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 The foreword by John Peel (R.I.P.) is delightful.

 What seems to me the most serious omission is not bringing out what the spirit of Grind should be.

Albert Mudrian's 'Choosing Death' provides an engaging and detailed chronicle of death metal and grindcore, highlighting pivotal bands and scenes. While the book excels in coverage of major groups and labels like Earache, it somewhat neglects smaller bands, wider label diversity, and the deeper social context of grindcore. Despite these gaps, it remains a pleasurable read with useful photos, anecdotes, and discographies. Explore the roots of death metal and grindcore—dive into Albert Mudrian's 'Choosing Death' for a deep and passionate journey through extreme music history.

 The heavy bass rolls slowly and aggressively, dragging you into a trance state from which you don’t want to emerge.

 More than being in a dance club, it feels like being at CBGB, all that’s missing is someone stage diving and being swept away by a furious circle pit.

The reviewer recounts their excitement and experience at the Outlook Festival London Reunion Party 2010. While some sets didn’t fully connect, notable performances by Youngsta, The Bug, and Mr. Stenchman left a strong impression. The event captured the city’s dubstep essence in a unique Art-Deco venue, despite some sound issues and lineup changes. Overall, it was a memorable night that deepened the reviewer’s appreciation for the genre. Explore the vibrant dubstep scene and listen to legendary sets from the Outlook Festival London Reunion Party now!

 Their unmistakable trademark: a sine wave moving to the rhythm of their music.

 Pioneers, experimenters, masters, the world electronic scene will miss you.

The review chronicles Pan Sonic's final concert in Rome, highlighting their unique fusion of ambient-industrial sounds and techno rhythms. Despite a small audience, the performance was intense and memorable, showcasing the duo's mastery and stage presence. The set included a notable encore and visuals, leaving the reviewer both satisfied and nostalgic. Supporting acts were appreciated but overshadowed by the main event. Experience Pan Sonic's legendary live energy—read the full review and dive into their iconic sounds now!

 "Contrary to his lanky and syncopated bass-playing style, as a writer Les is much more fluid, precise, sparse."

 "In reality, it’s just an alibi hiding the true adventure: the discovery of 'what remains' of their country, of times past, of convictions developed over time, and especially of the relationship that binds them."

Les Claypool, known as the bassist for Primus, reveals another talent with his debut novel 'A Sud Del Capanno' (originally 'South of the Pumphouse'). The story follows two brothers on a fishing trip that becomes a journey of self-discovery and exploration of family and past values. Despite a slow start, the novel's dark, cynical atmosphere and memorable ending leave a strong impression. Claypool's writing style is fluid and precise, diverging from his musical persona. Discover Les Claypool’s unique noir novel—dive into 'A Sud Del Capanno' and experience a gripping story of family, discovery, and dark truths.

 Justin seems to be in a particularly bad mood lately, as seen in the title chosen for the album.

 What might seem like a surprise is the second track, a sort of Dubstep-Industrial mantra.

Greymachine’s 'Vultures Descend' showcases a powerful blend of heavy industrial riffs and experimental dubstep elements. Featuring Justin Broadrick and Aaron Turner, the 12" delivers a claustrophobic and intense atmosphere reminiscent of Broadrick's past works like Godflesh. The album hints at Broadrick’s shift toward current sounds while maintaining his signature heaviness. Although not fully released at the time, select tracks are available on the band’s website. Listen to Greymachine’s Vultures Descend now to experience the intense fusion of industrial heaviness and dubstep vibes!

 I've never heard anything like it, the impact rivals the best brutal-death bands around.

 The crowd feels like being run over by a truck speeding full throttle.

The review chronicles a personal and immersive experience at the Outlook Festival 2009 on Croatia’s Pag Island, highlighting powerful dubstep and drum’n’bass performances by legendary DJs like N-Type, Hatcha, and Youngsta. The author reflects on the evolution of bass music and captures the festival’s vibrant atmosphere despite challenges like weather and exhaustion. Memorable moments include interactions with fellow attendees and intense sets that showcase the genre’s depth. The author ends satisfied, celebrating the festival’s energetic spirit and distinctive sound. Dive into the heart of dubstep and drum’n’bass—relive the epic Outlook Festival 2009 through this detailed review and explore the raw power of bass music!