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DeRank ™: -1,24 • DeAge™ : 6679 days
Number nine, number nine, number nine... Turn me on dead man Turn me on dead man Turn me on dead man...
Number nine, number nine, number nine...
Turn me on dead man Turn me on dead man Turn me on dead man...
This review highlights the hypnotic, repetitive lyrical style of The Beatles' White Album, emphasizing its psychedelic essence. The iconic phrases 'Number nine' and 'Turn me on dead man' evoke the album's mysterious and experimental nature. Rated highly for its artistic depth and classic status. Dive into the mind-bending world of The Beatles' White Album and experience the psychedelic journey today!
I love you cucombra, I love you In front of you I lose all restraint. The watermelon is the world's machine par excellence: a symbol of the macrocosm and perfection.
I love you cucombra, I love you In front of you I lose all restraint.
The watermelon is the world's machine par excellence: a symbol of the macrocosm and perfection.
Dino Sarti’s 1979 album 'I Love You Cucombra' serves as a poetic and nostalgic homage to watermelon, blending musical art with cultural, natural, and philosophical reflections. The review explores the fruit’s varieties, medicinal properties, and its symbolic meaning as a perfect sphere evoking eternity and the universe. Sarti’s lyrics express affection and personal memories tied to the watermelon, portraying it as a humble yet mighty summer fruit. This album invites listeners to pause and appreciate simple natural pleasures amid modern life’s frenzy. Discover Dino Sarti’s unique tribute to watermelon—listen to ‘I Love You Cucombra’ and savor the blend of music, nature, and philosophy.
Cuore gave me plenty, back in those distant 80s. Antonello marked all the happy moments.
Cuore gave me plenty, back in those distant 80s.
Antonello marked all the happy moments.
This review reflects on Antonello Venditti's 1984 album Cuore as a powerful nostalgic trigger, evoking vivid memories of youth, Roman streets, and 80s culture. The reviewer shares personal stories tied to the album's songs, highlighting its lasting emotional influence. Cuore remains a symbolic soundtrack of carefree times, teenage love, and unforgettable experiences from mid-80s Italy. The review balances personal sentiment with cultural references, celebrating the album's role in shaping moments of the past. Dive into Antonello Venditti's Cuore and relive the heartfelt 80s Italian spirit—listen now and capture the magic of youth!
Sorrentino’s film is like a prestigious long and disjointed music video with excellent photography. In the end, you wonder if they are serious or joking.
Sorrentino’s film is like a prestigious long and disjointed music video with excellent photography.
In the end, you wonder if they are serious or joking.
This review offers a critical yet appreciative perspective on Paolo Sorrentino's film La Grande Bellezza. While the cinematography and visual style receive praise, the reviewer finds fault with parts of the casting, soundtrack choices, and some stylistic elements. The film’s portrayal of Rome and thematic intentions are debated, with the reviewer questioning the coherence and sincerity behind some scenes. Overall, the review reflects ambivalence with moments of admiration. Discover the beauty and contradictions of La Grande Bellezza – watch the film and read this insightful review!
The whole album flew by like that, less beautiful than the previous True, the real masterpiece of the Spands, but I can’t help but remember it with pleasure precisely for its disengagement and its purely 80s frivolity. Tony Hadley’s tenor voice, the Kemp brothers’ guitars, fake funky rock, fake like the 80s economic boom, seasoned with cotton candy sax sprinkles by Norman.
The whole album flew by like that, less beautiful than the previous True, the real masterpiece of the Spands, but I can’t help but remember it with pleasure precisely for its disengagement and its purely 80s frivolity.
Tony Hadley’s tenor voice, the Kemp brothers’ guitars, fake funky rock, fake like the 80s economic boom, seasoned with cotton candy sax sprinkles by Norman.
This review reflects on Spandau Ballet's 1984 album Parade through a vivid mix of personal nostalgia and musical analysis. The album is appreciated for its polished 80s sound and emotional resonance despite not surpassing the band's earlier masterpiece, True. The reviewer intertwines memories of youthful romantic encounters with the atmosphere created by the album's sophisticated production. Parade is ultimately regarded as a well-crafted, emblematic artifact of 80s pop culture. Dive into Spandau Ballet's Parade—relive the refined 80s sound and heartfelt stories that define an iconic era.
You know what a little song does to you... And so down came the Neapolitan tears of nostalgia tied to this great record by wizard Oldfield. Even though I didn’t like prog, I immediately liked this record, it made me dream.
