mementomori

 Everything else pales in comparison.

 Kiss The Anus Of A Black Cat have style, sing with passion, play with professionalism, and finally shine with a romantic momentum that makes them moving.

This review praises Kiss The Anus Of A Black Cat's album The Nebulous Dreams for its dark, intense atmosphere and genre-blending sound. Highlighting tracks like "Between Skylla and Charybdis" and "Dyptich," it emphasizes the band's unique adaptation of influences such as Current 93. The reviewer admires the passion, professionalism, and romantic momentum in the music, recommending the album as a captivating, repeat-worthy experience. Discover the haunting beauty of The Nebulous Dreams and experience this unique blend of post-hardcore and apocalyptic folk today.

 "A few days after its release, 'Fractured Man' is already a classic of the genre."

 "The title-track... is goosebumps in its purest form, a curtain that opens majestically."

After twelve years, Ian Read returns with Fire + Ice's 'Fractured Man,' a subtle yet powerful apocalyptic folk album. Despite sparse contributions and some weaker guest parts, the work captivates with its spiritual depth and haunting melodies. The opener and tracks like 'Treasure House' stand out as new classics. The album reflects a minimalistic, emotional approach to folk, continuing Read's legacy in the genre. Discover the haunting beauty of Ian Read's Fire + Ice 'Fractured Man'—listen now and experience a folk masterpiece reborn.

 "La Mano di Gloria" is a musical commentary to the novel of the same name, telling of a near future as terrible as it is plausible.

 Without good writing to animate it and a rigorous focus of intents, Ianva's ambitious music becomes ridiculous, grotesque, childish, unbearably pretentious.

Ianva's 'La Mano di Gloria' is a concept album set in a dystopian near future, blending orchestral arrangements and apocalyptic folk. Despite ambitious themes and skilled musicianship, the album suffers from muddled production, confusing narrative pacing, and inconsistent inspiration. While moments of originality and thematic depth shine through, the overall listening experience can feel tedious and overly pretentious. Fans of the band’s previous work may find this release a half-step forward. Explore Ianva's daring concept album blending cinematic sound and political narrative—listen now and judge the ambitious vision yourself.

 'Hell Money' is an emotional tour-de-force through the inner wear and tear of a tormented individual, a journey into the heart of sadness, where greed, addiction, and self-immolation have taken control over mental health.

 The album leaves a sense of anguish, placing the listener alone before a disheartening dead end, without leaving a crack through which hope can be glimpsed.

Rome's 'Hell Money' is a raw and intimate follow-up to the monumental 'Die Aesthetik der Herrschaftsfreiheit,' focusing on capitalism's psychological and societal impacts. Gerome Reuter shoes a more stripped-down sound, favoring acoustic ballads with a solemn and direct approach. The album blends dark folk with American influences, reflecting on themes of greed, addiction, and despair. While occasionally less intense than past works, it remains a significant statement. 'Hell Money' is a compelling, thoughtful work for fans of deep, critical songwriting and melancholic music. Listen to 'Hell Money' now and experience Rome's powerful critique of capitalism through haunting acoustic ballads.

 At a certain point, Johan Edlund loses the magic wand; after all, it happens to everyone eventually, even the greatest.

 Skeleton Skeletron is not just a momentary blunder, but will over time become the framework on which subsequent efforts by the band will be developed, which unfortunately will not manage to get out of the mire of a decline.

This review critically examines Tiamat's 1999 album Skeleton Skeletron, highlighting a significant decline in creativity and quality compared to earlier works. It marks a shift from innovative metal and psychedelic pop towards predictable goth rock with weakened songwriting. Despite a few redeeming slower tracks, the album ultimately disappoints fans and sets a precedent for a downward trend in the band's future releases. The review reflects on lost potential and fading artistic vision. Discover the rise and fall of Tiamat through Skeleton Skeletron — explore the full review and re-listen to the album’s shadows and sparks.

