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DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Le Orme Ad Gloriam
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Kind de-reviewer Monsieur JimMorrison, a multicolored, naive and psychedelic de-review like the imago/de-cover reported at the top right. Exploded nonetheless. Obsequious regards. Your Scarrozzatore di (s)fiduciam.
Paolo Fresu quintet Mélos
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Holy W-O-R-D-S, dear cordial de-reviewer Monsieur Lazzaroblu (Saint they should make you..).
To us bid farewell with health. Your S.C. of (d)isappoint.
Liars Live @ Luminaire, London
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Dear de-live de-recensoreo Mister Pollack, your narrative is precious and effective: surely (I've never had the opportunity until now) in person (as your comment suggests) it must be quite a nice and engaging little group to watch/listen to; after all, they already sound very pleasant on record, indeed. Ossequiformi saludos (see you soon). Your trusted S.C.
Madonna Erotica
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Dear (new) de-reviewer Monsieur Flood, undoubtedly pleasant albeit readable de-review of yours; as for the fact that the miserable destroyer of writing (the one writing here) does not quite share (practically nothing) on what is disco-testified, I believe you are very little interested. Respectful greetings. Your S.C. of (dis)trust.
Tiziana Ghiglioni Tenco Project
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Dear De-Reviewer Monsieur Lazzaroblu, regardless (the great Prince De Curtis..) of the undoubted caliber of the characters involved in the project and its "historic" significance (as rightly highlighted in the de-review), the de-commented album (despite being in heavy rotation for about two months) didn’t quite please me overall: perhaps I listened to it at a time when I wasn’t particularly receptive to such velvety and/or subdued sounds.. I don’t know, the fact remains that it didn’t convince me as it perhaps should have (?).
Maybe it’s time to "dust it off".. who knows. Anyway, valuable de-signalling. Best regards in abundance. Your S.C. of (s)trust.
Manu Chao ...Proxima Estacion...Esperanza
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Dear de-reviewer Monsieur KingKongFive, increasingly underwhelming record (in my humble opinion, of course..) of the polyglot Mr. Chao: unfortunately, it seems to be yet another entry in the (truly endless) series "strike the ($)iron($) while it's hot (or at least lukewarm..)". Even its predecessor [while being an overall charming and "authentic" work.. especially for those who had the chance to listen to it before the media success that came over a year after its actual release..] lived off somewhat fluctuating moments that were not always completely convincing. De gustibus, as usual. Obsequious saludos. Your S.C. of (dis)trust.
Vasco Rossi Buoni o Cattivi anthology 04.05
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Cordially, De-Reviewer Monsieur Donfi, starting from the more than natural assumption that tastes are not up for discussion, and therefore your indisputable judgment on the musical legacies of Vasco Rossiani, which (in your view) deserve more than a little attention, I must tell you: in all sincerity (..de gustibus) I have never found great points of interest either in the early artistic phase of the musician in question or, let’s say, in the "second phase," about which I would indeed throw a very thick and pitiful veil. Therefore, I would not express myself fully (also considering it is close to the Christmas Holidays) and as the record label and the weak, to say the least, character in question would truly deserve. Best regards. Your S.C. of (s)trust.
Vasco Rossi Buoni o Cattivi anthology 04.05
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Dear Monsieur (Punny) The Punisher [if my miserable de-commenting causes you annoyance, feel free to skip it; I won't take it badly (just so you know)], starting from the more than natural assumption that tastes are not debatable and that therefore your indisputable judgment on the first Vasco Rossi-inspired whimpers, which (in your view) deserved some attention, I will tell you: (following your temporal/chronological thesis) at that time the wrecking mechanic had existed (for quite a while) and was also enjoying the listening of the tricolor performers of rock & related genres. In all honesty (..de gustibus), I have never found great points of interest even in the opening artistic phase of the musician in question.. as for the (let's say) "second phase," I would lay a (very thick) pitying veil over it, and thus would not express myself fully (especially since we are approaching the Christmas festivities) and as it would deserve (above all) the record label and the weak, questionable character in question. A multitude of regards (even if not delivered and/or since this present bequest has probably been skipped in the opening phase). Your S.C. of (s)trust.
Southern Isolation Southern Isolation
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Dear representative of the (so-called) Anonymous Reviewers (forgive the question: does it really exist or is it a non-place where non-properly authenticated de-reviewers are placed - like limbo?): indeed, the lines expressed would be (WELL) 7 (that's seven) lines (perhaps in the writing phase there were only five.. hence forgive my insolence): frankly, it's not entirely clear what the content of the de-commented so-called miniaturized is. But it is what it is (when will we see the first work of Kerry King's sister-in-law or Warrel Dane's niece?). Respectful salutations. A jokingly unreliable Scarrozzatore.
Shawn Mullins Beneath The Velvet Sun
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Dear Monsieur Mauri, what a beautiful, refined, and finely crafted de-review you have; quite frankly, I do not know the artist in question (..just to change things up) & obviously the de-commented disquo: I must also tell you that, very likely, the acoustic content (which I would define as classic American rock) should not be "bread" for the tooth-crushers (sounds that, given the references you mentioned, let’s say, generally "do not belong to me"); this, of course, does not prevent me from appreciating your sincere de-reviewing action. Cordial, respectful saludos. Your trusted S.C.