Even though the poster has long fallen off the wall, Morrison continues to be a god... in this, I remain a damn teenager, or a fool if you prefer...
after all, in my resume I have the required visit to Pere Lachaise... and a watermelon gathering with friends on July second, eighty-one, the first decade since his death... and the fact that I know the lyrics by heart, word for word...
his lyrics, not Krieger's...
ah, I don't allow any discussion about Morrison, even if he was an unbearable jerk, a highly annoying drunkard, an improvised acrobat crawling on walls...
that rock/poetry body-to-body... and the bouncing psychic organ... and the raga of The End... and the backdoor man who screws all, but really all the wives...
and the romantic crooner of the crystal ship...
I hate families and he denied having one... I hate houses and he didn't have a house...
ah, I am absolutely for the legend... and I drink his words... both the celestial nonsense and the most insignificant little phrases... the scream of the butterfly... the night we tried to die...
of course, the night comes with its legions of purple...
and Morrison is for me the voice of every madman... like the one who this morning predicted paradise for me as I was leaving a little bar and he was at the window cursing everyone and smiled at me instead...
"f*** these a**holes" I replied to him...
and when one day I thought "if you still haven't managed to defeat the energy thieves it's because the most stubborn energy thief is you"... that day I said ah ok jim thanks...
and when I happen to remember an old dream, like a shadow scented with children playing, with that shadow calming me and one of those kids telling me to stop it's again a thank you Jim...
very rhetorical, right, countess?... but what do you want, I'm a teenager, I'm a fool... even if a rather divine fool...
and excuse me if this time I didn't activate the antiretoricum... the batteries have run out...
Is the review missing?
Ok. this album is awesome...
"Jim Morrison’s voice, predominantly dark and cavernous, yet capable of shifting to hysterical, neurotic screams."
"‘The End’ closes the album with one of the most apocalyptic tones in the history of rock."
The Doors is one of the cornerstones of Rock, if not the cornerstone of all rock-blues.
'The End' is not merely a song. It is theater, a monologue between Jim and his psyche, a slow catharsis of man against his inability to overcome death.
Morrison, a failed model, is nothing more than the prototype of the 'cursed' star like many throughout the history of music, mythologized beyond his actual artistic merits.
They haven’t influenced a damn thing, and certainly not because their style was inimitable.
With the first song, a lively rock piece... the Doors immediately give voice to a generation that must express itself freely, breaking down those stone walls.
'Light My Fire'... is probably their most famous piece.
"’Break on through to the other side!’ – those doors were the Doors, a limit reached beyond which no one would return."
"The eleven minutes of ‘The End’ express madness, loneliness, and resignation in a haunting, unforgettable final song."