Adriano Bernard

DeRank : 0,15
DeAge™ : 7396 days • Here since 12 march 2006
Marco Masini Masini
Voto:
It has nothing to do with it. The fact that you feel subjective emotions when listening to Masini doesn’t mean he is a good singer. To determine if he is a good singer, we need to objectively analyze his music and say: THE LYRICS?? A mess without any logical thread and depth; THE INSTRUMENTS? Absolutely none!; HIS MUSIC? Sentimental little tunes a la Julio Iglesias; THE CHARACTER? A plastic puppet. What I want you to understand is that there is a difference between saying I LIKE MASINI and MASINI IS GOOD.
Stadio Storie e geografie
Voto:
I added it to my favorites, it's really brilliant, maybe your most original one.
Ravin & David Visan Buddha-Bar VII
Voto:
actually, I would say 4 and a half
Ravin & David Visan Buddha-Bar VII
Voto:
But why hasn't this review been voted on after days?
Anyway, great discovery with Tiziano Terzani and Cat Stevens... Indeed, this is music that's fake fashion show stuff.
Prodigy Always Outnumebered, Never Outgunned
Voto:
"The doorman tries to stop me by raising his finger with his 'Pardòn' but I slice his finger clean off with the magnificent 10" pliers!"
Marco Masini Il giardino delle api
Voto:
That forza masini resembles a forza Italia so much... Marco has never thrown the guitar into the audience because he has never bought a guitar, let alone played one. And anyway, no matter how you say manson HAS COPIED, at least he tried to be someone and to have character and pathos! Masini hasn't even tried! So I say "I LIKE ALBANO," someone will tell me but he sucks, he’s a bum! I like him, but I must admit that subjectively he sucks, he’s not a good musician, in fact, he’s not a musician at all. If something you like is something that objectively sucks, you’re free to say you like it, but you can’t say that it’s OBJECTIVELY GOOD BECAUSE IT'S NOT! Anyway, what do you listen to besides Masini?
Marco Masini Masini
Voto:
I then jump to the last, poetic verse by Masini "...without you and then I water the wall with my venom love with a hard muzzle damn you" which indicates the nights he spent masturbating against the wall in the absence of the cat (who also ran away). Moreover, "a muso duro" refers to the anal sexual relations Masini had with the poor beast. We should therefore appeal to the Animal Protection.
Marco Masini Masini
Voto:
And when I return to her, I almost feel sorry for myself, and the more you're not here, the more I want you. I still want your fingers scratching my back. "Sexual relationship with the cat," she is not an escape route, and perhaps there isn't one.
The third verse tells of one of those moments when Masini feels sorry for himself, and so it's a historical document to be preserved, a pearl from Masini. The words "Your fingers scratching my back" indicate the sexual relationship Masini had with his cat, Brutta Stronza, and describe the first and only relationship that Marco Masini has had.
Marco Masini Masini
Voto:
"When you are desperate like me" is the only right and truthful line of the entire piece, so it's indisputable because it truly describes Masini as he is. A very humble and sincere man in this; let's not take that away from him.
Marco Masini Masini
Voto:
But let's analyze instead the second verse filled with emotions and despair: "like me without you when you break the glass like me without you." The grammatical structure of the sentence seems to be that of a 2-year-old child grappling with the Italian language for the first time. But it's known that Masini has employed poetic license, so he can say any nonsense and it passes for poetry... Clearly, the broken glass is synonymous with calamity, and thus Masini has used this philosophical anecdote to make the text even more desperate and unlucky, something in which, I admit, he has succeeded perfectly.