puntiniCAZpuntini

In short, after the departure of "Eddie Ciao-IO-SONO-I-FU-MANCHU Glass", Fu Manchu gather together and produce a perfect collective work, pure power, sonic devastation, an earthquake for the speakers. For every pluck of the bass, there’s a kick drum thump, for every riff from Hill, there’s a howl of feedback from Bob Balch. Of course, there isn't a single minute where you turn up the volume more than another, because there is no longer any wizard standing out above the rest (indeed... 4/5).

But still, something is missing to compete with in search of... but we're in 1997, Kyuss have split up, and Scott isn't a fool, so he calls Mister BRANT BJORK, who arrives at the studio exclaiming "hello, my name is power." Thus, there’s a change of course without an actual change of course; only after many listens do you realize there's no Glass, because you're caught up with Brant's kick drum, Scott's fuzz, and, for some unknown reason, it must be divine justice, in this work Brad Davis plays the bass, he really plays it, even shooting out the introductions—something never seen before.

What kbps do you have it at?

You’re Wrong to Take Me Seriously (Frank Zappa)

Anyway, I like you, sign up, really.

Well, I don't give a damn about what Patton thinks. Just like me, he's an arrogant, full-of-himself jerk. If he likes punk, good for him. But I didn't say "I want," I said "if I had to choose one." Do I just make you smile? Come on, I’ll make you a little envious too... go on... say it...

First, though, I need to get a nice "God Save The Queen" tattooed on my chest... it fits perfectly, right? Obviously written badly and smudged, that makes it more edgy.

Josi_, if you want I can send you a photo of me nude, wearing the Valetudo gloves and with a fierce look, so you can set it as the thumbnail for the "important documents" folder.

Well, it’s a bit of a long answer. I wanted to start by telling you that Patton pays for his records out of his own pocket, the record label is his personal one, the recording studio is his, in short, he pays for everything (just for your information). I mention Interpol and FF because for a lot of people they are big bands, and I like to mess around :D. Also, Patton sells very few records with these projects, very very few (just for your information :D). When I said "I don’t know what to buy," I was joking; I have about 15,000 records in my collection, from the complete discographies of all the 50s Bluesmen to the Bootlegs from Sonar 2004. But... can you tell me exactly which records you mean when you say "but in these records, I don’t think he’s giving his best"? Which records exactly? Some don’t particularly appeal to me either, but this one is an absolute masterpiece and undeniably beautiful :D The conversation changes depending on the record. / Another question, what do you mean by "experimentation with the brain"? I mean this stuff right here when I say experimentation, and that's it, there's nothing else. Then there’s Experimental Rap, Experimental Rock, and blah blah, but for pure experimentation, I mean noise music. / Also, I don’t like Pure Punk, like real punk punk punk. Long live Henry Rollins, but after that, it’s just a lot of sadness and inept people with instruments in their hands. And when I say long live Henry Rollins, well, not so much... if I had to choose a music genre to eliminate from the face of the earth, I would choose Punk :D

No, you’re not convincing. If you pray just a little more, maybe... maybe, well, not sure...