foreveryoung

A good review, even if at times slightly laborious to read and a tad calculated, meaning that the emotions related to listening to the music are sacrificed in favor of the reasoning focused on the chronology of Blind Guardian's productions, their story, in short." Of all the tracks, I only know "Skalds and Shadows," which I really like, so I will look for the others from the album in question. Bye bye.

@gustavo: I hope that in 2008 your sister will be able to decide for herself with whom to have sexual relations. Otherwise, I would feel a lot of pity for her, almost as much as I feel for you, who does nothing but vent a huge anger towards the world by filling your comments with curses and unfounded criticisms, unjustified by any argument. I rarely comment on the nonsense written by people like you (there are many, you know; you’re almost indistinguishable from one another, because what makes people remarkable is intelligence and originality, while you are utterly predictable - fuck, damn, ass, and all the always low-level and unimaginative jokes that revolve around these terms). Yawn. I was saying, generally I don’t comment, but I’m doing it now to advise both darkhaem and others to ignore these types from now on, because what they truly seek is attention, only they do it childishly and remind me of those students who disturb in school to get the attention... of the teacher!

Since you welcome advice, my suggestion is to further refine grammar and syntax, as the value of your texts would increase. Specifically: "sì," as an affirmation, requires an accent to distinguish it from "si," the pronoun particle ("si veste, si fa la barba..."). Two "but" in the same sentence looks awkward, and the entire first paragraph is somewhat choppy. Apart from that, I find it a good review that reveals your enthusiasm for the group and your desire to communicate it; it also seems to me that there is a solid foundational knowledge. Welcome! Foreveryoung, which should have been called Lamaestrinadallapennarossa.

You keep introducing me to new groups, and I'm grateful for that. I quite like the track-by-track approach because it specifies which song is worth downloading and which isn't, heheheh. Bye bye, your affectionate For

A bit short, but I liked your review because it’s clear that you are knowledgeable and precise. It is well-structured and not written in five minutes. I also read your other review, which I find equally valid (nice "equally," huh? How long has it been since I used that...). I hope you'll review a lot of metal and gothic. Bye bye and BF.

Great review lovelorn, it flows beautifully, dense and rich at the same time. I discovered the band recently, and I completely agree with your analysis. Unpayable Silence is divine, original, different; I've listened to it 40 billion times and Carmen's voice is incredibly unique, and you've described it well.
I'm now listening to the other two ballads, muy promettentes, especially Tapt... Their other stunning song is Desolation.
Ciao ciao hasta la vista y buen Ferragosto.

Well... I was already delighting in the idea of the sadness emanating from the notes of this unknown group, at the prospect of languid and funereal melodies... but having listened to the three tracks you mentioned, I found that yes, they’re quite good, but not really that sad (unfortunately) more in the vein of Cruxshadows than Dark Sanctuary, let's say. In short, I don't see these leaden skies; I hear songs that are, all in all, catchy and easy to listen to, even though they’re certainly not just little tunes, of course. Bye bye.

True, very true, everything you've said. Beautiful "the mixture of anger and melancholy" "the slightly mannerist sadness" "staged with great class." It’s melancholy that inspires their most beautiful pieces, in my opinion, and I believe you would agree. The only difference between our views is the reference to doom; I don’t feel it despite the slow and dragging rhythms of certain things in Memorandum. For me, the atmosphere created is nonetheless richer, “festive” in its own way, less taut, less heavy, and less obsessive than in classic doom (like, I know, Shape of Despair). In short, the LPs are unique, and yes, it’s a pity they too are on the decline, but I ask, is there any band that is currently producing masterpieces? Or is it really over?

Too much fluff for my taste! Maybe it's because the review readers lack it and can't relate... the review, moreover, has tones that are too emphatic (You resign yourself and settle down exhausted... oh dear, what could that possibly mean?), which I find more suitable for poetry or a story. In short, I prefer your usual style, even though there are some good impactful and relevant phrases. However, you've piqued my curiosity about this group I don't know, so I will proceed to look for their music. Good-ciao (my invention)

I feel generous even if there's an indicative instead of a subjunctive (Even though he has not succeeded, etc.) and that whole paragraph is slightly exhausting to read. On the other hand, you express various concepts that seem spot on referring to Lacrimosa, and you keep us informed on the developments of their creativity. I liked both Inferno, so powerful, and Elodia, so I can't wait to get my electronic claws on the pieces you recommend. Bye bye