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DeRank ™: 8,90 • DeAge™ : 5084 days

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  • Here since 3 september 2011
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17 nov 24

DeRank™: 21,00

Dalla - Soli Io E Te
But what is happening with toy poodles? Specifically the apricot ones, I've seen 20 different ones in the last month. What the hell is going on? It feels like an endemic phenomenon.
 
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3 nov 24

DeRank™: 9,00

Paolo, Pa
'What do you do at the park on Sunday?'
 
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masturbatio
21 oct 24

DeRank™: 20,61

Milva - Alexander Platz (Original Version HD)
Greetings from the square, gray like the city and the weather.
 
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masturbatio
12 oct 24

DeRank™: 30,00

Quicksilver Messenger Service LIVE 1967
Greg Elmore is never shown on screen, but he creates a DEVASTATING ruckus.
 
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masturbatio
11 oct 24

DeRank™: 6,00

Bugo - Cosa ne pensi Sergio

Suggestions are welcome even if your name isn't Sergio...'This moment will pass sooner or later.'
 
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masturbatio
5 oct 24

DeRank™: 24,00

Today, a few pennies on: David Lovering.
There’s nothing transcendent in David Lovering’s drumming on Bossanova; one might generally argue the same about the Pixies' discography. His style: minimal, metronomic, powerful, and never out of place with a roll, was precisely designed to emphasize the other instruments and the voices of those two little devils, Black and Deal. It takes an excellent helmsman to keep such prodigies in check. From what I understand, he loves Gretsch and Tama; the former hit harder than the latter - for those in the know, a Tama of the same diameter projects more decibels. It might be the wood, it might be Japanese design, but when you hit a Tama, you feel it in your bones. On Bossanova, David doesn’t do anything particularly exceptional on the surface, and the sound is always the same: dry, a snare that almost disappears when layered over an open hi-hat, crashes on the downbeat, while on Surfer Rosa he would dare to include some crashes on the offbeat. Toms and timpani (with their deep timbre) are left in oblivion, except for rare touches here and there.
Bossanova will always hold a special place in my heart because I believe it’s an excellent album for learning to play the drums; it was my go-to record as a self-taught drummer. It teaches you, first and foremost, to refine your timing, the fundamental foundation for not just keeping up but actually guiding your fellow adventurers on other instruments. Then it teaches the power combined with precision, the former being crucial in rock 'n' roll, while the latter is essential in music overall. This album made me realize that you don’t need to start with virtuosos to strike with incisiveness. The alienating atmospheres created by the 'little goblins' wouldn’t have been the same with a 'verbo-some' drummer. And my favorite to play was the sexy 4/4 of "Is She Weird," which builds intensity in the choruses while maintaining its mystical aura thanks to the crash at the end of each chorus, leaving the sensation of being suspended in emptiness.
Mini-disclaimer: I’m a self-taught drummer and not very good at it, just to be clear; this is meant to be a complimentary opinion.
Is She Weird
 
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masturbatio
3 oct 24

DeRank™: 12,00

...nca il tempo - Bugo

"...the time when I played football." Today it is like this, I miss my buddy Tango and the wall with its irregular bounces, since there was a jasmine plant on it.
 
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masturbatio
25 sep 24

DeRank™: 18,00

Stealing People's Mail
"No to the sale of poste itaGliane" quote.
 
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