Billie Holiday - The Man I Love (Vocalion Records 1939)

But Billie is me, come on!
It's just that I'm the one who doesn't love myself: is that why I adore her? Because unfortunately I'm hetero, male, and who knows what else?
Or is it because I understand her? amo:
 
What God Wants, Pt. III

Everyone knows that Waters is not my Browning on marijuana, but this album just popped up—by chance—from the vast musical archive on my iMac.
I didn’t remember it at all: back then I must have listened to it once or twice, if that, so I decided to take an hour and sprawl out with my headphones on tight.
Here we go.
Nothing can be heard, yet the timer has clearly started.
After several seconds, you start to hear something that sounds like the beginning of "Shine on you crazy diamond." Alright then.
Then suddenly I jump up from the couch like a freaked-out cat; with the first note I recognize him, it’s HIM: I had no idea he played on this album!
Which turns out to be much more interesting and complex than I remembered, and I’m rediscovering it little by little…
Bravo Ruggero: sometimes a bit goofy, certainly not a great instrumentalist or even much of a singer, but always brilliant. affatto: LUI:
 
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Just watched it so I wouldn't see Inter lose – as usual – to the gobbi, which my Juventus-supporting friends seem quite satisfied with.
Not me, about the former Ambrosiana team: but I knew from the start of last season that it would end badly.
But that's beside the point: here we're talking about the filmo!
Which was...

Ah, but this calls for a review! And everyone knows I refuse to write a review: it might be appreciated by many (as happens elsewhere) but spark hate & revulsion – just for the sake of it – in some scattered minority who give me a brüt, no matter what. Which is something I never do, except by mistake.

But that's the story of our lives as sensitive, emotional, curious, and tolerant people—but only up to a point.
Eh, when these guys superimpose their faces on who knows who else... Yuk!

Ps. And now I will count – @[G] permitting – the minutes that separate me from the virtual publication of yet another one of my rants: I really am getting fucking sick of it; in general. ambrosiana: nulla: recensione: sfogo:
 
Alberto Radius - Nel ghetto

Sometimes, I know, you can’t understand what I don’t say.
But I don’t give a fuck.
Back then, I found it funny—in the lead years—the version of this piece sung by us anarchists, when rumors spread that Aldo Moro’s body had been found at the bottom of a lake.
Way before some idiot made love in every place.

“Eh no / io no ci sto / lasciatemi nel laghetto ancora un pò”

More or less the years of Faustò: suiicidiooòhoo sucidido; going back up there again.
No offense—especially to one in particular—if this album and this track have stayed in my memory.
But those that came after never reached the ‘welcome among the garbage.’
 
Prima di continuare su YouTube

Can you define an imbecile?
Certainly – apart from myself, since I know I am one – an imbecile is someone who believes that “others” are imbeciles: moreover, accusing them of his own flaws.
I’m not talking about anyone in particular, although some idiot might think of himself: that is, the only thing he loves more than that fool who looks back at him in the mirror every morning. imbecilli: stesso:
 
Una notte in Italia (Live Vol. 1 Version)

There are some truly extraordinary football matches: above all, Italy vs Germany 1970.
Tonight it wasn’t like I relived the same story—which, by the way, many of you had no idea you were even conceived when it happened; but still, it was fun.
The Jews didn't let up for a second, but Italy didn't either: and if Ringhio Gattuso didn’t have a heart attack, it means he’ll outlive me. straordinarie: nemmeno:
 
Tom Waits - "Soldier's Things"
Will anyone like this oh-so-sweet little Tommasino?
 
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We are old, Marco, and we have trouble explaining things.
This book, for instance, I read when I was fifteen, suggested to me by a religion teacher—who later left the priesthood—who talked to us about Marx instead of God.
At that age, you read everything, and you absorb the meaning without prejudice: not for nothing, the first book I read was "Twenty Thousand Leagues Under the Sea" at four years old.
So, when I try to explain that I'm a Marxist anarchoid, many people don't understand what I mean, because it's impossible for them to grasp my doubts, my pleasant solitude, in Udine. Miao. pregiudizi:
 
Atlantide (Live) - Francesco De Gregori

See?
Someone tells me he's having problems with his wife because she has never cheated on him.
Well, I wonder. Why this attitude?
Then, if you think about it carefully, it’s less absurd than it seems.
 
Atlantide (Live) - Francesco De Gregori
There’s a sentence here that troubles me, namely: “Tell her I forgive her for betraying her.”
A friend of mine told me—without knowing the song—that he fell out of love with his wife because she never cheated on him: he considers it an insult.
And I agree with him.
Serious women can’t be with you, asshole. tradito:
 
Ohio - Crosby, Stills, Nash & Young (Music And Song Courtesy:Crosby, Stills, Nash & Young)

You should always read things without thinking about who wrote them.
But it’s never like that: that’s why many people struggle.

