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 Difficult, tough, irritating, hostile, disturbing... You must have the courage to persist, and the delirious and distorted noise will take hold of you and your ears.

 The urgency to communicate in a short and sharp sonic brushstroke reveals something fiercely different.

Rumore Segreto's second album challenges listeners with its tough and distorted soundscape. Drawing inspiration from Georges Bataille's 'Histoire de l'œil,' it combines punk and electro punk influences into a unique sonic expression. Though difficult and irritating at first, persistence reveals its joyful and urgent communication. The album stands out for its fearless artistic vision beyond typical genre boundaries. Dive into Rumore Segreto's bold sound and experience a fearless sonic journey—listen now on Bandcamp!

 It doesn’t break eardrums because it doesn’t want to. It’s something else.

 Mick Collins is a genius.

The reviewer offers a thoughtful and humorous take on Dirtbombs' album Ooey Gooey Chewy Ka-blooey. Praising Mick Collins' smooth yet skilled artistry, the review highlights the album's unique sound that avoids harshness and showcases genius in evolving styles. The review balances nostalgia with modern listening contexts, resulting in a positive recommendation. Listen to Dirtbombs' Ooey Gooey Chewy Ka-blooey now and discover Mick Collins' genius sound!

 Karma to Burn are raw and direct, I also think illiterate, alcoholic, and maybe cannibals.

 The songs are unrecognizable because they are all the same.

The review covers Karma to Burn’s live performance in Torino, describing it as raw and direct but marked by repetitive songs and a lack of excitement. The new bassist feels out of place, and the atmosphere is mixed. The reviewer’s wife enjoys the show more, highlighting the band's loyal fanbase despite the monotony. Overall, the concert was a bit underwhelming but still engaging enough for dedicated fans. Discover the raw energy and quirks of Karma to Burn live—listen to the Torino show and decide for yourself!

 Iggy always surprises us... you give him ten centimeters of advantage and he outdoes everyone.. What a beast, man!

 This new album is frightening. It is a masterpiece of musical intelligence, marketing, and cheekiness.

Iggy And The Stooges' album 'Ready to Die' is a surprising and explosive return, offering a perfect blend of classic elements and modern touches. Unlike the previous album, it feels alive and complete, providing listeners with fresh yet familiar tracks. The reviewer praises its cleverness and musical depth, recommending it as a definitive Stooges experience. Listen to 'Ready to Die' on Spotify and experience the raw energy and sharp wit of Iggy And The Stooges.

 The album is bad. Bland, dull, pedantic, anemic, at times truly unbearable, useless, self-referential, depressing.

 Bowie is gone too. Let’s come to terms with it.

The review harshly criticizes David Bowie's album The Next Day as dull, self-referential, and lacking excitement. The reviewer expresses disappointment, feeling Bowie is tired and the production adds to the problem. Despite Bowie’s legacy, this album fails to live up to expectations. The reviewer suggests it may be time to say goodbye to Bowie’s work. Read the full review or listen to The Next Day to judge Bowie's late career yourself.

 This isn’t simple electronic rock... this is something indefinably different.

 Certain musicians make a difference because what they do is theirs, only theirs, solely theirs.

The review highlights John Cale's distinct and personal approach to electronic rock in his album 'Shifty Adventures In Nookie Wood.' Despite his challenging personality, the music flows with refined maturity and uniqueness. While some may see it as typical electronic pop, the reviewer finds a deeper, indefinable quality that sets it apart. The album affirms Cale's lasting artistic influence. Explore John Cale’s unique soundscape in Shifty Adventures In Nookie Wood—listen now and experience electronic rock redefined!

 Ian Hunter is truly Mr. Rock’n’roll, and I feel sorry for those who don’t know it, because only he makes music so beautiful, round, and wonderfully enjoyable.

 Though light-years away from the legendary incendiary atmosphere of 'Welcome to the club,' it was nonetheless a more than respectable show.

This review covers Ian Hunter & The Rant Band's 2010 live concert in Milan, describing a skillful yet moderately energetic performance. The setlist mixes new songs with classic hits and a notable cover. The band, especially lead guitarist Mark Bosch, is praised for coordination and sound balance. The show was respectable and enjoyable, with a nostalgic feel appreciated by older fans. Discover the charm of Ian Hunter's live rock performance—read the full review and experience the classic rock vibe!

 It’s a jumble of punk ’77 songs, each more trivial than the last, each dumber and older than the last, each more beautiful than the last.

 With records like this, I still enjoy myself a little even now.

The review praises The Vibrators' 2001 album Energize as a vibrant continuation of their punk legacy despite the absence of original member Knox. Highlighting infectious tracks like "Brand new" and others, the reviewer reflects on how the band successfully channels classic '77 punk energy. The live concert experience further enhanced appreciation for the band and their music. Though not their best work, the album still delivers memorable punk moments. Listen to Energize and experience punk rock’s enduring spirit with The Vibrators today!

 Iggy simply falls in love with things: he uses them, chews them up, makes them his own, and eventually spits them out.

 Iggy probably has rent to pay too.

The review reflects on Iggy Pop's latest album 'Preliminaires' with a mature, nuanced perspective. It acknowledges the album’s enjoyability but critiques its lack of cohesion and clear direction. The reviewer sees this work as another phase in Iggy's continual reinvention. Despite mixed emotions, the album is recognized as a complex piece reflecting Iggy's evolving artistry and influences. Discover Iggy Pop's unexpected journey on 'Preliminaires'—listen and explore his artistic evolution today.

 There isn’t much soul in these songs, the shamanic rage has been replaced by detached observation.

 Plastic and distracted, it offers us a rather antiseptic contemplation, not even that sarcastic, never sharp.

Brian Eno and David Byrne reunite after nearly three decades with 'Everything That Happens Will Happen Today.' The album departs from their earlier experimental electronic style, moving towards a polished electro-gospel and alt-pop sound. While technically well-made, the music feels emotionally distant and lacks the intensity or sharpness expected from these artists. Overall, the review critiques the album for its antiseptic and plastic feel despite its likely commercial success. Discover the unique electro-gospel blend in Eno & Byrne’s reunion album—listen now and judge the sound that divides opinion.