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DeRank ™: 65,53 • DeAge™ : 7409 days
M.elle le "Gladiator" is a debatable and steep work, an ideal border between experimentation and discard. Battiato has created a new experimental language that also draws from his own production.
M.elle le "Gladiator" is a debatable and steep work, an ideal border between experimentation and discard.
Battiato has created a new experimental language that also draws from his own production.
M.elle le "Gladiator" is Franco Battiato's most controversial experimental work, released in 1975 after Clic. Marked by rough synthesizer sounds, it represents a boundary between musical experimentation and abstraction. The album diverges from Battiato's prior works by expanding experimental sketches into a complex sound production. Though disconcerting to some fans, it remains a groundbreaking musical sculpture reflecting Battiato's autarkic artistic pursuit. Discover Franco Battiato's daring experimental journey in M.elle le "Gladiator"—listen now and experience a landmark in avant-garde music.
It is an open war with himself, the blind struggle that wants to emancipate his own bodily misery from a philosophical view of it. Now all this, and no less than this, is "X," Klaus Schulze, 1978.
It is an open war with himself, the blind struggle that wants to emancipate his own bodily misery from a philosophical view of it.
Now all this, and no less than this, is "X," Klaus Schulze, 1978.
The review explores Klaus Schulze's 1978 album X as a deep, philosophical and emotional work. It connects the album's atmosphere to themes from Nietzsche, Georg Trakl, Frank Herbert, and other intellectual figures. The music is seen as an artistic struggle reflecting existential conflicts such as madness, apathy, and the tension between morality and instinct. Schulze’s album is a sonic representation of human torment and philosophical inquiry. Dive into Klaus Schulze's X and experience a profound blend of philosophy and electronic sound—listen now!
"Cd 1: electric more than electronic music... the effect is distinctive and at the same time exhausting." "Cd 4: unbearable, nothing more to add. Score 4."
"Cd 1: electric more than electronic music... the effect is distinctive and at the same time exhausting."
"Cd 4: unbearable, nothing more to add. Score 4."
This review critically assesses Pan Sonic's 'Kesto (234.48.4)', describing its four CDs as a mix of harsh distortion, soft noise, introspective ambient, and minimal electronic sounds. While some tracks show moments of interest, overall the album is seen as exhausting and lacking meaningful progression. The reviewer assigns a low average score, deeming the album mediocre. Explore Pan Sonic's Kesto and decide if this experimental journey suits your taste in electronic music.
Gershwin was the first to "dress" jazz. Through classical music. In it, jazz lives and shines with its own light, it feeds on the symphonic trends of the nineteenth century to insert itself into them and gives rise to a new musical course.
Gershwin was the first to "dress" jazz. Through classical music.
In it, jazz lives and shines with its own light, it feeds on the symphonic trends of the nineteenth century to insert itself into them and gives rise to a new musical course.
This review highlights George Gershwin's pivotal role in merging jazz with classical music, emphasizing his works like Rhapsody in Blue and An American in Paris. It situates Gershwin within the cultural and historical transformations of the early 20th century, celebrating his innovative contributions. The review praises his ability to blend Afro-American blues with symphonic traditions, marking him as a key figure in music history. Discover Gershwin’s genius—listen to the iconic blend of jazz and classical in Rhapsody in Blue today!
Vangelis is the prototype of a complete musical genius: an eclectic composer, arranger, multi-instrumentalist, producer, and successful author. Vangelis’s 'Themes' are a work to be experienced, to be internalized. A small, deserved tribute to an often forgotten author hidden by the magnificent indirect advertising of his products.
Vangelis is the prototype of a complete musical genius: an eclectic composer, arranger, multi-instrumentalist, producer, and successful author.
Vangelis’s 'Themes' are a work to be experienced, to be internalized. A small, deserved tribute to an often forgotten author hidden by the magnificent indirect advertising of his products.
This review celebrates Vangelis as a versatile musical genius and innovative composer who shaped soundtrack and ambient music. His album 'Themes' compiles essential tracks from his prolific career, including seminal works from 'L’Apocalypse Des Animaux' to his Oscar-winning 'Chariots of Fire.' Known for working behind the scenes, Vangelis' music has left a lasting impact without seeking the spotlight. 'Themes' is an evocative tribute to his influential and often understated artistry. Discover the timeless sounds of Vangelis' Themes – listen now and immerse yourself in his legendary musical journey!
