mementomori

 "Strange Old Brew captures Carpathian Forest in their most compact and cohesive version."

 "The album plays on the alternation between violence and atmosphere, making for an undoubtedly easily accessible listening experience."

The review praises Carpathian Forest's Strange Old Brew as a strong, cohesive work capturing the band in a raw and violent black'n'roll style. Highlighting the blend of punk, thrash, and metaphysical black metal influences, it emphasizes the importance of the duo Nattefrost and Nordavind. Despite later decline, this album marks a creative high point with notable experimentation like saxophone and industrial elements. It balances atmosphere and aggression, making it accessible yet complex. Dive into Carpathian Forest's Strange Old Brew and discover the raw power and dark atmosphere of classic Norwegian black metal.

 "The Death of the West" is a ballad brimming with sarcasm that represents the first explicit... approach to apocalyptic folk.

 "Black Radio" represents the most evolved and cohesive form of what Death in June would have been if they had been a cohesive trio.

Death In June's 1984 EP 'Burial' captures a crucial stylistic transition from post-punk roots towards apocalyptic folk. The album reflects internal band tensions, blending diverse artistic influences from its three members. Standout tracks like 'The Death of the West' introduce iconic themes of Western cultural decline and spiritual decay. The EP previews future directions for both Death In June and Sol Invictus, highlighting innovative dark atmospheres and martial elements. 'Burial' remains a significant milestone in the band's early career. Explore Death In June’s 'Burial' EP to witness the birth of apocalyptic folk and the band's bold stylistic shift.

 "One of the most exciting moments in the entire discography of Sol Invictus."

 "Wakeford’s artistic mission is to materialize passionate and captivating music, tinged with despair, fatalism, bitterness, yet vigorous, angry, and combative in spirit."

Lex Talionis is the debut full-length album by Sol Invictus, showcasing a raw blend of industrial and folk music. Tony Wakeford’s early work is marked by a smoky, dusty sound and emotional intensity despite technical imperfections. Key tracks include ‘Black Easter,’ ‘The Ruins,’ and ‘Abattoirs of Love,’ featuring haunting instrumentation and evocative vocals. The album reveals Wakeford’s artistic mission of expressing passionate yet melancholic themes through a unique sonic atmosphere. Its mixture of electronic, acoustic, and industrial elements makes it a compelling listen for fans of dark atmospheric folk. Explore the raw intensity of Sol Invictus’ Lex Talionis—listen now to experience a haunting fusion of folk and industrial sounds.

 "Nature is based on killing, on a hierarchy of Killers, and so we are... HISTORY'S SEA HAS A KILLING TIDE."

 "Tony Wakeford delivers his ruthless vision of Nature and History, exhausted, titanic, disillusioned on his throne of mud and bones."

The Killing Tide is a 1991 release by Sol Invictus featuring unreleased and revisited tracks from Trees in Winter. Improved production and a sharper artistic focus mark Tony Wakeford's solo vision in apocalyptic folk, with notable contributions from guest musicians. The album blends guitar, voice, and synths toward a dark, atmospheric mood with strong conceptual themes around history and nature's violent cycle. While the reworked older tracks are less effective, the album remains essential for fans and newcomers alike. Explore Sol Invictus' The Killing Tide and experience the haunting depth of apocalyptic folk at its finest.

 "How can we not mention... 'Twilight Twilight Nihil Nihil': a dark ritual in which Balance's desolate narration overlaps with Tibet’s hallucinations."

 "We are facing one of the happiest collaborations ever produced by the human race: Nick Cave duets with Tibet’s distant whisper."

‘All The Pretty Little Horses’ is the second part of Current 93’s intriguing trilogy, marked by a sensitive blend of folk melodies and experimental atmospheres. The album explores profound themes of life, death, and innocence through evocative soundscapes and poetic lyrics. Featuring contributions from notable artists like John Balance and Nick Cave, it offers a rich, emotional experience. The review highlights its complexity, emotional depth, and its status as a pivotal work in David Tibet's spiritual and musical evolution. Dive into the hauntingly beautiful world of Current 93’s 'All The Pretty Little Horses' and experience a unique spiritual folk journey.

