JimMorrison

If too much in the mood oh...

You're a genius, man, not a loser! :)

Excellent

Dear "rocknroll suicide," I believe you are confusing quite a bit of stuff to write what I have just finished reading. Putting aside the purely formal aspects with which the review (that leaves quite a bit to be desired) is written, the content is nothing short of embarrassing... What did you mean to say? Please don’t answer that it was a provocation.

We will listen, we will listen dear Emanuele. I’ve been away for a few days and now to reconstruct the discussion, we need to carefully read the latest posts. And then there's still the pending issue of Davis where I believe I must largely disagree (I hope for a comment this afternoon considering work commitments). But is Caz on Christmas vacation?

Sure Josi_, that's exactly it. I also have the DVD with the stage, backstage, and extra-special features on the hairstyles of Dodi and Hendrix compared. Exceptional.

Damn, this should be framed in the room or put on the HomePage among the little stories <<<you would understand that while the Cream albums are cornerstones of rock-blues (I love them myself), the best Clapton, the one that millions of guitarists have been inspired by, is not the young, immature one from Cream, but the more mature one, from the late '70s until, let's say, today.>>>

You're welcome, I'll read it calmly now. See you later.

Miles is a decadent who has devolved the music that I adore... I don't expect consensus, but know that, beyond what various Rava, Fresu, and Bollani (jazz musicians who are adventurous but utterly unprepared, and who can only gather shameful acclaim in the cultural underbrush of Italian jazz) may say, many ultra-prepared musicians who are far better than me do not see in Miles a great of jazz, but rather a modest good trumpeter, incredibly overrated, who appeals to those who are novices in jazz... regards, emanuelebasentini, part 4 and last.

Coltrane himself, and Rollins, when they were stable in his quintet, recorded albums on their own where they couldn’t help but call upon the rhythm section of Miles’ quintet, due to the musical affinity that bound them... and, risking Miles' wrath, they always called another trumpeter (Dohram, Harden, Morgan, etc.). Coltrane received a well-placed punch in the face for this, although it has been passed down that Miles did it to pull him away from drugs... a condition, by the way, that was normal for 99% of the jazz musicians of the time, so Miles would have had to beat up the entire American jazz scene. Monk witnessed the event and intervened with his bulk... then, as we know, Miles was never liked by Monk... he said that Miles had his head in the business, in getting there, and not in the music. I agree... guys, I love jazz... I study it body and soul... emanuelebasentini 3rd part.