boredom

DeRank : 2,74
DeAge™ : 7700 days • Here since 12 may 2005
The Velvet Underground White Light/White Heat
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and I would add: Beatles cornerstones of black metal
The Velvet Underground White Light/White Heat
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Right, Dave, thank you for the correction.
The Velvet Underground White Light/White Heat
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"The Beatles laid the foundations of pop, rock, and heavy metal"...while I appreciate the Beatles considerably, this statement doesn't hold water. Just to stay in the UK, Cream (a couple of years before Helter Skelter) laid the groundwork for metal, and with compatriots like The Who (My Generation, 1965) and Pink Floyd (The Piper at the Gates of Dawn, 1966), it seems to me they preceded the Beatles both in the realm of more aggressive rock and psychedelia. It seems that Easy has responded to you in a more than comprehensive manner regarding this.
The Velvet Underground White Light/White Heat
Voto:
"The Beatles laid the foundations of pop, rock, and heavy metal"...while I appreciate the Beatles considerably, this statement doesn't hold water. Just to stay in the UK, Cream (a couple of years before Helter Skelter) laid the groundwork for metal, and with compatriots like The Who (My Generation, 1965) and Pink Floyd (The Piper at the Gates of Dawn, 1966), it seems to me they preceded the Beatles both in the realm of more aggressive rock and psychedelia. It seems that Easy has responded to you in a more than comprehensive manner regarding this.
The Streets A Grand Don't Come For Free
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beautiful for Nick. featured among the recommended.
The Flaming Lips Hear It Is
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Nice review, but you could have skipped the anti-snob and anti-metal intro. I don't know the album, and I hope to check it out soon; it seems interesting from your description.
Dino Risi Il Sorpasso
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excellent as usual don
Kyuss Blues For The Red Sun
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I fully agree with the previous comment.
Massimo Volume Club Privé
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let's raise the average, come on.
Massimo Volume Club Privé
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I, on the other hand, find it a beautiful album, full of interesting insights and great songs (to name a few: Pondicherry-Avevi Ragione-Saint Jack). I understand that the transition to singing (which is extremely subdued compared to the other instruments) might have disoriented some, but I believe - especially regarding the lyrics - that Emidio has gained in incisiveness. One can perfectly say that they didn't like the album, but without resorting to phrases like "Unacceptable are the other experiments that ultimately disrupt the continuity of the album..." and so on. It seems pointless to create expectations and then feel disappointed when they are not met. If the intention was to slam the album, it was done the wrong way.