Many young mothers (but also fathers, though for some reason I prefer mothers) thank me when I try to make their little ones understand that teaching how to play a guitar also means telling a story—and at the same time learning it for themselves each time, more than for the mentally callow children of this unfortunate era.
And if you don’t get that, it’s better to devote yourself to something else, with the brilliant results we all can see.

Such is the case with this piece.

Before explaining the vocal harmonies, the chord progression in Crosby’s Open tuning (ENORMOUS!), the extraordinary sounds Neil draws from his deepest soul, you first have to explain the context.

And here, it’s relevant!
We are now beyond that stupid violence: now, it’s intelligent application.

And many boys—and above all, girls (an issue of superior intelligence)—understand why, before playing, I try to explain to them WHY you play.
And then they either tell me to fuck off or they send me flowers.
A rather bizarre thing, that latter one. violenza:
 
Jeff Beck - Pork Pie (From "Performing This Week Live at Ronnie Scotts")

Maybe this one works, since the previous one was "broken".
But if not, you can find it: "Goodbye Pork Pie Hat" Jeff Beck. trovate:
 
Neil Diamond- Dry Your Eyes (With The Band)

At a certain point, one gets tired of speaking to nothingness.
Except for someone who, as always, stands out.
 
Joni Mitchell -Furry Sings The Blues (Shadows And Light 1979) [Remastered]

What happens when you listen to the Goddess?
First of all, you have to forget about being a guitarist and, if possible, NOT look at the right hand playing a simple guitar in Open (in C minor Sus, in this case) as if it were a Celtic harp.
Then you have to NOT look at the musicians who are with HER.
Finally, you simply have to stop crying: because few things make you understand Jazz the way She did.
Here it’s not a matter of technique or whatever: only women can manage to transmit something that we men are simply not capable of understanding, because due to a stupid culture we reject our feminine side, which in my case I have always cultivated, even though I am definitely straight.

She, Billie (💓) Aretha, Annie and many others are the world of my imagination.
Then a few men too: Jeff Beck above all. He had a very feminine approach on the guitar, as you should be able to see from a video I posted but I don’t know if @[G] let it through, since I had to wait ten minutes.

Unfortunately, I only have the small hand on my clok.

Oh: forgive me the emoticon: I won’t do it again.
But for Billie... piangere: vattelapesca: maschietto: Ah:
 
link rotto

But how the fuck do you do it?
Do you by any chance have any doubts that this guy is playing in the same league as Jimi and no one else?
Even those who know nothing about guitar can see the extraordinary posture of the right hand of God: index finger on the tremolo bar, thumb, middle and ring fingers plucking the strings, and pinky gently stroking the volume knob, creating sounds that almost seem like a violin playing in reverse.

And then, the piece itself—you know it, RIGHT?—is not exactly a beach guitar tune.
By ear, it's one of the very few songs I didn’t know how to play: it was my saxophonist who, I don't know how, managed to get me the guitar sheet music.
I repeat: it seems easy, but I swear to you that Chazz Mingus’s notes were never where they seemed to be. Dio: suonare: Ripeto:
 
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Enrico doesn’t seem to have been feeling too well lately.
Here he’s talking, and hanging out, with Ian Paice.

Everyone should know who that is, but by now we old alcoholics, stupid junkies & pedophiles survive only on memories: long live the gjióvani generrazzioni who don’t care about playing or thinking!

Once, in Trento, he played with a Deep Purple Cover Band: he always does that.

Imagine being a drummer and Ian Paice plays your instrument. For free!!!

Then – I was there – he asks for a coin; he points at it on a pillar of the Bar where we were and starts hitting it with the drumsticks, without touching it.
It didn’t move a hundredth of a millimeter.
But not to show off that he’s the drummer of Deep Purple—it’s because he was having a blast!
The drummer from the Cover Band literally fainted: I was this close myself.

Go ahead and keep insulting us SVDM: then kiss our balls.

Oh: my favorite song by Enrico Ruggeri? "Il portiere di notte".
Which @[withor] must have played a fantastiliardo times, I suppose. Yuk! ricordi: Deep: svenuto: Ah:
 
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Many—plus a few others—will never understand the tragedy of those who don’t know what a Frasca is in the Friulian sense.
There’s no point in explaining it to the integrated ones, the demanding, the sophists: they came to discipline, to regiment, to push around exactly those who had fled to the Frasche to avoid being regimented, divided, pushed around.

I will never write a review; but not because I couldn’t, rather because I am a pale, patient animal, like the desert. Waiting for your civilization to collapse, like all the others.