"Neu!2 is wonderfully failed records." "Neu! inadvertently reached a new form of experimentation ... not time as the base of investigation, but frequency, its mathematical reciprocal."
"Neu!2 is wonderfully failed records."
"Neu! inadvertently reached a new form of experimentation ... not time as the base of investigation, but frequency, its mathematical reciprocal."
Neu!2 is an experimental follow-up to Neu!'s pioneering debut, born from financial struggles that led to innovative speed manipulation on tracks. The album showcases rhythmic obsession, atonal driving patterns, and a dynamic structure, pushing the boundaries of 70s krautrock. Its imperfect yet fresh production underscores a bold musical statement that remains influential. Dive into Neu!2 to experience a groundbreaking krautrock journey marked by experimental genius and rhythmic innovation.
"Amarantine is a fine product of recycling. Already familiar to connoisseurs, pleasant as a Fernet to those approaching the artist for the first time." "Recycled, to be sure, but sounds good."
"Amarantine is a fine product of recycling. Already familiar to connoisseurs, pleasant as a Fernet to those approaching the artist for the first time."
"Recycled, to be sure, but sounds good."
Amarantine revisits and transforms earlier Enya melodies and themes into a softer, less original but still effective album. Several tracks echo her previous hits, making it familiar to fans and accessible to new listeners. Although some new material stands out, the album is mainly a careful recycling of past successes. Ultimately, it's a pleasant listen but not groundbreaking. Discover the familiar charm of Enya's Amarantine—listen now and experience her beautifully recycled soundscape.
A perpetual carillon sound emanating from the hands of a gentle young Frenchwoman just stepping into the world of music. In the enchantment of a rain of crystalline notes, everything rests in poignant stillness, in a captivated repose where everything seems to lie unwillingly.
A perpetual carillon sound emanating from the hands of a gentle young Frenchwoman just stepping into the world of music.
In the enchantment of a rain of crystalline notes, everything rests in poignant stillness, in a captivated repose where everything seems to lie unwillingly.
Colleen's album 'The Golden Morning Breaks' is a delicate, 45-minute journey through gentle melodies, melancholic tones, and ambient soundscapes. The music invokes images of baroque castles, ancient forests, and timeless stillness, anchored by the recurring motif of a carillon. The review highlights the album's enchanting blend of strings, guitar chords, and subtle electronic sounds, creating a bittersweet and vespertine atmosphere. Overall, it praises the album as a hidden musical gem worth discovering. Explore Colleen's enchanting 'The Golden Morning Breaks' and immerse yourself in a delicate, melancholic musical world.
"Sono solo canzonette" is a sincere and true Bennato, an extravagant performer who tells music critics to be content with the simple singer’s job. ‘They are just little songs, what did you expect...!’
"Sono solo canzonette" is a sincere and true Bennato, an extravagant performer who tells music critics to be content with the simple singer’s job.
‘They are just little songs, what did you expect...!’
The review praises Edoardo Bennato's 1980 album 'Sono solo canzonette' as an enlightening and playful work that embraces freedom and sincerity. Bennato uses the Peter Pan motif to explore themes like fantasy versus reason, while offering a critique of overly serious or politicized music. The album balances entertaining rock tracks with lyrical depth, showcasing Bennato's unique and bold approach in the Italian singer-songwriter scene. Listen to Edoardo Bennato’s 'Sono solo canzonette' and explore a unique blend of playful rock and honest storytelling.
"Faust and knowledge, the eternal aspiration for immortal wisdom." "Mephistopheles can wait longer."
"Faust and knowledge, the eternal aspiration for immortal wisdom."
"Mephistopheles can wait longer."
The review explores Faust's album 'So Far' as a conceptual and musical evolution from nihilistic despair to a hopeful celebration of life. Inspired by the Faust myth, the album combines Krautrock’s psychedelic soul with progressive and experimental elements. The tracks reflect philosophical struggles with knowledge, mortality, and the search for meaning, ultimately endorsing communal living and joy. The work stands as a pivotal transition in Faust’s career and the broader Krautrock movement. Discover Faust's 'So Far' and experience a profound Krautrock journey from despair to hope.
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