silvietto

DeRank : 2,74 • DeAge™ : 3782 days

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  • Here since 23 february 2015

 Listening to its quality, one can only understand Hackett’s reasons, less so those of Collins and company.

 Another notable contribution can be found at the start of the second side of the album, materialized in the splendid voice of Randy Crawford.

Steve Hackett's 1978 album 'Please Don’t Touch' marks his definitive break from Genesis, showcasing his compositional skills and collaborations with great artists like Richie Havens and Steve Walsh. Although considered somewhat inferior to his debut solo album, it features notable tracks blending folk, pop, and progressive rock. The album introduces new instrumental experimentation and maintains a striking thematic and artistic vision. Despite some compositional inconsistencies, it remains a significant work in Hackett's solo career. Discover the rich textures and historic significance of Steve Hackett’s 'Please Don’t Touch'—listen now and dive into this progressive rock milestone!

 "The album ends with Dylan’s 'She Belongs to Me,' resurrected from the mortal boredom of its original version into over 12 minutes of truly exciting variations."

 "'Nice' is a partially studio-produced album, with only four tracks being studio recorded, the rest capturing the band’s live energy at the Fillmore East."

The Nice's final album 'Nice' is a complex and engaging progressive rock work that combines classical music inspiration with blues and jazz elements. Featuring both studio and live tracks, it highlights Keith Emerson’s evolving artistry and the band’s live prowess. While not as acclaimed as their earlier work, this album holds a special place for fans and collectors. The remastered edition with bonus tracks further enriches the listening experience. Dive into The Nice's 'Nice' album and experience a masterful blend of progressive rock, classical themes, and electrifying live performances.

 "A Fool No More is a piece worth the price of the album! You will listen to it again."

 "Very romantic and passionate is the closing track, emblematic of Green’s brilliance and his confidant Snowy."

Peter Green’s 1979 album In the Skies marks a significant return after years of personal struggles. Though not as revolutionary as his earlier work, it showcases his distinctive guitar craftsmanship and emotional depth. Highlights include the intimate blues 'A Fool No More' and the title track's commercial appeal. The album blends blues, psychedelia, and rock, featuring skilled collaborators and memorable moments for fans of classic guitar music. Discover the emotional depth and exquisite guitar work of Peter Green's In the Skies—listen now and experience a classic blues revival!

 "A rare gem of Progressive, forgotten twice, is this 'Progress' by drummer Michael Giles."

 "'Progress' can be considered a true collector’s item that has reached rather high quotes on the used market and would certainly be worth having in one’s progressive collection."

Michael Giles' 'Progress' is a rare and talented progressive rock album recorded in 1978 but released much later in 2002. It showcases strong Canterbury and King Crimson influences with impressive musicianship from top collaborators. The album is a conceptual journey through a day's travel, blending instrumental skill and evocative themes. Despite its quality, it remains underappreciated and difficult to find, making it a prized collector's item. This review honors Giles' craftsmanship and artistic vision. Explore Michael Giles' 'Progress' and immerse yourself in a masterful progressive rock journey full of musical craftsmanship and evocative themes.

 Beethoven’s ‘First Symphony’ is certainly not one of his masterpieces, not revolutionary and somewhat unripe.

 The best part of the entire composition is the striking contrast between strings and winds in the final movement.

The review explores Beethoven’s Symphony No. 1 within its historical and musical context, recognizing its solid adherence to classical form but lacking revolutionary impact. The reviewer appreciates the orchestral balance, especially in the first and last movements, while noting the symphony’s relative immaturity compared to later works. Preferred recordings by Karajan and Abbado are discussed. Overall, the piece is rated as competent yet not deeply moving. Discover the roots of Beethoven’s symphonic journey by listening to Symphony No. 1 and explore its unique classical charm.

 "These remarkable collections have sold 14 million copies in the U.S. alone, which is far from insignificant."

 "Despite nearly half a century since their production, the arrangements remain original, fresh, and pleasant, still conveying the magic of their successful era."

This review highlights the significance of Simon & Garfunkel's Greatest Hits as a defining collection of 1960s folk-pop music. It praises timeless tracks like "Mrs. Robinson" and "The Sound of Silence" while acknowledging the cultural context of their success. Despite minimal album packaging details, the collection's impact and originality remain strong after decades. The reviewer considers the album deserving of the highest rating for its historic and musical value. Dive into Simon & Garfunkel’s Greatest Hits and experience the timeless folk melodies that defined a generation.

 "God really exists!"

 A jam session... a conversation between virtuosos of the instrument as rarely heard before.

This review highlights Fleetwood Mac's legendary 1970 'Live in Boston' concert, emphasizing the powerful blues-rock dynamics led by Peter Green. Standout tracks like 'Oh Well' and 'Rattlesnake Shake' are praised for their hypnotic quality. The reviewer admires the technical sound quality and the virtuosic jam session closing the album, considering it essential listening for music lovers. The historic and musical significance of the performance is strongly celebrated. Dive into Fleetwood Mac's electrifying Live in Boston album and experience rock-blues history at its finest!

 "Face the hypnotic solo of a certain Peter Green, and realize that 'God exists!'"

 "This concert was an event of immense value, the swan song of this historic band."

This review praises Fleetwood Mac's 1970 live album recorded at the Boston Tea Party as a vital piece of music history. It highlights Peter Green’s extraordinary guitar talent and the band’s roots in blues and rock. The album is called a rich and essential capture of one of the band’s peak moments before Green’s departure due to health issues. The recording quality and historical context add to its importance. Dive into Fleetwood Mac’s legendary 1970 live performance and experience the raw brilliance of Peter Green and the band’s blues rock roots!

 "Il 13 is released, with a title that is not particularly creative but is very promising."

 "'Emiliano,' the instrumental track, in my opinion the best of the CD, with Nocenzi’s 'Emerson-like' start... a splendid evocative fuga reminiscent of the 1st ELP."

After a nine-year wait following a disappointing predecessor, Banco del Mutuo Soccorso delivers 'Il 13,' blending progressive rock with pop elements. Despite lineup changes and limited distribution, the album features standout tracks with strong keyboard and vocal performances. The work hints at the band's resilience and marks a milestone in their storied career. Though some pop-oriented songs and minimal packaging raise questions, the album is viewed as a positive step forward. Discover Banco del Mutuo Soccorso's 'Il 13' and experience the blend of prog rock mastery and melodic resurgence today.

 The decade certainly does not end in glory and quite prematurely with this "...... e via" which already in the title declares the relative poverty of topics.

 "(When We) Touches Our Eyes," a tribute (?) to perfidious Albion featuring sensational guest appearances... which fits Banco like jam in seafood risotto.

This review critically examines Banco del Mutuo Soccorso’s 1985 album ...e via, viewing it as a low point for the band after lineup changes. Despite a few decent moments like "Mexico City" and the bonus track "Grande Joe," the album is largely marked by weak songs and an awkward Anglo-Saxon influence. The reviewer notes the decline in musical creativity and the presence of unsuitable guest features, ultimately rating it poorly but recognizing some redeemable acoustic qualities. The band’s subsequent hiatus is seen as a wise decision. Discover the full story behind Banco del Mutuo Soccorso’s 1985 album ...e via and explore its controversial 80s sound now.

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