claudio carpentieri

Maybe I'll be a voice out of the choir, but the review I like, perhaps explained in a somewhat overblown manner, chronicles the events of this band, which, whether we like it or not, has left a mark and I believe not just because of "The Final Countdown." "Bag o' Bones" definitely evolves from the acceptable extravagances of "Last Look...." and "Start From The Dark," presenting a good album with some tracks that surely won't disappoint those who appreciated the group's stylistic evolution. Anyway, good job Vinsex...

Congratulations, truly a beautiful review that manages to describe the album even in the smallest details, although I’m sure you really enjoyed Europe a lot. I promise to listen to the album in the near future.

Talking about The Final Cut has never been exactly simple, as it has always generated somewhat controversial opinions. The album has left fans of the Barrett era stunned, disappointed those who enjoyed the post-Obscured By The Clouds period (or rather, the peak popularity period—specifically, from The Dark Side… to The Wall), and perhaps gained a better understanding among supporters of Waters' solo work, who nonetheless have also produced some interesting albums, much to the satisfaction of the same supporters of the Pink Fluid. This time, to my surprise (and pleasure), I've noticed that there have been many pro-The Final Cut opinions, tending towards a positive assessment of the album, developed out of a respect earned over the years that has allowed for the gathering of sincere consensus.

I am currently dedicating time to listening to many gems from the past, and I believe this album can at least aspire to the status of "good work," as you described it very cautiously.

Even though it has been a little while since you published it dear Woodstock, you expressed some beautiful words about this album that I too consider worth more than just a passing grade.

Great review, congratulations Divodark! You speak about it with expertise and directly encourage listening. I'll let you know later. Well done again!

Really nice review, Michael. It shows knowledge and passion for one of the most influential bands of the last 40 years.

Forget about the rest... but the "girls from 'Walk Like An Egyptian' weren't the 'Bangles'... am I right?

Every time I read the comments, it's an opportunity for discussion that I wouldn't give up for anything in the world. "Presence" is, however, the album from which on, listeners are much more inclined to express a wide range of opinions than before. It’s true that it has some iconic tracks, but it’s the record where the high quality of the songs begins (perhaps) to lose some of its naturalness, obviously compared to what was produced before. Of course, "Achilles Last Stand," "Nobody's Fault But Mine," "For Your Life" (and "Tea For One"!?) have marked the album more than the other tracks, but three or four excellent songs aren’t enough; all seven need to be great. And for "Presence," that’s not the case. Let it be clear, it is a Led Zeppelin album in every sense, to which I think it’s fair to give three and a half stars, which this time I didn’t feel inclined to round up.

Welcome definitelyalex to debaser... a brief yet thorough review that encourages listening to this album by Kasabian!!!