fusillo

I liked this film. And also "Lost in Translation." The review, not at all.

We Virgilian speakers communicate in excellent itRalico...

No Iside, my Skype is working. How is yours?

Adriano, now I like your tone more. Mine is a reasoned and well-argued critique. Your response is also well-argued. If my critique hadn't been reasoned, your response wouldn't have been either. I repeat: I have already replied to your arguments by responding to Tinybanks, Grasshopper, Saputello, and others. If you feel like taking a look... Goodbye.

Mauroprog, are you still here? What a drag... Instead of worrying about my superficiality, try to learn some manners... @happypippo: you haven’t told me if you like the Pontes... :-)

No way, I took a look online: this is not a bootleg, it's a CD from Island. Anyway, Nick's posthumous releases all have their reasons: "Time of No Reply" feels like a second part to "Pink Moon" and "Tanworth in Arden," in my opinion, is very interesting: the version of "Don't think twice, it's all right" is beautiful... Thanks, Punny, I didn't know anything about this album. ;-)

Dear Adriano, your arguments have already been addressed in the past. Tell me the final scene and the one with the duel again, using different words from those I chose. The essence doesn’t change... I’ll skip over “stupidity” and “you could have shoved your CONSIDERATIONS up your ass...” but I can’t get past the invitation to meet again - I can’t do it. Once was more than enough. Bye bye.

I also read in the newspaper about this concert and was waiting for a review from some debaserano. I saw Jarrett-Peacock-DeJohnette twice at the Verona arena... Two great concerts. No superstar antics, no issues. Just great music...

@Ajejebrazorf: I reread some of my posts... I owe you an apology: I expressed myself in a confusing and contradictory way. First of all, I always started from my point of view, namely from the perspective of someone who has heard quite a bit. I didn't think about the fourteen-year-old boy: unforgivable on my part... Of course, I wouldn't tell him that Tim Buckley is the absolute greatest, but there it is... I also mentioned that I don't read any critics. I meant that I don’t have and have never had any "reference critic," if that makes sense. I first heard about various Lester Bangs, Polillo, and Scaruffi on Debaser (you may find this strange, but it's true). I've never read anything by the first two, and at home, I don't have any "History of Jazz, Rock, or anything else." While I prefer direct sources and articles by musicians, I do occasionally read articles by specialized journalists. I mentioned earlier that I have no problem appreciating a critic's work, as long as they don't say nonsense, and, in response to Riccardo, that I’m not part of the "criticism is useless" party: I thought I was making myself understood, but I surely expressed myself poorly and, moreover, more than once. I maintain my reservations about Scaruffi, fueled by the reading of other pages, but: First: I do not intend to prolong this discussion, and Second: just as I can do without him, Mr. Piero can do without me... I'm sorry about the video; it's quite nice. Bye.