Yosif

 Alison’s celestial voice is only the cherry on top, that something extra.

 Dark and gloomy like the most depressed dark-wave, delicate and spectral like the most enveloping dream pop.

The Cranes' fourth album Loved is a beautifully haunting work combining dream pop, dark wave, and gothic elements. Alison Shaw's fragile falsetto and the band's ethereal sound create a unique, melancholic atmosphere. While its style is consistent with previous albums, Loved is often underestimated despite its artistic depth. The album blends graceful and sinister tones, delivering a spiritually evocative listening experience. Dive into the mystical world of Cranes and experience the enchanting dream pop vibes of Loved today!

 Not exactly music from this world.

This review praises Biosphere’s album 'Autour de la Lune' for its unique and ethereal ambient sound. The music is described as otherworldly, with an emphasis on atmospheric and immersive experience. The tracklist is presented without explicit commentary but suggests a cohesive and experimental work. The reviewer rates the album highly, highlighting its distinctive nature within the ambient genre. Listen to Biosphere’s 'Autour de la Lune' and immerse yourself in otherworldly ambient soundscapes.

 "Rain Dance" is not only the absolute masterpiece of Sextant and Hancock’s entire career, but one of the most groundbreaking compositions both in terms of jazz and particularly in electronics.

 Certainly not an easy listen, complex, cerebral, incredibly forward-thinking and still current, recommended for all those who appreciated 'Bitches Brew' but above all for those who prefer research and experimentation in music.

Herbie Hancock's 1973 album Sextant is hailed as a pinnacle of experimental jazz fusion, blending avant-garde elements with pioneering electronic sounds. The album pushes boundaries beyond Miles Davis' Bitches Brew, showcasing complex, psychedelic compositions and innovative use of synthesizers. Tracks like “Rain Dance” anticipate future techno and ambient styles. Recommended for jazz and experimental music enthusiasts who appreciate deep musical research and forward-thinking sounds. Dive into Herbie Hancock’s Sextant for a mind-bending journey through electronic jazz fusion and avant-garde innovation.

 "The grooves in particular are syncopated and overwhelming almost like the best 'Thrust' and 'Head Hunters.'"

 "If you want to delve deeper into Hancock’s electro-breakers-oriented sound but found Rockit too repetitive, this is the most suitable and accessible album."

Perfect Machine is Herbie Hancock's 1988 album merging 1970s funk grooves with futuristic electro beats and vocoder textures. Featuring Bootsy Collins and Sugarfoot, it builds on the Rockit band's legacy with more pronounced rhythms and spacey synth sounds. The album revisits jazz classic 'Maiden Voyage' with an electro twist and closes with an original electro-fusion ballad. It offers a more accessible and less repetitive experience for fans of Hancock's electronic jazz experiments. Listen to Perfect Machine now and experience Herbie Hancock's fusion of funk and futuristic electro sounds!

 "An album that... presents some good moments, especially in the more 'afro' parts, but... it doesn’t seem to have any precise direction."

 "The experiment is only half-successful: scratching and rhythms are always the same... the presence of the electric guitar is welcomed with its very -simple- solo."

Herbie Hancock's 1984 album 'Sound System' is a less inspired follow-up to 'Future Shock.' It mixes electronic and afrobeat elements with some standout moments like 'Junku' featuring Senegalese percussion. However, repetitive rhythms and disjointed direction keep it from reaching greatness. Despite strong guests and some good tracks, the album feels uneven and lacks the cohesive innovation of Hancock's best work. Discover Herbie Hancock’s unique 80s fusion sound—listen to 'Sound System' and explore its experimental grooves today!

 "This is the absolute highlight, as well as the most fusion-souled episode of 'Thrust,' showing us a Hancock evidently still dazzled by the splendor displayed at the court of his majesty Miles Davis."

 "A work in my opinion even better (as well as funkier, more complex, more experimental) than the still immortal masterpiece Head Hunters."

Herbie Hancock's 'Thrust' (1974) continues the groundbreaking jazz-funk fusion from the Headhunters band. Featuring cutting-edge analog synthesizers and stellar musicianship by Mike Clark, Bennie Maupin, and others, the album explores complex poly-rhythms, cosmic grooves, and pioneering sounds. Tracks like 'Palm Grease' and 'Actual Proof' highlight Hancock's innovative use of synthesizers and groove, setting the stage for future electronic jazz experiments. Praised as even funkier and more experimental than 'Head Hunters,' 'Thrust' is considered a must-have classic. Dive into Herbie Hancock's 'Thrust' and experience the pioneering jazz-funk grooves that shaped fusion music forever!

 "Waldeck utilizes a wide range of instruments to achieve a sort of nu-swing that clings to gentle and sophisticated melodies."

 "Absolutely nothing pretentious, very pleasant album, very short and light-hearted."

Waldeck’s third album, Ballroom Stories, offers an elegant blend of downtempo, jazz, and swing influences. The album features sophisticated melodies enriched with instrumentation like trombone and piano. Vocals by Zeebee complement the vintage, cinematic mood throughout. Overall, it’s a light, pleasant, and stylish musical break with a modern take on 1920s sounds. Listen to Waldeck’s Ballroom Stories and indulge in a stylish blend of vintage jazz and modern downtempo beats.

 "Palimpse represents the thirteenth album in ten years for the prolific French artist Laurent Girard, otherwise known as Melodium."

 "A work I would dare to call 'sedative', certainly excessively uniform but perfect in its few insights."

Palimpse is Melodium's thirteenth album, blending folk roots with delicate ambient sounds. The compositions are minimalistic yet expressive, painting peaceful and melancholic scenes. The standout is the experimental 30-minute 'Insomnia', which adds dark orchestral layers to an otherwise gentle album. The review highlights the album's simplicity and emotional depth. Listen to Melodium's Palimpse and immerse yourself in its delicate, haunting folk ambience now.

 Marina Diamandis is the true surprise of 2010!

 It’s worth mentioning that... she does her own thing, takes care of all string instruments, writes lyrics and arrangements herself.

This review praises Marina and The Diamonds' 2010 debut album 'The Family Jewels' as a standout pop record with vintage yet fresh sounds. Marina’s unique voice blends influences from Kate Bush to Siouxsie Sioux, setting her apart in the pop scene dominated by less substantial acts. The album showcases well-crafted arrangements without autotune, experimental pop elements, and a mix of theatrical and indie styles. Despite a poor album cover, the tracks are consistently strong, with 'Numb' highlighted as a pinnacle moment. Listen to Marina and The Diamonds' 'The Family Jewels' to experience a fresh and captivating pop debut!

 "Each track rocks. -> Cargo rocks."

 The sound is that of smoky industrial metropolises, the 'infamous' Northern European sound!

Sofa Surfers' 1999 album 'Cargo' delivers a focused and intense dub experience characterized by pounding basslines, robust beats, and urban industrial atmospheres. While the sound palette is limited, the album fully exploits its elements, resulting in a cohesive and powerful suite of tracks. Noted for its dark, anxiety-inducing vibe and Northern European influences, 'Cargo' marks a high point in the band's early work and remains essential listening for dub and breakbeat fans. Dive into Sofa Surfers' 'Cargo' and experience the raw power of dark dub beats and urban industrial soundscapes today!