puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8168 days

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  • Here since 21 october 2003
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You’re also right, but it’s not just that Scott played better, or that he played with his fingers; he had imagination. In certain tracks, he directed the whole thing—damn, he was a BASSIST. Unfortunately, I’ve only heard him play bass with Kyuss, so I can’t be sure, but I think someone who can do Stoner can also play Rock N Roll. Then again, 90,000 percent of the time they will never reunite, but together they were perfect; I mean, One Inch Man is the perfection of Bass-Guitar. In Blues For The Red Sun, the bass just follows the guitar as far as my untrained ear can distinguish. Furthermore, when Scott wanted to create chaos, there was no holding back: 100 Degrees completely overshadows all the tracks from Blues For The Red Sun for me. I’m a convinced Skyvallean, very convinced, then comes Circus, and then Blues... Or who knows, I could see Roger Waters with QOTSA if we really need someone with a pick. Too bad Pastorius is dead :))))) (the final nonsense is a must; I can’t write a completely serious post, I’m under contract).
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I didn't misunderstand. It must be that I'm listening to Michael Kaada and so today my idea of experimental was that :) Yes, I actually said something stupid. Well, it certainly won't be the last time :D
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Now I’m asking some jerk if they know the Liars, I’ll try to get them to pass me Giubbo. ;)
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Well, all the experimental records I have sound really, really good—perfect productions and sharp sounds. All the records I have (very few) of Lo-Fi sound like total crap, they're simple and have no sound at all. It might very well be that I don’t understand a damn thing about Lo-Fi. Give me a couple of purely Lo-Fi bands, at least I’ll understand where I’m going wrong. Lo-Fi stands for the opposite of Hi-Fi, meaning sound that is NOT polished, from what I’ve understood. The Oneida really perfect their sound, I don’t get it. Or maybe I mean another kind of "experimental," which ultimately means everything and nothing. Patton and El-P are both experimental, even though they make completely different records. I mean, I always say nonsense; it’s not like I do this once in a while ;) What I really don’t understand is the association between a band I like and other bands I’ve never even heard of... enlighten me :D
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We should... it should be. Today my keyboard is messed up. Poor star.
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We need SCOTT REEDER. I can't stand seeing him play the drums in the Manchu. We need Scott Reeder, and just wait and see what happens to Oliveri... we all forget about him. He may have attitude, bim-bim-bim & bom-bom-bam, but we need a bassist. Then, who knows, maybe it's because my favorite is the self-titled album where Oliveri just played... maybe I prefer the Kyuss records without him, but Oliveri doesn't say much to me. Clitobuster, on the other hand, loves him; Clito adores bassists with a pick. Come on, Clito, join in too; at least here we’re talking rock with some nice ladies, not with Neapolitans with Rawk Sideburns :))) / In summary, if this album isn’t good, it’s not because Nick is missing, or because Josh isn’t in shape or wants to do something else... Nick, poor star, I think he’s worth little. Okay, Feel Good Hit Of The Summer... catchy, danceable, but it’s not a track you listen to and say “damn, that’s pphhikus,” you dance to it and that’s it :D / I’m not too fond of Josh either, but he rocks, you can’t say a damn thing about him. Nick, on the other hand, should theoretically appeal to me—Drugged, Show-off, Shaved... but he doesn’t rock, he uses a pick, it just doesn’t work. Ugh. / The one who really gets on my nerves is TROY. I don’t like him, he doesn’t rock, he has no attitude, he’s GAY.
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More experimental than Oneida... but attidune lo-lo-lo-fi? I’m not following you :). You’re either experimental or lo-fi, I just don’t get it. I’m totally into Oneida, like really into them, but I absolutely hate lo-fi, like really hate it... that’s why I’m not following you :D / It’s not to be a pain, it’s just that maybe I’d like them or maybe I’d hate them, I don’t want to miss out on something I’d enjoy but I also don’t want to buy a record I would despise. Ah, all the other bands you mentioned, I’ve never heard of them :D
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And you, Kappa, don’t despair, maybe the final version is better. You like Sbroda, I honestly have never heard the Distillers in my life. I’d like to hear them just out of curiosity; Manson’s voice isn’t bad, and his band wasn’t really that terrible, quite listenable actually. Easy-going but listenable. However, I’m waiting for GIBBONS, okay the Sbroda, okay Manson, but GIBBONS is on another level. Clitobuster69 always tells me about when at Woodstock in '68 he was smoking Ganjah buds with "The Moving Sidewalks"... in fact, the album is called Flash, in honor of ClitoBuster’s premature ejaculations... now thanks to God, there’s Viagra on his side.
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Pazuzu, but when are you bringing the other demons?
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See Pazuzu, how much of an asshole is Patton? He didn't give you the real autograph... what is this "PAT"? MAYBE (it's not like we're having snacks together, just assumptions) because you brought him a FNM record... and they kind of annoy him, because he doesn't want to admit that despite having been in 970000 bands, everyone still calls him "that guy from Faith No More," it really gets under Michelone's skin, damn does it get under his skin... :D