 "Sol Invictus is not Art: Sol Invictus is the Spirit that runs fearless and drags the notes against the wind and the frost."

 "The lump in the throat that even if your throat bursts, you keep singing, cracking, bleeding until there’s breath in your throat."

Trees In Winter, released in 1990 by Sol Invictus, marks a definitive step into apocalyptic folk by Tony Wakeford. Stripping away industrial influences, it embraces raw medieval folk sounds enriched by violin, flute, and cello. The album's themes of despair, solitude, and the End of the World create a haunting atmosphere. Spirit and passion run deeply in Wakeford's performance, making it a cornerstone of the genre. This album remains essential for fans seeking authentic, rugged folk music. Listen to Trees In Winter and immerse yourself in the haunting world of apocalyptic folk by Sol Invictus.

 Hypnagogue represents a fundamental stage, a pivotal moment, a true point of arrival: the verses contained here are probably among the most beautiful and heartfelt ever.

 This is music that should not be listened to with just the ears, but experienced with the entirety of one’s being, in-depth, with attention and even a pinch of devotion.

The review highlights Current 93’s Hypnagogue as a pivotal and deeply spiritual work by David Tibet, representing his artistic evolution towards Christian themes. It combines poetic lyrics with hypnotic musical improvisations and demands an immersive listening experience. Though the minimal and hermetic style might challenge some listeners, the work’s emotional and experiential depth stands out. The review also appreciates the collaborative alchemy with contributing musicians and considers Hypnagogue a key moment in the artist’s discography. Immerse yourself in Current 93’s Hypnagogue and experience the poetic and spiritual depths of David Tibet’s visionary art.

 Julius works by subtraction, he takes the worst of Death in June, Blood Axis, NoN, removes the folk, post-punk, the noise from the warlike suggestions... what remains is a desert of ruins.

 A representation in which war is not only fiercely celebrated, but mostly described in its desolation, in its decay, through the rust of tanks, the mud of trenches, the heaviness of boots dragging in the snow.

Der Blutharsch's 1997 debut album delivers a stark, apocalyptic post-industrial sound marked by martial themes and haunting atmospheres. Albin Julius forgoes folk and noise elements to create a raw, desolate musical landscape reflecting war's decay and desolation. The album stands as a mature and influential landmark within its genre, combining harsh epic tension with an abstract portrayal of forgotten glory and tragedy. Despite ideological controversies, the work is acknowledged for its artistic resonance and unique sonic identity. Listen to Der Blutharsch's groundbreaking debut and immerse yourself in a haunting post-industrial soundscape.

 Austin’s autistic genius is now like the stagnant water of a putrid pond that ferments over time, exhaling ever more harmful and pestilential poisons.

 "In the Eyes of God" is the reinterpretation of Austin’s evil art in an even more brutal and Mephistophelean key.

Today Is the Day's 1999 album In the Eyes of God is a brutal, technically skilled extreme metal masterpiece. Steve Austin's intense vision and the revamped lineup, featuring Brann Dailor, elevate this album beyond grindcore. The chaotic, fast-paced tracks combine elements of death metal with experimental approaches, delivering a visceral and disturbing listening experience. It is regarded by the reviewer as superior to their previous acclaimed work, Temple of the Morning Star. Dive into the madness of Today Is the Day’s In the Eyes of God—experience extreme metal mastery now!

 Steve Austin loses control of himself and his music risks derailing at any moment towards unanticipated shores.

 Before being extreme, Austin is an artist who has something to say, and for this, his art should not be ridiculed.

The review praises Today Is the Day's 1997 album Temple of the Morning Star as a unique experiment in controlled madness within extreme metal. Steve Austin's visceral performance combines intense emotional themes with technical prowess, blending chaotic sounds and complex compositions. The album avoids clichés and pretentiousness, offering a raw and unpredictable listening experience. It stands out for its emotional depth and refusal to conform to metal traditions. Dive into the chaotic brilliance of Today Is the Day's Temple of the Morning Star and experience metal like never before.