sexyajax

#panapp "Mussolini was 26 years old and was campaigning to defend the rights of workers in the primary and secondary sectors" (what the hell?!?) you really give me the impression that you want to become my personal makeshift tutor-teacher, you even nitpick over accents and apostrophes, all just to criticize and simultaneously promote yourself, you, besides denying the poetic vision of the eye, which in this film, as in others, is evident, accuse me once of copying another out of ignorance and charlatanry, making sweeping generalizations and digressions about history from a summary, let's drop this topic and return to futurism, you say: "Futurism was more important, for example," we should see what you mean by importance, regarding my very personal choice to regard Breton's manifesto of 1924 as the greatest and purest intellectual revolution, because you see, I'll also mess up the accents, being used to pen and paper, but I do not ignore how you think history works and neither the history of art, so I will try to counter you adequately! to be continued...

"THE ROCKER OF CORREGGIO," BUT TO BE ROCK IT'S ENOUGH TO CLAIM A DEMOCRATIC POLITICAL AFFILIATION, PUT ON A COUPLE OF NECKLACES AND COWBOY BOOTS...COME ON...THOSE BOOTS ARE OLD AND EXPIRED SINCE THE FIRST CHAPTER OF THE MOVIE TREMORS!

LIGABUE IS AN AMERICAN INDIAN, APACHE FATHER, CHEROKEE MOTHER, HE SEEKS REFUGE IN ITALY AFTER ESCAPING FROM HIS SMALL RESERVATION AND REALIZES THAT ONLY HERE COULD HE, WITH HIS TAUTOLOGY AND CIRCULARITY, REITERATE FOR TWENTY YEARS A PRODUCT ON THE EDGE OF INFINITESIMAL RECYCLING! THE FIRST BENGAL FIREWORK SHOT INTO THE SKY! THEN THAT'S IT, THOUGH...

@FLO: "From Uomini di Mare to Fabri Fibra and Lato, we are at the dawn of rap in Italy" then please stop there because no one said that Uomini di Mare, which came out in 1999, stands at the dawn of rap in Italy. It's that Fabrizio Tarducci old style that stands at the dawn of rap in Italy, and his rhymes damn BROKE THROUGH!

"otticismo" oh my god, but come onnn!!! where do you get these jokes from the maxims of Massimo Boldi? they didn't buy sunglasses for Facebook son, did they?

@punisher: first of all, buenos días! Then, it's a novelty to sarcastically pick up the phrase that precedes every review on debaser, which needs to explain whether it's a novelty or not. Well, I find this one a novelty since no one has mentioned it! Even if I live in my own world, I don't think that 1929 ended just yesterday. Otherwise, I would be a Jehovah's Witness! :)

@ Panap .ahaha. The eye is the center of surrealist poetry because it is the instrument with which we perceive reality; moreover, in the surrealist idea, the eye and the soul are the same thing (someone perceives reality. I don't think so). The cutting of the eye is at the center of their poetry because it represents the gateway, the beyond of every limit of the imaginable. When you propose Futurism as the absolute avant-garde of the twentieth century, I understand why Berlusconi gains more consensus than dissent in Italy, besides being totally in disagreement with their manifesto (war as hygiene of the world, speed, technology, and roaring engines is everything I hate the most, and it's everything that is most malevolent in the world because it separates us from our true nature). I find myself in disagreement with you when you say that without Futurism, movements like the avant-gardes (you say well "perhaps") would have never gained importance or might not have even been born. I'm sorry to have to counter you harshly, but you see that Futurism was a tool of power useful for massifying and homogenizing our tastes as well as our economic choices. It’s no coincidence that the Futurists were servants of the Duce; moreover, their artistic products, except for a few rare cases (funeral of the anarchist Galli), are of mediocre quality, not to mention their cinema, the ancestor of cinepanettone. Surrealism, as I tried to explain in my review, was born in opposition to the culture of the time (except for psychoanalysis); for this reason, it represents the greatest and purest intellectual revolution of the twentieth century! Don’t touch my surrealism, Pagani!

Wow, that Babylon in the end will be a crazy writing and everything you want, but now the homepage will skip directly with me... damn you all!

I watched it streaming, of course it's absolutely to be boycotted in theaters, long live 70's punk!

I quote sfasciacarrozze