odradek

Several yards.

500 copies. Plus those who will read it and those who will buy it, this CD-R. And the Mulo works his ass off, tirelessly searching for 99mila8cento13 On, before the proper search method has been spread among the initiates. And all for what? A mess, the usual absolute mess. You are all drugged, that’s what you are: watch out for the raids, when you find yourselves there, under the wall of sound.

Beautiful and very useful, as well as economical (it's found for 10 euros) for approaching a band that has the best weapons in its "desertic" sound and the unusual, magical timbre of the singer's voice. As I mentioned in the comments on a review, your question about the choice of Kyser perhaps finds part of its answer in the small number of fans they had, especially in the States. It seems that their shows had the largest audiences in Europe, especially in Italy. In the USA, at most a few hundred people...

Last week I also sent in a little page with some prologue. Who knows when it will appear.... - Here you mix several issues, which perhaps complicate the discussion and certainly cannot be untangled in the space of a few lines or posts. I don’t know these Sodastreams, but it seems that one of the possible answers to your multiple questions in the form of an introduction arrived right away: what sounds to you like a confirmation of a "minor" form of talent is for MetallaroBionico the unwelcomed reiteration of an overused cliché. I’m trying to get a listen, which will be free from the questions you raise, having never heard them.

President of what? The thousand faces of the Marpione :))

Hello, ladies and gentlemen. How's everything? - Something curious happened. The original text contained, towards the end and after the words "These are the instruments," the phrase: < And a voice, even “processed,” that stumbles through Cave, Waits, and MacGowan, but with its own versatile and effective style.> - The phrase, who knows how, has vanished. But evidently it wasn't essential, since you heard what I heard too :)) - P.S. to the very kind editor, whom I publicly thank for their (endless?) patience: the link to the trailer doesn't work, at least for me...

Terè, but now you can say two things, can’t you? The questions are the same as before: solo, with the band, repertoire, etc. Maybe you’ve noticed that I recently discovered Sollima (see "review" of Works) and I’m quite curious…

@Teresa: it is evident your desire to communicate the enthusiasm stemming from the listening experience and to inform readers about the event (which I imagine will have other dates, but I couldn't find them on its website). Some details about the concert (was it solo, with his band, what repertoire did he perform?) would not have hurt - @Rebelde and Doctor J: when we say don't miss a concert, we are referring to the show, with the same program, that will be replicated on different dates and in various locations. I believe Teresa's advice is a great suggestion. A future opportunity, given the impossibility of running back in time, to hear this versatile musician (also a composer) live will be in Piacenza, at Spazio Rotative, on October 7, 2006. In that case, he will present, along with cellist Monika Leskovar, three multimedia works. - link rotto - Of course, please remove the spaces that appear in the address. -

Kid_A, look that Piero has also appeared among the comments, momentarily abandoning his now incorporeal form to write a renunciation post of his own work.....

Every now and then, these little misunderstandings occur: I didn't think of a polemical tone at all while reading you, and I didn't think you would find any trace of that in my post. All good, Fidia, no worries. Bye.