Axiom

 An album in poor taste that will soon be forgotten.

 It died before it even began.

The review critiques Delain's 'April Rain' as a poorly crafted album that contributes to the declining interest in symphonic metal. It highlights a lack of new ideas and originality, disappointing both fans and critics alike. Comparisons to other bands like Within Temptation emphasize that the genre's vitality is waning. Overall, the album is described as forgettable and uninspired. Discover why 'April Rain' struggles to impress and explore the challenges facing symphonic metal today.

 They present the usual mishmash of tracks we’ve heard and re-heard: songs that do not deviate in the slightest from previous works.

 For them to remain famous or at least be mentioned as an integral part of the genre’s history, they should deliver a much more satisfying work than this 'Death Rituals.'

The review assesses Six Feet Under's Death Rituals as a slight improvement over previous albums but ultimately mediocre. The album features familiar riffs, unoriginal arrangements, and predictable songwriting despite better production. The band’s live charisma contrasts with the uninspired studio output. It suggests the band needs to deliver more satisfying work to maintain relevance in the genre. Discover why Six Feet Under's Death Rituals divides fans—read the full review and listen for yourself!

 "A well-structured and defined album, to be listened to only if one appreciates the deepest black metal."

 "Jason Mendonca already shows he has more than a solid foundation to tackle the works he plans to release for the future of the band."

Akercocke's 2005 album 'Words That Go Unspoken, Deeds That Go Undone' marks a confident return after a weaker previous release. The record offers a complex mix of blackened death metal with progressive and gothic touches, driven by well-crafted vocals and keyboards. Influences from Floridian death and Norwegian black metal are evident, alongside sophisticated songwriting. Although challenging to assimilate fully, the album is rewarding for fans of extreme, layered metal. Dive into the dark and complex sounds of Akercocke – listen to 'Words That Go Unspoken, Deeds That Go Undone' and explore extreme metal at its finest!

 The mix features keyboards in the foreground, operatic temptations, and Morten’s growl well blended with the voice of the current beauty.

 Continuously tasting the same old soup causes an unbearable sense of nausea.

Sirenia’s 2009 album The 13th Floor delivers a clean and polished sound with strong vocal performances led by new singer Ailyn. The album sticks closely to the style established in their previous work, offering catchy choruses and a blend of operatic and growled vocals. However, it lacks innovation and originality, which may disappoint fans seeking fresh approaches in symphonic metal. A highlight is the theatrical video for "The Path to Decay". Overall, the album is solid but does not push new boundaries. Discover Sirenia’s The 13th Floor and decide if their symphonic metal charm captivates you.

 The English have remained, attitudinally speaking, the same fervent kids from twenty years ago.

 The work is qualitatively inferior to the lethal 'Smear Campaign,' maintaining a nearly sufficient level.

Napalm Death's 13th album 'Time Waits For No Slave' shows the band's dedication to intense metal with a shift towards thrash-death influences. While the technical skill and energy remain strong, the album slightly falls short of capturing their original grindcore essence. The reviewer appreciates the melodic elements and musicianship but finds the album less compelling than earlier releases like 'Smear Campaign'. Discover how Napalm Death pushes metal boundaries in 'Time Waits For No Slave'—listen and decide if this evolution speaks to you!