nathan der weise

a commercial find like every unplugged, but I learned acoustic guitar on this CD and so I can't help but love it... now I'm giving it another listen, actually I'm playing it again, hi everyone.

notable the review (a bit too self-satisfied at times and with some misplaced words) perhaps an episode like the bloodless deborah, my favorite song on the album even if not objectively the best, deserved a few more words than just "ironic"... anyway, well done, I think physical pain and existential distress are (were) the most cutting words to describe marlene! you’re right: we’ve had enough of the comparisons with s.y.!!

mc sampyr you are my favorite poet, but I believe that you and I have listened to two different albums, huh...I’m being picky too: it’s "more suitable for changes" not "for change" :) ...it will mutate or change little, but I think that in no band like c.s.i. does even a single bare word have such evocative power (I don’t think it’s like you see it as a derivative of music, because Ferretti’s "vocal choice" is a mantra, far from monotonous!!), that you can’t afford to substitute one for another! That said, I believe that in c.s.i. there is only the line you know? Anyway, you have a truly exquisite writing style! Hi everyone, FERRETTI SAINT NOW

I've already read the review of "ko de mondo," but I liked this one more, maybe because I'm a bit biased about this album which, at least for the c.s.i. phase, in my opinion, is Ferretti's best!! My intention isn't to comment but to make a plea: I read about "la terra, la guerra, una questione privata"... since it's the only work I'm missing in over twenty years of Ferretti's production, is there anyone who can tell me how the hell I can get it, even if it's in the form of a transcribed cassette? Thank you so much... "you need to be attentive to be master of yourself." Oh, another plea: when will someone kidnap Ferretti and insist he changes course a bit, because the pgggr of today (I don't know if you've had the chance to hear them live recently) demand a thrilling comeback from our man! Cheers!

I wanted to congratulate tal frantz for the consonance of his opinion with mine but also to add something to his intervention. 1. I believe that Magnelli's defection was even more serious (in a record as valuable as the first of the PGR, he played a fundamental role). 2. I think that Bassano is just the tip of an involutive iceberg (at least live). After all, if the motto is "fottiti tecnica," what can we expect?! 3. I invite him not to despair because Mastro Lindo has accustomed us to much more astonishing comeback feats than reviving these PGGGR will be a joke... "FERRETTI SANTO SUBITO."