Francescobus

 The Razor are clay pots amid iron pots, especially after the change of record label, leading to a period of limited financial resources and reflection.

 This review is a testament to a stubborn but non-essential band, to be listened to occasionally as a curiosity in the Thrash world.

Razor's 1987 album Custom Killing is a notable entry in Canadian thrash metal, marked by speed and punk influences. The band faced financial limitations impacting production quality and songwriting. Vocally, Stace McClaren shows maturity, while Dave Carlo delivers solid but unspectacular guitar work. Although not a groundbreaking release, it holds historical value and offers fans a raw, energetic thrash experience amid its compositional flaws. Dive into Razor's Custom Killing to experience a raw slice of Canadian thrash metal history and decide for yourself its unique legacy!

 "...this is a small town, we've always followed the policy of turning a blind eye..."

 "Why? Are you lions?" – the commissioner's final ironic challenge to the audience.

Ettore Scola’s Il Commissario Pepe offers a vivid and melancholic portrayal of a fictional northern Italian town in 1969, exploring hidden vices beneath a religious façade. The film follows Commissioner Pepe, played brilliantly by Ugo Tognazzi, as he confronts corruption and moral ambiguity in his community. Scola’s direction immerses viewers in a realistic, sometimes bitter world enriched by a 60s soundtrack and thoughtful cinematography. The film is a sharp social critique wrapped in a subtle, personal narrative. Discover Ettore Scola’s poignant masterpiece Il Commissario Pepe and explore Italy’s hidden vices with Ugo Tognazzi’s unforgettable performance.

 "Sports exploded in the U.S. charts in the biennium 1983/84 without rewriting the Rock'n'Roll rulebook but utilizing various aspects of it."

 "The intent of Huey Lewis & The News is to entertain and enjoy themselves, talk about everyday life without growling or burning out."

Huey Lewis & The News' album Sports delivered a catchy and energetic blend of 80s rock and pop, featuring memorable hits like 'I Want A New Drug' and 'The Heart of Rock'n Roll.' The band’s cohesive musicianship and classic rock feel made the album a commercial triumph without overcomplicating the sound. The album celebrates the spirit of rock and roll and live performance energy, anchored by strong vocal and instrumental interplay. Dive into the timeless rock energy of Sports and discover why Huey Lewis & The News captured the heart of the 80s music scene!

 "Breaker is a subtle barbed wire that threads through the ears... producing aching riffs that penetrate the flesh like poisoned darts."

 "'Son Of A Bitch' remains the album's signature song, a timeless anthem with a slow yet radio-free progression and defiant voice."

Accept's 1981 album Breaker showcases the band's maturation, fusing traditional heavy metal with melodic elements. The album features strong riffs, Udo Dirkschneider's distinctive vocals, and tight instrumentation. Highlights like 'Son Of A Bitch' stand out as timeless anthems. Breaker positioned Accept as key players in the early 80s metal scene, bridging classic hard rock fans and emerging thrash audiences. Listen to Accept's Breaker and experience the powerful fusion of heavy metal and melody that shaped early German metal!

 Steve Swanson is the saviour machine of Six Feet Under, a versatile guitarist who replaces Allen 'I'm In Pain' West’s noble Obituary riffs.

 'Short Cut Of Hell'... a doom fresco of great charm, but with the added value of Barnes growling deeply like a beast from other worlds.

This review dissects Six Feet Under's 1999 album Maximum Violence, highlighting Steve Swanson's improved guitar work and the band's raw death metal style. While praised for standout tracks like 'Victim of The Paranoid' and 'Short Cut Of Hell,' the album also suffers from inconsistent inspiration and some weaker songs and covers. The production retains a muddy sound, and the packaging and band imagery add to the album's dark aesthetic. Overall, the album showcases strength but struggles with long-term cohesion. Dive into the brutal world of Six Feet Under’s Maximum Violence and experience the raw power of death metal today!

 Rock isn’t invented but recreated on the stage, on the fingers dancing over the wood, in the romantic vocal vibrations of Myles Goodwyn.

 The message from April Wine is clear: music before the parade, sweat before the glitz, Rock before Disco Music.

April Wine's 1981 London live performance captures unrefined, heartfelt Hard Rock with powerful vocals and skilled instrumentation. The concert highlights the band’s roots in simple Rock'n'Roll, steering clear of commercialism and flashy effects. The album serves as a genuine document of a hardworking band from Canada bringing authentic Rock energy to the stage. Their setlist reflects both commercial successes and early material, emphasizing a straightforward yet passionate musical style. Discover the raw power and timeless spirit of April Wine’s Live In London 1981—stream or read more to feel the true essence of classic Hard Rock.

 Music to be seen more than heard.

 "Stand And Deliver" is the killer single with a trumpet intro and horse neighing.

Adam and The Ants' 1981 album Prince Charming captures the bold, image-driven spirit of early 80s pop-rock with a New Romantic edge. Featuring catchy singles like "Stand and Deliver" and innovative dual drumming, the album mixes punk energy with melodic hooks. While memorable for its striking visuals and chart success, some tracks lack the creative spark to fully captivate. The album marks a pivotal moment before Adam Ant's solo career took off, underscoring his role as a style icon more than a groundbreaking musician. Discover the iconic 80s flair of Adam and The Ants’ Prince Charming—listen now and explore the blend of catchy rock and unforgettable style!

 "Warpath is Death Metal that smells of rust, mold, horrid thickets, and terror."

 "The beautiful 'Animal Instinct' builds its impact on the great Barnes: 'Survival!... Survival!...' he yells with sardonical growls."

Warpath by Six Feet Under is a 1997 death metal album rich in dark, slow riffs and powerful growls by Chris Barnes. The album presents a cemetery-like atmosphere with lyrics exploring war, zombies, and inner human darkness. Although not groundbreaking, the album contains strong tracks and memorable moments, improving on their earlier work. The record foreshadows future developments with new band members bringing fresh energy. Dive into the dark and gritty world of Six Feet Under's Warpath—listen now and experience the raw power of classic death metal.

 "Zoetrope themselves define their sound on the back cover: Hardcore-Street-Metal."

 "Barry Stern... manages, despite his raw and raucous voice, to give a certain breath to the songs."

Zoetrope's 1987 album 'A Life Of Crime' is a powerful blend of heavy and thrash metal with hardcore influences. Despite limited recognition, the album showcases energetic drumming, strong guitar work, and uniquely original songwriting. Key tracks such as 'Detention' and 'Promiscuity' highlight the band's intense style. Frontman Barry Stern's raw vocals stand out, adding character to the compositions. The album's creative cover art and historic ties to Chicago's metal scene enhance its cult status. Explore Zoetrope's fierce thrash metal classic 'A Life Of Crime' and rediscover a hidden gem of the 1980s metal scene.

 For those who appreciate later Accept, this album is little more than an appetizer, not fully capturing the guitar talent of Wolf Hoffman but revealing the potential of Udo Dirkschneider.

 "'Thunder & Lightning' is the strongest track on the album along with 'China Lady', invigorated by good '70s riffs and Udo's voice oscillating between Bon Scott and Brian Johnson."

Accept's 1980 album 'I'm A Rebel' reflects a transitional phase for the band, marked by a mix of raw energy and fledgling songwriting. It reveals Udo Dirkschneider's emerging vocal power but lacks the full maturity of later works. The album borrows heavily from AC/DC and Judas Priest influences and contains a notable cover track by George Young. While not as essential as subsequent albums, it offers insight into Accept's development. Discover Accept's early metal roots and listen to 'I'm A Rebel' to hear where the legend began.