 "Design 19 shall be numbered among the blandest moments the Swedish scene has ever bestowed in the gothic/metal domain."

 "The album leaves with what it found: poor both in quality and quantity, showing two artists lethargic and nearly bankrupt in ideas."

Sundown's debut album 'Design 19' from 1997 is a disappointing gothic metal project led by Mathias Lodmalm and Johnny Hagel. Despite the members' notable past with Cemetary and Tiamat, the album falls short in songwriting, cohesion, and experimentation. The record is dominated by bland tracks, clichéd gothic metal elements, and a lack of artistic vision. While a few songs offer some interest, the overall effort seems half-hearted and ultimately forgettable. Explore the rise and fall of Sundown’s 'Design 19' and discover why this gothic metal debut failed to deliver.

 Lodmalm remains faithful to these canons, even in a cyber-punk version.

 ‘Glimmer’ is not a monument to originality, absorbing a series of clichés that certainly don’t make its listening something indispensable.

The review analyzes Sundown's 1999 album 'Glimmer,' a project by Mathias Lodmalm exploring darkwave and industrial sounds after his departure from Cemetary. Though not groundbreaking, the album offers a mix of catchy electronic grooves and gothic metal roots. It reflects the era’s general trend toward electronic influences in metal, with some memorable moments despite uneven songwriting. Fans of 90s gothic and industrial music might find it a worthwhile listen. Dive into Sundown's 'Glimmer' and discover a unique blend of gothic metal and 90s industrial grooves—listen now and explore Mathias Lodmalm’s darkwave experiment.

 Lodmalm has the charm of a loser to whom things always went wrong.

 The usual forty-minute effort that Lodmalm, the honest trickster he is, had already accustomed us to: we don’t shout miracle, yet various hints are appreciated.

The review reflects on Mathias Lodmalm’s unique but troubled career and his work with Cemetary 1213 on The Beast Divine. It describes the album as a fusion of gothic, doom, and modern metal elements, highlighting Lodmalm’s persistent artistic effort despite limited commercial success. The critique acknowledges the album’s strengths and weaknesses, situating it within the context of 90s metal evolution and Lodmalm's fluctuating projects. Ultimately, the review presents Lodmalm as a tenacious yet underrated figure in gothic metal history. Explore The Beast Divine’s gothic metal fusion and discover the story of Mathias Lodmalm’s enduring legacy.

 Toy manage to sound fresh and inspired even though the specific weight of their proposal, in terms of innovative impact, is zero or almost.

 They do fantastic things (epic, romantic, sentimental, surreal), yet they don’t give the impression of being music monsters.

Toy’s 2012 debut album masterfully blends 70s krautrock and 90s shoegaze influences into a fresh and inspired psychedelic rock experience. The five British musicians create a balanced sound through mature collaboration and layered instrumentation. While not groundbreaking, the music is engaging and avoids retro clichés. Long tracks span diverse moods without filler. Despite doubts about their future impact, Toy’s album is a fascinating listen for lovers of complex, melodic indie rock. Dive into Toy’s debut album and experience a balanced blend of psychedelic rock and nostalgic indie vibes.

 Radiohead are very different, not only from those of 'The Bends', but also from those of 'Ok Computer' and even from those of 'Kid A'.

 Maybe now, and in a few days, I am and will be happy to have gone anyway (better to have broken up, than never to have met, right?), but I would be lying if I said that, at that exact moment, I had fun.

The reviewer shares a heartfelt and somewhat conflicted experience attending Radiohead's 2012 Florence concert. Admiring their professionalism and evolution, the author nonetheless felt detached due to the focus on newer songs and a cold atmosphere. Despite sporadic moments of emotional connection, the show ultimately left the reviewer unsure of their true feelings. A reflection on aging, fan expectations, and the changing nature of live music adds depth to the review. Dive into this heartfelt review and discover the layered experience of Radiohead's 2012 Florence live show.