primiballi

an exceptional record, but not to be underestimated, I repeat, the hand of Wenders and the story of each of those musicians (get some records by Ruben Gonzales!!!)

Why all this love for the Who...? Sure, they're great, but why not Pink, Zeppelin, or more commonly the Beatles and Stones...? It's a given that the Guns were a small but significant phenomenon, but that's too little for the history of music... (and the reviewer is clearly a fake, and quite lazy too)

There are two possibilities: either you're a young girl with young girl tastes and few prospects for improvement (pardon...), or you're someone doing disguised advertising, and then vatlapiàintercù.

bah...bah...and ribah...

increasingly convinced that these reviews from the recent past are distorted advertisements (and, by the way, the result of a quite poor effort). The blonde here is just perfect for porn. Perhaps even humming (I could tolerate that...).

the symbol of the times and the age: a voice set with scholastic technique, total absence of soul, utterly predictable and pilfered musical composition, and "literary" (the word is truly misused) suitable only for those who have had their period for no more than 4 years. One of the (fundamental) milestones in the end of great Italian music. Shame. Anyway, de gustibus...

great recommendation and excellent record: two small oversights/praises: Eliades Ochoa, as much a protagonist as the others, and of course Wenders, a splendid director and "director" of the operation as much as Cooder. By the way, Cooder's albums (all of them) and Wenders' films (all of them) should be highlighted, known, and loved...

Dear Cece, a few minor lapses in judgment determined by (let's admit it) generational reasons, I believe... Even musically, in my opinion, this is one of the few albums where the great LB is not that original, completely bending to the prevailing arrangements of the time. In a nutshell, if elsewhere (and always) LB created trends, here, for me, he followed them. The lyrics are extremely weak, as in almost all the tracks from "io tu noi tutti" and "una giornata uggiosa," that is, just before and just after. About Mogol: with LB, he produced great things, certainly inspired by his co-author, from the late '60s to the mid-'70s. Then, to have divine lyrics, we would have to wait for Panella. Today, Mogol is a pathetic and embarrassing character (at least this is my opinion, and if you want, I can elaborate...). Kisses to everyone.

here: we are perfectly in line.

Thank goodness someone noticed... the shame was seeing, at a very short distance, David and Roger more on point than ever, one hanging out with Perry and Wright, and the other with Mason... Bah... what a minimal effort it would be... (but maybe it's nice like this too... the mystery... the dream... the 2005 reunion as a unique, splendid act...)