gabbox

DeRank : 0,97
DeAge™ : 7607 days • Here since 11 august 2005
Agnusdei Flowers Are Blooming in Antarctica
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Beautiful page, and she, even live at concerts, gives emotions.
The Human League Travelogue
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Evocative and excessively generous reviews. Proto-cyberpunk can be found in the precursors The Future (magical year 1977), where Ian Marsh and Martyn Ware are joined by Adi Newton, who later developed a completely different career with Clock DVA and TAGC.
Sorry to say it, but Phil Oakey's vocals contribute to the aimless pop drift that we are already familiar with.
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The Young Gods The Young Gods
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In my opinion, it is correct to associate them with Laibach, or rather more with the experimental industrial scene than with the metal one. In this sense, I would add Test Department and, in other respects, Nitzer Ebb. I confirm the very high quality of their live performances, and they are wonderful people.
Dead Can Dance Within the Realm of a Dying Sun
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The right words to describe a masterpiece. It's incredible how they managed to recreate those atmospheres even live, during the tour of the same year that had three stops in Italy. Absolutely captivating, congratulations.
Aki Kaurismäki Foglie al vento
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Taking care of each other. So as not to exist like leaves at the mercy of the wind. That's what Kaurismäki reminds us of in every film, and alongside Ken Loach, in my opinion, it will be the reason they will remain in the history of cinema more than many others. Beautiful review.
In the Nursery L'Esprit
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Epic and poignant electronics. For me, it's their best production, definitely underrated; even live, they were able to recreate a unique and engaging sound.
Melanie De Biasio No Deal
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Intensely beautiful record. The voice is one of those that you never forget and creates a damn intimate atmosphere. It reminds me more of early Anna Domino and the Twilight label scene rather than trip-hop. The remix by Gilles Peterson is also great, a guy who really knows what he's doing.
David Cronenberg Crimes of the Future
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I would also keep Abramovich in his place. The reference is to Orlan and especially to Stelarc (explicitly mentioned in the ear performance). We are in the '90s, in a cold revisitation of cyberpunk. The film may be deliberately aseptic, but it's too verbose and static. In my opinion, the film adds nothing to his filmography and, underneath it all, it’s boring. On the other hand, it’s an impossible task to add something new and interesting after having written masterpieces like Videodrome and Inseparabili.
John Surman Private City
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Beautiful both the rece and the disco. Surman is still on tour, tomorrow night in Correggio let's see how he does. Well done.