You know what a little song does to you... And so down came the Neapolitan tears of nostalgia tied to this great record by wizard Oldfield.
Even though I didn’t like prog, I immediately liked this record, it made me dream.
The review nostalgically revisits Mike Oldfield's 1983 album Crises, recalling the emotional impact of tracks like Moonlight Shadow. The author intertwines personal teenage memories of love and youthful romance with the album's distinctive 80s synth sounds and instrumentation. Despite not being a prog fan, the record's melodies and atmosphere left a lasting impression. The review evokes a vivid sense of time and place, highlighting the album's enduring charm. Dive into the magic of Mike Oldfield's Crises—listen now and relive the unforgettable 80s vibe!
As soon as I’m home, I call you, answer me quickly, answer I love you, love, love...Ah, what rhymes those Malgioglian ones: 'hidden by long hair, you dance but the gestures are the same...' Pupo’s voice is something you either love or hate: setting aside prejudices, it recalls an upgraded mix between Bowie, Lennon, and Marc Bolan, but without gargles and Dylan-like Anglo nasalness.
As soon as I’m home, I call you, answer me quickly, answer I love you, love, love...Ah, what rhymes those Malgioglian ones: 'hidden by long hair, you dance but the gestures are the same...'
Pupo’s voice is something you either love or hate: setting aside prejudices, it recalls an upgraded mix between Bowie, Lennon, and Marc Bolan, but without gargles and Dylan-like Anglo nasalness.
This review reflects on Pupo's 1980 hit album Gelato al cioccolato, highlighting its nostalgic and emotional resonance. The title track is praised as a memorable masterpiece with playful lyrics and strong disco vibes. The reviewer appreciates Pupo's distinctive voice and the album’s broader appeal beyond Italy. Personal memories and cultural references enrich the narrative, inviting a fresh look at Pupo's work. Dive into Pupo's Gelato al cioccolato and experience a retro Italian pop-disco classic full of charm and cheeky lyrics.
Apocalypto, thanks to the excellent casting - using the right non-actor faces, native Americans acting in the Mayan language, convinces you, makes you live 2 hours of a space-time tunnel in pre-Columbian America. The film grabs you, nails you to the sofa, excites you; in short, it’s a great film.
Apocalypto, thanks to the excellent casting - using the right non-actor faces, native Americans acting in the Mayan language, convinces you, makes you live 2 hours of a space-time tunnel in pre-Columbian America.
The film grabs you, nails you to the sofa, excites you; in short, it’s a great film.
Mel Gibson's Apocalypto is praised for its intense and captivating storytelling despite some historical inaccuracies. The authentic casting of native actors speaking Mayan enhances the immersive experience. The film’s impressive visuals and special effects contribute to a compelling cinematic journey into pre-Columbian America. Its themes of civilization's cyclical decline add a deeper philosophical layer. Overall, it is regarded as a strong film that engages both audiences and critics. Watch Apocalypto to experience a thrilling and authentic journey into ancient America’s lost civilizations.
Gianni Bella has always moved me with his songs, at least up to this venerable LP. Gianni Bella has always been, how to say, romantic and polite that his poetic lyrics seem as if they are dedicated to real women.
Gianni Bella has always moved me with his songs, at least up to this venerable LP.
Gianni Bella has always been, how to say, romantic and polite that his poetic lyrics seem as if they are dedicated to real women.
The review fondly recalls Gianni Bella's 1980 album Dolce Uragano, highlighting its romantic and poetic lyrics and the melancholic atmosphere. The title track is praised for its radio-friendly appeal, while other songs touch on ecological themes and local charm. The album is seen as a nostalgic gem in Italian pop music, with Bella's respectful and genuine lyrical style standing out. Discover the heartfelt melodies and poetic lyrics of Gianni Bella’s Dolce Uragano—listen now and experience Italian pop nostalgia!
Finally, you can listen to Yes for an hour without getting worn out by the virtuosity. What a piece, poignant, epic, martial, unforgettable.
Finally, you can listen to Yes for an hour without getting worn out by the virtuosity.
What a piece, poignant, epic, martial, unforgettable.
Drama, the 1980 album by Yes, marks a unique fusion of prog rock with the accessible flair of The Buggles. It presents a fresh, less virtuosic yet beautifully crafted album. Highlights include 'Machine Messiah' and 'Does It Really Happen?', evoking nostalgia and a renewed appreciation for classic rock. The review balances technical admiration with personal memories tied to the era. Dive into Yes' Drama album and experience a unique blend of prog rock and 80s pop innovation – listen now and rediscover a classic!
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