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DeRank ™: 1,93 • DeAge™ : 6496 days
Eight mad fragments of math rock floating in a sea of slightly danceable electronics. Don’t let the math rock label fool you, this is an album of almost disarming immediacy.
Eight mad fragments of math rock floating in a sea of slightly danceable electronics.
Don’t let the math rock label fool you, this is an album of almost disarming immediacy.
This review praises Adebisi Shank’s debut album for its unique fusion of math rock and playful electronic sounds. It highlights the album's energetic, approachable style despite technical complexity. At just 23 minutes long, the album is described as an exciting, instantly engaging listen reminiscent of childhood gaming nostalgia. Dive into Adebisi Shank’s vibrant math rock adventure—listen now and experience an irresistible blend of energy and precision!
Treat yourself to 48 minutes in space, while keeping your butt firmly planted on Earth. It’s all about the feeling, for me 'Spiders On The Moon' and 'Milk Stars' are the tracks that best summarize the essence of the album.
Treat yourself to 48 minutes in space, while keeping your butt firmly planted on Earth.
It’s all about the feeling, for me 'Spiders On The Moon' and 'Milk Stars' are the tracks that best summarize the essence of the album.
Exxasens' Polaris is a 48-minute instrumental post-metal album blending electronic sounds with powerful guitars and nu-metal drums. The album evokes an interstellar journey with varied, epic soundscapes and occasional Spanish vocals. While the tracks share a similar vibe, some stand out as highlights. The reviewer recommends pacing the listens to appreciate its depth and hopes for further refinement in future works. Dive into Exxasens’ Polaris and experience a unique post-metal space odyssey today!
Just close your eyes, and you project yourself into the middle of the desert around the fire, dancing tribal dances. A poignant acoustic ballad accompanied by a now subdued drum and ambient sounds in the background that give it that slightly ethereal air.
Just close your eyes, and you project yourself into the middle of the desert around the fire, dancing tribal dances.
A poignant acoustic ballad accompanied by a now subdued drum and ambient sounds in the background that give it that slightly ethereal air.
The review praises The God Machine's The Desert Song EP as a dark, atmospheric precursor to their acclaimed 1993 album. It highlights the EP's heavy, brooding riffs and melancholic tones. Each track is analyzed for its mood and musical depth, revealing the band's unique blend of doom, sludge, and ethereal sounds. The reviewer appreciates the band's musical intensity and emotional impact despite their short career. Dive into The Desert Song EP and experience The God Machine's dark and unforgettable soundscape today!
Listening to this album inevitably brings a foolish smile to my face. It's impossible to say no to the following 'Traces'; in the end, it seems like Martsch’s guitar only lacks words.
Listening to this album inevitably brings a foolish smile to my face.
It's impossible to say no to the following 'Traces'; in the end, it seems like Martsch’s guitar only lacks words.
Built to Spill's You in Reverse impresses with its blend of melodic indie rock and post-rock elements. Doug Martsch's melancholic vocals and dynamic guitar work stand out across varied tracks. The album's songs, though longer than typical radio hits, flow effortlessly, offering a rich listening experience filled with psychedelic and jamming touches. Overall, it is an enjoyable and memorable rock album. Listen to Built to Spill's You in Reverse and immerse yourself in unforgettable melodies and rich guitar-driven rock.
You put the earbuds in, press play on Drive Like Jehu, and let them take care of venting for you. Superb technique, meaning a punch right in the face, ’mathematical’ but pressing rhythms.
You put the earbuds in, press play on Drive Like Jehu, and let them take care of venting for you.
Superb technique, meaning a punch right in the face, ’mathematical’ but pressing rhythms.
This review praises Drive Like Jehu’s 1991 self-titled album as an intense and original mix of post-hardcore and early math rock. The band’s explosive rhythms, technical skill, and passionate vocals channel raw anger and frustration. Tracks like 'Caress' and 'Spikes To You' highlight their dynamic energy, while the album’s unique style remains fresh decades later. The reviewer appreciates how the album serves as a legal outlet for intense emotions after a tough day. Discover the raw power and precision of Drive Like Jehu—listen to their groundbreaking 1991 album now!
My god, what monotony! It's almost inevitable to compare it with Group Sex. No more lightning-fast tempo changes, no more outbursts barely scratching a minute, and even that raw, dirty sound that pairs so well with hardcore is less noticeable.
My god, what monotony! It's almost inevitable to compare it with Group Sex.
No more lightning-fast tempo changes, no more outbursts barely scratching a minute, and even that raw, dirty sound that pairs so well with hardcore is less noticeable.
Circle Jerks' 1982 album Wild In The Streets marks a notable decline in energy and pace compared to their groundbreaking debut Group Sex. The album feels monotonous with less aggressive instrumentation and restrained vocals from Keith Morris. Although some tracks hint at their earlier hardcore spark, the overall execution falls short, making it a modest listen. Fans seeking the best of Circle Jerks should stick with their debut or similar hardcore punk acts like Black Flag. Discover the Circle Jerks' journey—listen to Wild In The Streets and compare it with their iconic debut today!
DeRank™: 1,70
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DeRank™: 1,62
DeRank™: 6,73
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DeRank™: 0,88
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