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DeRank ™: 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Love Contact
Robert Belfour Live @ Mojo Station Blues Festival, Init, Roma 02.06.13
Robert Belfour Live @ Mojo Station Blues Festival, Init, Roma 02.06.13
9 jun 13
Voto:
I know nothing about the blues of Mississippi and even less about the aging Mr. Belfour, but I liked the respectfully critical tone and the realistic disenchantment found in DePagina. Well done!
Neon Rituals
Neon Rituals
7 jun 13
Voto:
I remember that (really) a lifetime ago, let’s say around the second half of the eighties, I was lent the big vinyl of this record "associating it" with the (mythical) Pankow: I remember they didn’t particularly impress me (unlike the Pankow did). Maybe today it would be worth digging them out (and possibly rediscovering them, thus appreciating them thanks also to this beautiful DePagina). So let’s not waste any more time. Or Vuar Madmuasell.
Daft Punk Random Access Memories
Daft Punk Random Access Memories
7 jun 13
Voto:
In the opening, he forgot pale, faded, washed out, bleached, dull, lifeless, colorless, ghastly, dim, insignificant, expressionless, anonymous, bland, flat, boring, tasteless, dreary. However, the [single](https://www.debaser.it/main/Video.aspx?y=4FRXLzw37-8) (to me) makes me ecstatic. Antzichénò. Aiò!
Andrew Niccol In Time
Andrew Niccol In Time
7 jun 13
Voto:
Generally, I’m not particularly thrilled by low-quality, romantic sci-fi movies featuring the usual pretty boys as (pleasant) protagonists; however, I watched this one because the director was the one behind the good "Gattaca": well, I agree with every single syllable and consonant expressed therein: terrible. Or Vùàr.
Paola & Chiara Giungla
Paola & Chiara Giungla
7 jun 13
Voto:
For [Paola e Chiara](http://nonciclopedia.wikia.com/wiki/Paola_e_Chiara), five+five is nothing short of essential. Rumor has it that alongside the release of this cornerstone of pop music, they have - alas - decided to retire from music forever. The staff, for once, heartfeltly thanks them.
Toner Low III
Toner Low III
5 jun 13
Voto:
Forgive me, Brother Mustacchio, I did not (completely) understand the connection between the discus plant in question and the "gentlemen who establish themselves in the auto-improvement gym-going": and I ask you this because, although I have been training regularly for over twenty years—let’s say—abundantly (never using any type of "supplement" on one hand, nor, on the other, any kind of cannabinoids and/or related substances), I found the record, even after listening to it only once at night, rather enjoyable. On the contrary. This clearly does not negate the fact that my life is indeed "now devoid of any direction." But perhaps the important thing is that everyone tries to (not) find their own. Let’s go!
Alexei Lubimov Franz Schubert - Improptus Op.90 D899,& Op.142 D935
Alexei Lubimov Franz Schubert - Improptus Op.90 D899,& Op.142 D935
4 jun 13
Voto:
Excuse me, but "we," exactly who? Personally, I remember growing up (not much, ça va sans dire) with the Super Tele perpetually deflated from kicking it around the prickly pear plants that served as a fence in my grandparents' garden. Aurally, I would go into literal ecstasy for the theme song of Jeeg Robot D'Acciaio. Then I moved on to Riccardo Cocciante.
Paolo Sorrentino La Grande Bellezza
Paolo Sorrentino La Grande Bellezza
3 jun 13
Voto:
So now I can finally, albeit vacuously, talk about it with good reason: I largely agree with the DeRecensora: it’s not a masterpiece and perhaps it puts "too much meat on the fire," but it still deserves to be seen. And that’s that. I’d like to reassure dear Mustacchione about the (fairly irrelevant) appearances of the various Verdone (his role could easily have been assigned to any other "average" actor out there and we wouldn’t have noticed the difference), Ferilli (effective yet still "peripheral" to the film's economy), and a chilling Serena Grandi (who essentially doesn’t act but limits herself to a few brief appearances portraying nothing other than herself) do not undermine (nor exalt) the film's incomplete success. The first ten minutes, however, are truly applause-worthy. I won't ramble on further.
Paolo Sorrentino La Grande Bellezza
Paolo Sorrentino La Grande Bellezza
2 jun 13
Voto:
Beloved Mustacchione, I too haven't seen the film yet and cannot express a judgment regarding it. Moreover, I do not dispute that "This Must Be The Place" (which didn't excite me at the time of its release either, but which I have definitely reevaluated after watching it again with time and a calmer mindset) can be considered, in some ways, the weak link in his (excellent) production. But let's assume that for this latest film, Sorrentino has "utilized" - a verb not used accidentally - these """great names""" of Italian cinema as a decoy (the poor fools who go to the cinema to see the usual dull pantomimes of the well-known faces that portray the shadows of themselves) to try to widen his personal, ergo peculiar, and still always "alive" way of understanding cinema to a broader audience. In short, before we auto-flagellate ourselves and declare its de profundis, I would say it would be wise to see it first. See you at my place at 8:15/8:30 PM: the screening starts at 9:00 PM. Aiò.
Christian Löffler A Forest
Christian Löffler A Forest
2 jun 13
Voto:
I admit I don't have a particular fondness for excessively "ethereal" electronics, and I have never even heard this one mentioned. In any case, DePagina is interesting. Mersì bocù.
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