fusillo

DeRank : 1,98
DeAge™ : 7367 days • Here since 9 april 2006
Queen A Day At The Races
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"In the 20th century, high-level artists in this sense can be found in Prokofiev, Shostakovich, Rachmaninov." ---> But excuse me, didn't you say that 20th-century music is terrible?
Queen A Day At The Races
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"I assure you that the rhythms of rock were already being practiced in the Athenian academies." ---> As someone once said: PAM!
Queen A Day At The Races
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Anyway, Silvaplana, don't stop, you're doing great!
Queen A Day At The Races
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"Just imagine for tenor, even though there usually aren’t masses for tenor." ---> "Well, if that's the case, there aren’t any for soprano either, nor for baritone. Usually, there are tenors, sopranos, baritones, a choir, and an orchestra. But baritones are the coolest, especially the old ones: YouTube video non trovatoVlFEvPfp8As"
Queen A Day At The Races
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I'm sorry, but I cannot access external content such as YouTube links. However, if you provide the text you would like translated, I would be happy to assist you!
Queen A Day At The Races
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Anyway, the Te kanawa, Koopman and Harnoncourt are boring.
Queen A Day At The Races
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"You have built an architecture of absurd yet GENIUS provocations, BASED ON A REMARKABLE PERSONAL CULTURE." Sorry Sotanahat, I think you haven't understood much either, huh...
Queen A Day At The Races
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Well, a page full of shocking revelations... Even moving is little Freddy deprived of the day's news.
Carmelo Bene Salomè
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Oh, how come I can't even place a link properly?
Carmelo Bene Salomè
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Yes, for what you say and then because his face was "a human wide-angle lens," whatever that meant. :-) The video I linked is part of a longer intervention where C.B. also talks about Orson Welles and Lawrence Olivier, exemplifying their relationship with the camera, different from Keaton's for the reasons you mentioned. It was quite interesting; unfortunately, I can't find it on YouTube. This (https://www.debaser.it/main/Video.aspx?y=Smo-56RsV5Q&feature=related) is also interesting. It's an old documentary about the 1973 theatrical Hamlet (similar, of course, to the cinematic one) curated by Maurizio Grande, a friend and scholar of Carmelo Bene.