Bartleboom

DeRank ™: 35,89
DeAge™ : 7610 days • Here since 9 august 2005
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Alice in Chains The Devil Put Dinosaurs Here
Alice in Chains The Devil Put Dinosaurs Here
11 may 15
Voto:
I already mentioned it at the end of that fart of another review: I didn't dislike this record. Nothing transcendental, but the sounds are there and at least 3-4 tracks seemed very good to me. It’s a bit monotone and in some songs a few more riffs and variations wouldn’t have hurt, but overall we’re okay. The review is so-so because it uses a barrage of expressions to describe the individual tracks that don't mean anything at all, like: "The track never drops for a second," "the track keeps the album at very high levels," "it might be the most successful track"...
Iosonouncane Die
Iosonouncane Die
22 apr 15
Voto:
Upon first listening, I really liked it! Basically, it’s a 2.0 version of Anima Latina, with less folk and more electronics, and an even more monstrous production effort. I couldn’t pay attention to the lyrics because I was listening while cooking escarole with Taggiasca olives, but musically it struck me as remarkable. In some ways, it’s a kind of Wow by Verdena, less ignorant, more experimental, and with someone who knows how to put together lyrics that go beyond the meeeeeee, the teeeeeee, the seeeeeee, and the perchèèèèè. Great recommendation! The BartleScarola recipe is an ancient one that I’ve mastered since the dawn of time. Basically, I heard it in an episode of La Prova del Cuoco from 2011 or thereabouts. The ingredients are: escarole, Taggiasca olives, pine nuts (almonds or walnuts will do as well), chopped anchovies, and the breasts swollen like melons of a woman no longer young, but still obliterable. The escarole should be placed in the hollow between the breasts of the blonde and massaged (along with the breasts) loudly for at least two hours. You understand that this operation requires all my attention...
Rainmaker/Øjne Rainmaker/Øjne - Split
Rainmaker/Øjne Rainmaker/Øjne - Split
18 apr 15
Voto:
In the last half hour, I’ve listened to the Onje track three times (as you may have guessed, I’m not capable of making the diacritic on the O), and, while I’m aware that it will NEVER be my thing, I must say it’s truly impressive. Well done, Zero.
Nero di Marte Derivae
Nero di Marte Derivae
16 apr 15
Voto:
Great review! You’ve really piqued my curiosity. I’ll gladly give it a listen later. Then I’ll come back and let you know.
Maria De Filippi Amici di Maria De Filippi
Maria De Filippi Amici di Maria De Filippi
16 apr 15
Voto:
But am I the only one who has a hell of a time distinguishing Emma Marrone and Alessandra Amoroso?!?
Giuseppe Gagliardi 1992
Giuseppe Gagliardi 1992
16 apr 15
Voto:
I've heard quite a range of opinions, but so far no one has really spoken well of it. Not having Sky, I can't judge the series. As for the actors... well! Personally, I've always thought that Accorsi has progressively gotten worse over the years, becoming one of the worst dogs ever caught on camera. In any case, I take this opportunity to give my personal rating to the work that finally showed us the completely white buttocks of Miriam Leone.
65daysofstatic The Destruction Of Small Ideas
65daysofstatic The Destruction Of Small Ideas
15 apr 15
Voto:
I've had it in my car for several weeks now, and I keep coming back to it happily: schizophrenic to just the right degree, rarely sterile in its technicality, sweet and noisy. A great find and an excellent album.
Male Gaze Gale Maze
Male Gaze Gale Maze
15 apr 15
Voto:
The review is undoubtedly spakkaossa and the proposal seems to be as well. But I found nothing on YouTube or on Spotify. I'm looking for them, but they need to be found...
John Huston Giungla D'Asfalto
John Huston Giungla D'Asfalto
15 apr 15
Voto:
An incredible film. Ruthless and desperate. I remember perfectly that, after watching it for the first time, for several years I only had blonde and curvy lovers, who called me "Uncle Ugo."
Mario Salieri Concetta Licata
Mario Salieri Concetta Licata
13 apr 15
Voto:
Sooner or later, it had to happen. And I don’t know if this review will be kept or removed from the database. Personally, I do not fully agree with the review, at least regarding the direction, which I find absolutely in line with Salieri's other works. As for the performances, I only partially agree, insofar as I believe Dalila delivers one of her best performances. Dragixa, on the other hand, has shown much better, especially in her younger years, but her innocent beauty is accentuated by the setting of the first half of the 1900s. Selen, for her part, mostly brings her name, and the scenes dedicated to her have never seemed particularly inspired. If you want to see her at her best, it's better to focus on "Colpi di Pennello" and especially "Millenium."
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