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DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Dead Can Dance Into The Labyrinth
Voto:
Wonder. (albeit extremely late). Regards. Your S.C. of (dis)trust.
Chet Baker & Enrico Pieranunzi The Heart Of The Ballad
Voto:
Dear de-reviewer Mister Primiballi, your de-signal is truly commendable: in all honesty, I am not familiar with the work described (and little else about the remaining de-signal works), yet this does not prevent me from being intrigued enough to want to seek out this (apparently) stellar record at all costs. Warmest regards. Your S.C. of (doubtful) trust.
Tord Gustavsen Changing Places
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Dear De-Reviewer Monsieur Stefanet, as always your suggestion is most valuable: God (Allah/Confucius/Buddha etc etc) alone knows how much we need music that is (I quote) "singable, meditative and ... of great class". Warm regards. Your esteemed S.C. of (mistrust).
Gatto Ciliegia contro il Grande Freddo L'Irréparable
Voto:
Dear De-reviewer Mr. Francesco, regardless of the critique regarding the inclusion or exclusion of the piece "Un Anno D'Amore" in the work in question, I find your de-comment to be commendable and intriguing; reflecting on your latest thought at the end of the de-review, I also wonder what can truly, objectively, be considered "essential" in music today. Best regards. Your S.C. of (distrust).
Daft Punk Alive 1997
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Dear De-Reviewer Monsieur Gattinator, while (as always) respecting your personal de-commentary, not being a frequent visitor to the dance floors (not even in the Elkan sense), I don't think I would appreciate the proposed Daft Punk-esque offering at all: perhaps I could acquire it for the stickers there... but it wouldn't seem like the happiest idea to me anyway. Jokes (I hope not unwelcome) aside, the combo in question doesn't really fascinate me that much, so I believe that (I hope I'm wrong) even live (...I would really like to know, "how they sound"...) they wouldn't excite me too much. Best regards. Your S.C. of (dis)trust.
Franz Liszt - Leslie Howard I valzer
Voto:
Dear de-reviewer Monsieur Mullah, I bow before such remarkable expertise in both material and musical matters: being a thoroughly ignorant (crass and supine) script-breaker, I would not be worthy even to de-comment (and indeed I shall not do so) on anything regarding the left notes of writing on the work in question. However, it is an excellent opportunity to read and educate oneself (thanks to figures of such competence) on music that is nearly (script-breaking) unexplored. Kind and respectful regards to both. Your trusted S.C.
Tristania Ashes
Tristania Ashes
12 nov 05
Voto:
Dear De-Reviewer Monsieur Sly, (I quote you, if you don’t mind): “sminussare”? Involuntarily (?) you have created quite a neat neologism/combination of smussare and sminuzzare… not bad at all. Respectful regards. Your sincerely trusted S.C.
Natacha Atlas Gedida
Voto:
Dearest de-commentators, just a heartfelt Thank You for your kind de-comments on the (as always) smug and exhausting (n-th) de-review: I take your cordial de-comments as a polite invitation to improve (it will be tough, but I will try) and refine the de-review notes in the upcoming (possibly) verbose bequests. I greet you most cordially. Your trusted S.C.
Ryuichi Sakamoto Chasm
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Dear De-Recesnore Monsieur Socrates, this last Sakamotesco legacy seems to be a delightful mix of sounds: although I am not a fan tout-court of the artist in question, know that your valuable de-commento has piqued my curiosity quite a lot (to say the least). Cordial greetings. Your S.C. di (s)fiducia.
Björk Drawing Restraint 9
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Warmest congratulations to the gracious and friendly Kosmogabri. A patience (given the changing tone of the responses from the esteemed de-reviewer, no longer so undeserved) that is truly monumental and (above all) genuinely constructive. Regards (albeit artifice) to both. Your S.C. of (dis)trust.