Pescegatto

 "No fear, but hope, you’ll find me here / I leave a light on," Samuel tells us, capturing the song’s tension and hope.

 It closes like collapsing exhausted into Morpheus’s arms, struck by sudden, sweet, and restful sleep.

Kennebec’s 'Leaving the Canyons' is a midtempo folk-electronic track that stirs bittersweet nostalgia and hope. With Samuel T. Herring’s emotive vocals and a delicate Peruvian flute, the song captures fleeting moments, lost memories, and emotional growth. The review highlights the track’s rich atmosphere and heartfelt storytelling, making it a poignant musical journey. Listen to Kennebec’s 'Leaving the Canyons' and immerse yourself in a soulful journey through memory and emotion.

 This album is, in my opinion, a milestone marking a new peak in their career.

 To fully appreciate this album, all you need is a micro-dose of concentration, a slightly bigger dose of free time, and a good pair of headphones.

The review covers King Gizzard & The Lizard Wizard's 21st album, highlighting its eclectic mix of afrobeat, jazz-fusion, and psychedelic rock. Recorded in seven days through long jam sessions, it explores cosmic and apocalyptic themes via seven extended tracks. The album demands attentive listening but offers rewarding complexity. This release marks a new peak for the prolific Australian band. Dive into King Gizzard’s latest cosmic journey—listen now and experience their psychedelic evolution!

 "This track is another planet!"

 "A track like Love You To Death manages, along with a few other pieces, to shed light on the great virtues of this band, namely being oneself beyond the exterior shell and appearance."

This review explores the author’s first encounter with Type O Negative through the track 'Love You to Death,' emphasizing the band’s unique gothic and metal blend. It highlights Peter Steele’s complex persona and tragic life story. The review reflects on the band’s musical evolution and lasting influence on fans and the metal community. A personal and vivid narrative captures the emotional depth of the music and lyrics. Explore the haunting depths of Type O Negative’s ‘Love You to Death’ and discover the fascinating story behind Peter Steele’s legacy.

 The theme is handled with a delicacy that even surprised me, a retrograde kattofascist with dubious musical tastes, and it makes me feel close to Krauter in the most human side of his story, one that unites all individuals: the suffering.

 The track is a guitar-driven downtempo and very pleasant, it really makes you want to dance, with its soft drum machine.

Kevin Krauter’s single 'Pretty Boy' delicately explores themes of bisexuality and personal loneliness through indie-pop sounds. The reviewer connects Krauter’s music to Mac DeMarco’s influence while highlighting the emotional and human aspects of the song. The track’s downtempo and guitar-driven style invite listeners to reflect and dance simultaneously. The review appreciates the careful handling of complex personal themes and praises Krauter’s authentic expression. Listen to Kevin Krauter’s 'Pretty Boy' and experience a heartfelt indie-pop journey that blends delicate storytelling with groovy rhythms.

 The sound of four stick clicks to keep time is heard, and then Patrick Park enters the scene first with his acoustic guitar...

 I recommend listening to the album to all folk lovers, perhaps without too many expectations, and to those who appreciate evocative packaging.

The reviewer shares a deeply personal experience discovering Patrick Park's album Come What Will, praising its evocative packaging and sincere, Neil Young-inspired acoustic folk sound. The music is described as full yet simple, inviting repeated listening. The album is recommended especially to folk lovers and those appreciating subtle artistic packaging. Overall, the review conveys admiration and emotional connection. Listen to Patrick Park's Come What Will and experience heartfelt folk music with evocative storytelling and sincere melodies.

 The atmosphere was very relaxed, quite different from the elaborate organization I would perceive at another concert during the Yanez Tour in 2011.

 I still consider it one of the most engaging concerts I’ve ever attended, where the cantastorie del lago proved his storytelling and poetic skills when we were still 'few' in Italy who knew and appreciated him.

This review recounts a nostalgic and emotionally rich experience attending Davide Van De Sfroos' 2007 live concert at Bobbio Film Festival. The intimate setting and close connection between the artist and audience are emphasized. The reviewer reflects on the artist’s shy personality and later understanding of his emotional struggles. The concert’s storytelling and live performances are praised as deeply engaging. Discover the intimate charm of Davide Van De Sfroos' early live shows—listen to this memorable 2007 concert now!

 I listen to you when I go grocery shopping, when I'm in the bathroom, when I cook, when I work, and when I write reviews of your program on Debaser.

 Lo-fi hip hop... relaxes me more than a Thai massage, it takes away some of the fictional problems I create for myself daily and allows me to think in a stream of consciousness.

Pescegatto praises Penny Sławiński’s weekly radio show Traktrain Play for its relaxing lo-fi hip hop beats and smooth voice. Despite language barriers, the show offers comfort and inspiration, improving his Mondays and sparking a new interest in music sampling. This heartfelt review expresses admiration and gratitude for Penny’s work. Tune in to Penny Sławiński’s Traktrain Play on Soundcloud and unwind with fresh lo-fi hip hop every Monday!

 Bugo’s voice is imperfect yet present, as if he were sitting at the desk with me, here and now, singing me his songs.

 Sguardo Contemporaneo may not be Bugo’s most incisive album, but it’s an album to remember (and to listen to again), and not an album of memories.

Sguardo Contemporaneo captures the nostalgic and introspective spirit of the early 2000s Italian indie rock scene. Produced by Giorgio Canali, the album mixes analog electric sounds with intimate, poetic lyrics exploring love, maturity, and the passage of time. While diverse in style, it maintains a cohesive rock atmosphere and showcases Bugo's artistic evolution. The review highlights the album's deep connection to both personal and cultural memories. Listen to Bugo’s Sguardo Contemporaneo and dive into a rich mix of raw rock and nostalgic storytelling from Italy’s indie scene.

 Never judge an album by its cover! Especially because the cover of this album is truly appalling.

 I still consider 'Ognuno ha quel che si merita' one of his most genuine works and a record not to be missed.

This review explores Fabrizio Moro's 2005 album 'Ognuno ha quel che si merita,' emphasizing its raw emotional honesty and strong songwriting. Despite a poor album cover, the music reveals a transformed artist overcoming personal struggles. The album blends classic Italian singer-songwriter sounds with socially aware and love-centered themes. Its use of 'list-style' songs stands out as a songwriting strength. Overall, the album is considered a genuine and significant work in Moro's career. Discover the heartfelt depth of Fabrizio Moro’s early work—listen to 'Ognuno ha quel che si merita' today!

 The element that mainly distinguishes the sound of their music is the voice of singer and guitarist Emily Massey.

 'At Home' immediately caught my attention for its hypnotic guitar intro and the singer’s voice, firm yet calm, overdubbed multiple times almost to create a choral and very intimate effect.

Slow Pulp is an emerging indie band gaining recognition internationally through streaming platforms. Their music is marked by Emily Massey's intimate vocals and psychedelic guitar effects. Relocating to Chicago inspired their creative growth. The track 'At Home' stands out for its hypnotic intro and layered vocals, earning a strong recommendation as a musical gem. Listen to Slow Pulp’s 'At Home' now and dive into their hypnotic indie vibes!