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DeRank ™: 1,37 • DeAge™ : 5792 days
"Musically, they are incapable of making bad records." "Bad Religion, at least on an ideological level, should always dare. Something that this 'Age of Unreason' does not do."
"Musically, they are incapable of making bad records."
"Bad Religion, at least on an ideological level, should always dare. Something that this 'Age of Unreason' does not do."
Bad Religion's Age of Unreason delivers strong melodies and folk influences but lacks depth in political content. The album critiques Donald Trump yet paradoxically supports Hillary Clinton, generating ideological contradictions. The reviewer finds the lyrical erudition insufficient without bolder reflections and challenges from the band. Ultimately, the album falls short of punk’s traditional role as the voice of the marginalized and defeats. Explore Bad Religion’s latest album and join the debate on punk’s political edge and melodic evolution.
They are a well-oiled quintet, consistent, and damn good at doing their dirty work. I like to imagine this album as the clear and concise 'who cares' of a band that can afford anything and certainly does not have to indulge in the luxury of reinventing itself to remain credible.
They are a well-oiled quintet, consistent, and damn good at doing their dirty work.
I like to imagine this album as the clear and concise 'who cares' of a band that can afford anything and certainly does not have to indulge in the luxury of reinventing itself to remain credible.
Wolfbrigade's Run with the Hunted is a concise, powerful d-beat hardcore album that honors its classic punk roots without unnecessary reinvention. While it lacks some of the atmospheric qualities of earlier work, it excels at delivering straightforward, raw energy. The band solidifies its position at the top of the Scandinavian hardcore scene with tight, memorable tracks. The review highlights both the album's qualities and challenges within live punk culture today. Listen to Run with the Hunted for raw, uncompromising d-beat hardcore energy from one of Scandinavia's finest!
Martyrdöd once again scream that the eighties will never die. List, darker and more straightforward than its predecessor, convinces as a splendid soundtrack to Evil.
Martyrdöd once again scream that the eighties will never die.
List, darker and more straightforward than its predecessor, convinces as a splendid soundtrack to Evil.
Martyrdöd’s album List stands as a powerful blend of thrash, early Scandinavian death metal, and crust punk. The band’s experience shines through in the expertly crafted madness and dark atmosphere. This album offers a fresh yet respectful tribute to metal traditions, producing a compelling soundtrack of apocalyptic and oppressive themes. With dynamic vocals and Motörhead-inspired solos, List is praised as a worthy continuation of Gothenburg’s metal legacy. Dive into Martyrdöd’s List and experience a raw, intense fusion of thrash and death metal. Listen now and embrace the dark legacy!
The guitarists manage, but the copy-paste effect persists forever and ever. For a pro-anti-system band with a doctorate in Instagram, they should be the key element. Instead, they only spew monotone teenage hysteria.
The guitarists manage, but the copy-paste effect persists forever and ever.
For a pro-anti-system band with a doctorate in Instagram, they should be the key element. Instead, they only spew monotone teenage hysteria.
This review critically examines War on Women's self-titled debut album, questioning its musical originality and the depth of its politically charged lyrics. While applauding the band's feminist stance, the reviewer finds the music clichéd and the lyrics superficial and repetitive. The album struggles to deliver a fresh hardcore punk experience despite the band's energetic approach and notable themes. The review expresses skepticism about the band’s artistic ambition and influence in the punk scene. Discover the controversy around War on Women's debut—listen, read, and decide if their hardcore punk speaks to you.
Stranger is a great melodic old school album, but it’s a bit of a bastard. It’s the true emblem of betrayal, given the authors. A very beautiful betrayal, given the authors.
Stranger is a great melodic old school album, but it’s a bit of a bastard.
It’s the true emblem of betrayal, given the authors. A very beautiful betrayal, given the authors.
This review analyzes Bad Religion's 1994 album Stranger Than Fiction, highlighting its melodic punk strengths while critiquing the influence of mainstream pressures. The album is praised for its classic punk elements but noted for its polished, somewhat sterile production and controversial guest appearances. The reviewer reflects on the tension between artistic integrity and commercial success, calling the album both a beautiful and troubling betrayal. Ultimately, it scores a modest 3.5 out of 5. Discover the complexities of Bad Religion’s Stranger Than Fiction—listen and decide if it’s a punk masterpiece or a polished compromise.
"The New America saved my adolescence." "It’s 2000, punk rock has reached the sunset of its revival, and this album is a continuous web of Shakespearean doubts."
