fusillo

"Just imagine for tenor, even though there usually aren’t masses for tenor." ---> "Well, if that's the case, there aren’t any for soprano either, nor for baritone. Usually, there are tenors, sopranos, baritones, a choir, and an orchestra. But baritones are the coolest, especially the old ones: YouTube video non trovatoVlFEvPfp8As"

Yes, for what you say and then because his face was "a human wide-angle lens," whatever that meant. :-) The video I linked is part of a longer intervention where C.B. also talks about Orson Welles and Lawrence Olivier, exemplifying their relationship with the camera, different from Keaton's for the reasons you mentioned. It was quite interesting; unfortunately, I can't find it on YouTube. This (https://www.debaser.it/main/Video.aspx?y=Smo-56RsV5Q&feature=related) is also interesting. It's an old documentary about the 1973 theatrical Hamlet (similar, of course, to the cinematic one) curated by Maurizio Grande, a friend and scholar of Carmelo Bene.