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DeRank ™: 0,00 • DeAge™ : 5499 days
This is the best album they’ve made since Halloween 2000, that is, since Midian. The lyrics must be said to be well crafted and colorful, as well as angry, thanks to the William Wordsworth of mainstream black metal.
This is the best album they’ve made since Halloween 2000, that is, since Midian.
The lyrics must be said to be well crafted and colorful, as well as angry, thanks to the William Wordsworth of mainstream black metal.
Darkly, Darkly, Venus Aversa marks Cradle of Filth's ninth album, continuing their gothic/death metal legacy with refined production and more melodic sections. The absence of symphonic intros and interludes is notable, but the band's core sound remains intact. Lyrically centered on Lilith and dark themes, the album balances aggression with melody. While some riffs don't linger strongly, the album stands as their best work since Midian. Discover the dark elegance of Cradle of Filth's Darkly, Darkly Venus Aversa—listen now and explore their haunting metal legacy!
"There will come a day when a mediocre album will come out of Arjen Lucassen’s hands... but today is not that day." "His performance, moreover, is truly goosebump-inducing."
"There will come a day when a mediocre album will come out of Arjen Lucassen’s hands... but today is not that day."
"His performance, moreover, is truly goosebump-inducing."
Star One's 'Victims of the Modern Age' is a heavy, space-themed progressive metal album by Arjen Lucassen featuring stellar performances from guest vocalists and musicians. The album explores themes of societal and ecological decline with a rebellious edge. The musical execution, highlighted by precise percussion and strong keyboard work, is complemented by a powerful vocal lineup. Overall, it's a highly recommended listen for fans of Lucassen and space metal. Explore the sonic universe of Star One – listen now and experience the powerful blend of prog metal and sci-fi themes!
"Nothing new under the sun", aware of the fact that Illusionsuite know their stuff in the progressive field. The album never manages to take off or touch the emotional strings of the listener who does not pay attention solely to the technical abilities of the musicians.
"Nothing new under the sun", aware of the fact that Illusionsuite know their stuff in the progressive field.
The album never manages to take off or touch the emotional strings of the listener who does not pay attention solely to the technical abilities of the musicians.
Illusion Suite's 2009 debut album Final Hour delivers solid progressive and power metal elements without breaking new ground. The album focuses on groove-driven riffs with subtle keyboard accents but lacks tempo changes and memorable songs. Vocals are technically proficient yet unoriginal. While the album maintains a cohesive melodic approach, it doesn't engage emotionally or innovate significantly. Prog and power metal fans may find it decent but not groundbreaking. Discover Illusion Suite's Final Hour and explore their blend of prog and power metal today!
The album is not immediately assimilated beyond the harmonic arrangements and melodies. Lande genuinely seems to deserve the scepter of the heir of the great Ronnie James Dio.
The album is not immediately assimilated beyond the harmonic arrangements and melodies.
Lande genuinely seems to deserve the scepter of the heir of the great Ronnie James Dio.
Masterplan's 'Time To Be King' showcases skilled production and powerful melodies but struggles with originality and lyrical depth. Jorn Lande's vocals remain a strong highlight, anchored by Roland Grapow's expert production. While the album offers catchy songs like 'Lonely Winds Of War' and 'The Dark Road,' some tracks lack surprises and originality. The record reflects a shift toward a more relaxed tone, differing from earlier works, creating a mixed experience for listeners. Listen to Masterplan's 'Time To Be King' and explore its mix of powerful melodies and vocal mastery today!
"An innovative and conservative album that has not yet received all the deserved recognition." "’Last Thing I’ll Remember’ is a ballad more beautiful due to the interaction between guitar, bass, and voice, leaving the listener adrift in a mix of melancholy and hope."
"An innovative and conservative album that has not yet received all the deserved recognition."
"’Last Thing I’ll Remember’ is a ballad more beautiful due to the interaction between guitar, bass, and voice, leaving the listener adrift in a mix of melancholy and hope."
InnerWish's 'Waiting For The Dawn' is a compelling mix of 80s heavy metal and power metal with standout vocals and guitar interplay. Despite production limitations and a key member leaving, the album remains innovative and heartfelt. The remastered edition improves sound quality and includes a bonus track, making it a must-listen for metal enthusiasts. Listen to InnerWish's 'Waiting For The Dawn' and experience a powerful fusion of classic heavy metal and heartfelt melodies!
A singer who alternates the power of Russell Allen with a typically Italian vocal style is quite a unique case. The true purpose that every album should aim for is precisely to disorient those who listen to it.
A singer who alternates the power of Russell Allen with a typically Italian vocal style is quite a unique case.
The true purpose that every album should aim for is precisely to disorient those who listen to it.
Pathosray's self-titled debut album impresses with its masterful blend of diverse musical elements and flawless production. The powerful vocals of Marco Sandron and the sophisticated arrangements create an immersive listening experience. Each track offers originality with no fillers, demonstrating the band's strong potential on the Italian metal scene. Lyrically and musically, the album disorients and captivates, marking Pathosray as a promising new act. Listen to Pathosray's debut album now and experience a unique progressive metal journey!
The album flows in what I would say is a canonical manner for the high standards of the band, reaffirming it deserves the recognition acquired so far. The last note of merit goes to the microphone performance of Tiranti, a true talent, who could also be called misunderstood.
The album flows in what I would say is a canonical manner for the high standards of the band, reaffirming it deserves the recognition acquired so far.
The last note of merit goes to the microphone performance of Tiranti, a true talent, who could also be called misunderstood.
Labyrinth's sequel album 'Return to Heaven Denied Pt. 2' impresses by revisiting the original's sound and delivering strong ballads, particularly 'A Midnight Autumn's Dream' and 'In This Void.' While it doesn't eclipse the classic debut, the album showcases solid musicianship and Andrea Tiranti's vocal talent. Despite some less incisive melodies and lyrics, it confirms Labyrinth's standing in the Italian metal scene alongside peers like Vision Divine. Discover Labyrinth's sequel album and experience their blend of heartfelt ballads and powerful metal musicianship!
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