"The New America saved my adolescence."
"It’s 2000, punk rock has reached the sunset of its revival, and this album is a continuous web of Shakespearean doubts."
This review celebrates Bad Religion’s 2000 album The New America as a bold and emotionally charged punk rock record that captures the fears and hopes of a new millennium. Despite mixed mainstream reception and changes in sound influenced by producer Todd Rundgren, the album offers standout melodic hardcore anthems and thoughtful social commentary. The reviewer personally connects with the album as a soundtrack for outsider resilience and underdog revenge. It is positioned as an underrated classic deserving of more recognition. Dive into The New America and experience the punk rock album that gave voice to the forgotten underdogs of 2000.
"An epic, powerful, and passionate fresco aimed at immortalizing the new maps of hell." "The first five tracks overwhelm without interruption, leaving no prisoners."
"An epic, powerful, and passionate fresco aimed at immortalizing the new maps of hell."
"The first five tracks overwhelm without interruption, leaving no prisoners."
New Maps of Hell is Bad Religion's robust return to their punk roots, mixing immediacy with mature musicianship. The album blends nostalgia with powerful riffs and politically charged lyrics. Standout tracks like 'Requiem for Dissent' showcase the band's continued relevance. Though not flawless, this 2007 release is a commendable effort that balances innovation and homage. Explore Bad Religion's New Maps of Hell and experience a powerful punk revival full of passion and sharp political edge.
It’s not a mess, but neither is it a good album. Nice? Yes, maybe. I’d say ‘nice’ captures it perfectly. With 'The Empire' you showed what you truly are: rich, accomplished forty-year-olds, thinking about their own backyard.
It’s not a mess, but neither is it a good album. Nice? Yes, maybe. I’d say ‘nice’ captures it perfectly.
With 'The Empire' you showed what you truly are: rich, accomplished forty-year-olds, thinking about their own backyard.
This review critiques Bad Religion's 2004 album The Empire Strikes First for its uninspired lyrics, clichéd political statements, and moderate tone. Despite some strong tracks and good craftsmanship, the album fails to live up to the band’s legacy of incisive punk protest. The reviewer points out the overused themes and lack of boldness, culminating in a disappointment for fans expecting more radical content. The album is seen as an effort by aging musicians hesitant to fully embrace rebellious roots. Explore Bad Religion's The Empire Strikes First and judge for yourself this complex punk political album.
"The Gray Race is a beautiful album which, although removed from under the aegis of mother Epitaph, knows truly unique moments." "Cease is a highly refined compendium of Bad Religion’s ethics and style, exalting punk philosophy in its guitar slashes and final solos."
"The Gray Race is a beautiful album which, although removed from under the aegis of mother Epitaph, knows truly unique moments."
"Cease is a highly refined compendium of Bad Religion’s ethics and style, exalting punk philosophy in its guitar slashes and final solos."
The Gray Race by Bad Religion is a powerful 1996 punk album marked by challenges within the band but delivering a gritty, melancholic sound. It steps away from more commercial sounds to embrace abrasive guitars and deep lyrical themes tackling social and political issues. Guest musician Brian Baker enhances the dynamic, supporting Greg Graffin's confident vocals and poetic nihilism. The album balances punk energy with introspective moments and remains a significant work in the band's catalog. Explore The Gray Race and experience Bad Religion’s raw, thoughtful punk mastery - dive into the grit and emotion today!
Damn, it feels like ’99. XTRMST is finally the band—at least 50%—that I always dreamed A.F.I. would become.
Damn, it feels like ’99.
XTRMST is finally the band—at least 50%—that I always dreamed A.F.I. would become.
This review praises XTRMST as a successful hardcore punk side project by A.F.I. members Jade Puget and Davey Havok, capturing the raw energy and spirit of late '90s punk. It reflects nostalgia for A.F.I.'s earlier hardcore roots while appreciating the album's fresh brutality and skilful musicianship. The reviewer contrasts the authentic passion of XTRMST with A.F.I.'s later commercial direction, highlighting a return to punk's core intensity. Despite acknowledging some marketing aspects, the review celebrates the album's sense of freedom and renewed hardcore spirit. Dive into XTRMST’s hardcore punk revival—listen now and feel the raw energy of A.F.I.’s bold side project!
DeRank™: 1,18
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DeRank™: 2,91
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DeRank™: 7,82
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DeRank™: 65,53
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