impact. The album is celebrated as one of the best in metal history. Listen to Meshuggah's Destroy Erase Improve and experience one of metal's most innovative albums.

 A human drum machine showing great percussionists they should watch their backs.

 One of the greatest musicians around, for technique, ideas, talent for improvisation.

Billy Cobham's 1973 debut album 'Spectrum' is a technical and creative landmark in jazz fusion. Combining virtuosic drumming with innovative compositions, the album refreshed jazz for wider audiences. Cobham showcases his prowess in solo percussion pieces and collaborative tracks blending rock and jazz elements. Despite not breaking commercial records, 'Spectrum' remains essential for fans of the genre and musicians alike. Listen to Billy Cobham's 'Spectrum' and experience the power and innovation that reshaped jazz fusion forever.

 "The goal was fully achieved with an album of the highest level."

 "No self-copying, no excessive reimagining; you are listening to a unique group."

This review praises Tomahawk's 2001 debut album as a successful experimental hard rock project led by Mike Patton. The lineup of accomplished musicians delivers a unique and powerful sound reminiscent of Faith No More but stands apart from related acts. Tracks range from melodic to dark and distorted, with notable diversity including country ballad elements. The album is recommended for fans of innovative rock and crossover genres, earning a 4/5 rating. Listen to Tomahawk's debut to experience a fresh and powerful take on experimental hard rock!

 The final result is an album that’s definitely in step with the times of the electronic scene, distancing itself from the uncomfortable label of a 'House' group.

 Recommended for those fed up with the usual 'Tunz-Tunz Piripiri' that our local electronic artists feed us.

Basement Jaxx's Kish Kash marks a positive evolution from their previous work, embracing the new London electronic sound. The album balances varied bases and vocals while moving beyond their former house label. Some experimentation with rap falls short, but overall the album is innovative and reflective of current electronic trends. Listen to Basement Jaxx's Kish Kash and experience a fresh take on electronic music!

 After the horrible third album, which as Rap-Metal offends both genres, I didn’t even remotely deem it worthy to buy this record.

 I give it 1 star because I like money too, and they recorded this album playing monopoly, therefore I make an appeal: DOWNLOAD IT AND GIVE IT TO ALL THOSE WHO WOULD OTHERWISE BUY IT, BOYCOTT DURST!

The review criticizes 'Results May Vary' as a highly commercial and misguided album that strays far from Limp Bizkit's original sound. It condemns the lack of musical focus, calling the album a mishmash of styles with fake melodies. The reviewer urges fans to boycott Fred Durst’s efforts and instead download the album to prevent sales. Overall, it’s labeled as a disappointing follow-up and a sellout move. Discover why 'Results May Vary' disappointed fans and critics alike—read the full review or listen to decide for yourself.

 DAMN, THESE GUYS ROCK

 If you like koRn, S.O.A.D., the old Deftones, and some Soulfly, it’s impossible you wouldn’t like them.

This review praises Snot's album 'Get Some' as a standout in the nu-metal scene, highlighting Lynn Strait's distinctive vocal style and the band's strong instrumentation. Noted for their energetic live shows and memorable riffs, Snot is favorably compared to bands like Korn and SOAD. Despite the tragedy surrounding the lead singer, the album commands respect for its raw intensity and musical quality. The reviewer encourages fans of 90s alternative metal to explore this underrated gem. Listen to Snot's 'Get Some' and experience the raw energy that made this nu-metal band unforgettable.

 Stratos’ voice, capable of various modulations, with very abstract lyrics on the theme of 'non-violent freedom'.

 Either you won’t like them, or you’ll stay online for 2 days to get the complete discography.

Area's 1975 album Crac! blends jazz-fusion with experimental voice and instrumental mastery. The album offers complex rhythms and abstract lyrics on freedom. Recommended for jazz-fusion enthusiasts and adventurous listeners, it remains a unique entry point into the band’s discography. Though not the band’s best work, it captivates attentive listeners with its depth and innovative sound. Dive into Area’s Crac! and experience groundbreaking jazz-fusion and vocal experimentation today!