claudio carpentieri

Hi hell, but wasn’t the concert in Barolo held during the Collisioni Festival just last year? Thanks always for the mutual appreciation that I dare to say, ha, ha... ha.

It's really hard to keep up with you (in the sense of following what you publish), but it's always an absolute pleasure to read you.

A smooth and spontaneous review for a truly enjoyable album by a band to remember, perhaps not exactly for unforgettable live acts. Well done.

I've read it thoroughly, and your thoughts make me eager to listen.

Alternative collection for Nicke Andersson's band, featuring highlights for me like "Makes It Alright" and yes "Gimme Shelter" from the Stones' lore. Competent and fluid writing...bye L.

Beautiful and personal writing, but maybe it could have seen the light as a short article dedicated to Morrison rather than his album, perhaps...

Edit to the review: "Wrong copy-paste... let's say." See the old version link rotto

I've always heard good things about it, and you talk about it too, in an almost impeccable manner... keep on rockin'

"This is my truth, tell me yours" is an album that captivated me from the first to the last note. "If you tolerate.." is a sensational track from which Robbie Williams drew inspiration for his "Feel," bordering on - in my opinion - plagiarism. You provide a beautiful analysis of "The Everlasting," a piece whose composition may have been significantly influenced by the "voluntary disappearance" of Richey James Edwards.

I see that when talking about Queen there is a general interest almost comparable to what happened with some of my writings a while back regarding U2. Beyond individual tastes, it seems to me that there is a (more than) good appreciation for the self-titled debut album by Queen, and many of the (small) controversies mainly concern the band's musical journey. A great start for the band of Mercury & Co. who in the 1970s really gave a lot, innovating themselves while maintaining a consistently high songwriting quality. No one is saying that the excessive use of synths hasn’t always influenced the success of their tracks for the better, but if “Hot Space” might have been an attempt that didn’t quite hit the mark in terms of progression, “The Works” and “The Miracle” (an album that is personally indispensable even though no one has barely mentioned it) stand absolutely well next to the previous masterpieces. Thank you to everyone who has contributed usefully to the cause.