puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8167 days

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  • Here since 21 october 2003
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John Zorn, without a doubt the closest thing to Zappa that I know. He has made only a few albums, about ninety (really) :D or try ZU (a bit heavier, those ZU, though).
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Well, in Zorn's mind, Naked City is the soundtrack for extreme sex... oh oh oh...
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Oh, should we talk about the three or four sounds of the rubber duck in Welcome To The Machine? Or about Have A Cigar, a track of incredible intelligence, I'd say, it sounds like a Beatles song, come on... after Meddle there’s darkness, and with The Wall there’s a return to light, at least when it comes to the desire to go beyond the usual things.
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"Dark Side is not just an ordinary album; it’s the journey, the psychedelia, the orgasm and obsession, the existence that unfolds and floats." Yes, all of these things are encapsulated in Money, in Us And Then... of course. From Dark Side, On The Run is worth saving; the rest is merely a simplification of what came before, psychedelic rock for children discovering the world. It seems that in the 70s, if you bought 4 Big Jim toys, you got the single of Any Color You Like as a gift.
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Bah, Dark Side is psychedelia for children, rock for twelve-year-olds, and avant-garde for the elderly. Wish You Were Here is the melancholy for young men with tender hearts, and Animals is a melodic bore. They are three shamelessly commercial albums, dictated note by note by money, the apotheosis of the chorus, chart-topping masterpieces.
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I bow before Tits Of Lions Rule The Divine, and I applaud.
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Ingrandisci questa immagine <-- We are getting married here, the disused German church where Doom Shall Rise takes place. Wedding march played by Cathedral, and at the reception, it's all about Saint Vitus.
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No, nothing gets erased, words fly but writings remain. I have already called the priest and booked the church; next weekend, the three of us will be on our honeymoon.
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I really can't stand Marquee Moon by Television, one of the shittiest albums I've ever heard, but it's a masterpiece. I can't stand it, but that's my "problem." You can't stand The Wall, but you're the one who doesn't like it. This review makes no sense; it's like Moonchild reviewing Run DMC, or Matteo Brutal reviewing Sigur Rós.
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Come on, this is as useful as a review of Van Der Graaf Generator written by NickGhostDrake. You don't like classic rock operas, so you don't like The Wall. It's not that it's bad or poorly made; it simply doesn't meet your tastes. Your arguments are worthless; geriatric rock, as you call it, is fantastic. <<<But with beautiful symphonic arrangements that make for an important opera, and with a good amount of technological noises that fans still love>> Yes, we love them, fantastic. <<<Well, compared to Dark Side, the sound of The Wall is a bit drier>>> Sure, that's fine, Dark Side is a pointless album, neither here nor there, fantastic. <<<a hodgepodge of stale stadium hard rock, techno-instrumental coda, second-hand disco music, classicist tapestries, and faux 1930s cabaret, all seasoned with Waters' unbearable verbal diarrhea that won't shut up for a minute>>> Beautiful, fantastic, long live the hodgepodge, fantastic. What you find disgusting, we love to death; Animals, Dark Side, and Wish You Were Here are albums with no purpose other than making money, this is an album that has meaning.