foreveryoung

I know a more recent T.o.T album that didn't excite me, but considering your statement about their decline, I decided to look for the tracks you mentioned, because I understand that they are talented, but that album I had was perhaps a lesser product. Is Liv Kristine everywhere? This is the third time she's appeared (by herself, with Cradle, and with T.o.T)... Great review, heartfelt and at the same time detailed, providing information on style and technique. The discussion that follows is also interesting.

If instead of records you were promoting paintings by an artist, they would sell well...you have the makings of a critic: you create your own personal vision that is enjoyable and interesting to read, just as much or even more than the material itself! The latent malice doesn't suit me, as I prefer a captivating and melodic anguish, but I appreciated your text; now I'm off to read another one of your reviews before cooking.

I heard "Lament for Lorien," pleasantly surprised and about to explore The Heights more closely. Soooo...thank you for the useful tip! Bye bye

It's a quite detailed review that can inspire those who, like me, are not familiar with this group and are drawn to the highlighted stylistic elements. However, it feels a bit too technical and slightly aseptic for my taste. Anyway, I'll go look them up!

Moved, I thank you... ummh, I'm getting a taste for it. Having migrated from a literary website, I find that writing and commenting on reviews is almost more challenging than with stories; it's truly a nice challenge. x Fidia: second, second. The real one was woven together with: Doors, Jefferson Airplane, Leonard Cohen, Bob Dylan, Inti Illimani (!) Led Zeppelin, Deep Purple, Genesis, and later Pink Floyd and Dire Straits, then De Gregori, Venditti, and Guccini, etc., etc. Hello, Aunt For.

I’ve read both this review of yours and others, and you know what I think? You’re amazing! The rhythm is lively, and you provide the technical information needed to understand whether one might like the genre of music in a detailed and precise manner, yet with freshness and enthusiasm; you can feel there's a passionate music lover behind it, who is also fortunately gifted with the ability to write well. But are there any little death/melodic/dark/slow/sleepy/depr essing bands that you’d like to introduce to someone like me who enjoys music that hits hard? Eheheheheheheh

Oh yes, esteemed sculptor. 52 years, very well carried, of course eheheheheh. Thank you for the compliment, which I prefer to interpret not so much for my interest in quality music but for the audacity I show in entering the debaserian arena where, in addition to several esteemed characters, fierce beasts can be seen ready to TEAR YOU APART ALIVE! Some in a transgressive and hilarious way (if the criticism is aimed at others), others painfully. In the forum, for example, it's anything but harmonious joy...

You are right in saying that Haggard is among the best Medieval Orchestral Metal bands, with their confident approach and creativity. The track "Awakening the Centuries" has hypnotized me for a long time, and also, from another album, the track "Eppur si muove," which makes me laugh to death when Asis sings in Italian "La bellezza del Paese di Galilei," and by the end, it almost sounds like he is vomiting; the duet with the soprano whose name I can't remember is splendid. Your review is detailed in some points and could be more so in others, and your enthusiasm could be greater as well. I don’t know if you've seen one of their videos, with young blonde and cute female violinists dressed in elegant black attire, whose serious and composed demeanor, with never a smile, makes it look like they’re performing classical music at La Scala, while total chaos breaks out around them, not to mention the incredibly powerful voice of that big guy Asis!

With all these names in tetesken I haven't mentioned the track titled Borderlineprinzessin, which is the quintessence of the essential essence of Adversus, and either one sends it to hell or falls in love with it! If there’s a band whose spirit reminds me of Adversus, it's Cradle of Filth, in some pieces of which I discern similar symptoms of disdain for human reason.

I’ll share my thoughts even if a lot of time has passed. First, I've always wondered why it takes so little to provoke a relentless debate among men. Testosterone, I suppose. Second, it seems that having a fixation or a particular passion is a sign of success, and I draw this conclusion from studies done on children, which showed that those with a specific interest—like, say, collecting model airplanes—would grow up to show the same interest in their work and therefore be more productive. Third, I agree with Cordell that no one is obligated to read anything, and since he writes about the Cranberries out of passion rather than profit or some form of spam, I don't understand why he is contested. I've been on this site for a short while; I find it "frizzantino" as well as useful and graphically pleasing, and I just wish that the tones would sometimes not spoil this lovely exchange of opinions about music.