My (RIP) friend Tellio on May 6th, 1976, during the earthquake, was with the “owner” in Gemona (which, practically—along with Venzone—was almost razed to the ground) in a Frasca—precisely—a sort of cellar located below ground level.
A thousand dead, almost all of them there.

The rescuers dug them out three days later, so irreversibly drunk they complained about the sunlight!
Those were MEN, damn it!

You don’t drink, don’t smoke, don’t do drugs, you listen to rappe, ippeóppe or trappe, or positronic music without reading Asimov, you don’t know how to sing nor, siammái, how to play: we didn’t know shit either, as we literally came from the stables.
But there, we were afraid, for real. Not just afraid of dying, but afraid of the foreign ‘civilization’ that we knew would follow our peaceful existence.
Many of you don’t, and it shows, it reads, it’s obvious.

It’s not your fault, I know.
Even if I recommend to you a memorable anthology by the immense Daphne Du Maurier (the one behind Hitchcock’s “The Birds”) called “Not After Midnight.”
You’ve all had it: and if you haven’t noticed, it means you’re not able to understand what I’m talking about.
Not that I care. sofisti: suonare: avuto:
 
Polvere

Someone, except perhaps the Noble @[withor] who, if I'm not mistaken, hasn’t posted it yet, won’t understand the absolute advantages that my condition gives me.
In short, I have no debts—on the contrary, credits; my surgeon told me that I MUST absolutely continue drinking and smoking, but of course being very careful about troglodytes & polystyrene & blood sugar which, as everyone knows, are the worst enemies for us anarchoid Marxists.

Here is a rather partisan Ruggiero, it would seem.
But nothing is as it seems, apparently.
 
Avventura a Durango (Live)

One of the things – in my humble opinion – of the Supreme Genoese, and perhaps the most oribbole thing ever produced, evaporating into a red cloud.

And I know it will be incomprehensible to link it to the match of my Ambrosiana that I'm watching, naturally in a bar full of very young Udinese fans, nobly stoned on every possible and imaginable substance you can think of.
Not for nothing are they supplied by a certain guy I know.

But "La strada è lunga e non ne vedo la fine" is something that concerns only the championship; where I see a Napoli in top form, a well-adjusted Juve that, with Bremer, has practically solved the defensive phase, a very underdog Como, and a Mila not cheerful at all: therefore, pretty damn pissed off.

But these are matters of the wind: Futból by now is like aesthetics in the philosophical sense: things that the prevailing devoluti simply cannot understand.
Here too. allegro: vento: filosofico:
 
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Ah, what the hell: it's six in the morning and it's obvious that the damn bell tower just ten meters from my house is ringing its bells: do we pay the priests to warn us that it's time to wake up or go to sleep!
Or maybe we're dead and we haven't realized it? diamine: scampani:
 
Discanto (Live Vol. 2 Version)

When I talk about myself, it’s obviously biased: I think it would be idiotic to assume that any monomaniac might think about anything other than themselves.
But let’s get back, if you like, simply to this piece.
I know I’ve posted it a fantastilion times, but the sound of dogs breathing through their noses—for those who love me as a cat person—is something interesting.
I was very disappointed when the Prince declared his love for these stinky beasts, slaves to man; I really should have guessed, of course, from “Quattro cani.”
But, evidently, even he isn’t perfect.

And neither is Ivano: except in this extraordinary song, which I find damn near perfect.
Meow. parte:
 
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Ah, but unfortunately, I don't know humor, as I'm someone who takes himself seriously. Everybody knows that.
And as for self-irony, don't even mention it to me: let's leave that to the alcoholics. Ahr ahr ahr! nemmeno:
 
King Crimson - 21st Century Schizoid Man (Live at Hyde Park 1969)

What does it mean, for me, to be a DeBaserian?
First of all, it means dealing with people of dubious lineage, but with uncontrollable intelligence.
Then I believe that whatever is left of humanoid intelligence lives only here.
Well, I’m biased, it’s like rooting for Inter: I was born an Inter fan but that doesn’t mean I don’t consider AC Milan fans to be human beings.
Juve fans, no, but that’s normal, everybody knows that.

Oh: Fripp can play any instrument, including those that don’t exist. I can’t.

Other than that, this whole rant has no value whatsoever, in the chemical sense. Ah:
 
The Band - Forever Young

You may or may not like Bobby: but I think that here with THE band he tells the end of an era.

The film is beautiful, and if someone sees something “old” in it, it's certainly not my fault.
 
Billie Holiday - I'm A Fool to Want You.

When db tells me that I am lacking a review, it means that I care TOO much for db.

All of you – except, of course, the usual exception – I feel that you care for me, that you understand my deep fragilities but also my strength: which is that of surviving even though I know I’ve doomed myself. Never any self-esteem, never the slightest exception made for myself.

And who better than Billie to tell this extraordinary, increddibbola story that I am surviving? forza: