puntiniCAZpuntini

I didn't think you were a Gothic listener :D

this pure shit can only please a whore like you and whores similar to you.
Name: joseph | Date: 30/5/2005 | Rating: 1 | Album Rating: 1

at the top of debaser there were no beatles, there were no rolling stones, there were no queen, but there was this half-assed insignificant crap in the face of the greats of music, so puntinicaz don’t talk bullshit and let every album at least try to reach the ranking it deserves
Name: Gianni | Date: 30/5/2005 | Rating: | Album Rating: ////// Ahhhh well, Miles Davis certainly has a lot to learn from the Beatles, Rolling Stones, and especially Queen, huh. Moreover, you haven’t even listened to it, you idiot, if no thinking human being gave it less than 5 there had to be a reason, but you are a poor jerk and you can’t understand.

...a sweaty dome looks at me threateningly...

If you had listened to this album at least once for every gay exclamation point you added, you wouldn’t be saying that. It deserved to be at the top of the most liked albums on the site, but you exclamation-point boys have no shame.

I give beautiful names to the files. Always.

No, but I assumed; I don’t have any certainty about what the problem is, except that, as usual, it’s G’s fault.

If you want to hassle Zion, check all the tags (I mean all the ones on the page) of a working review and look for the differences with this one (besides the fact that this being the first one does not include the link to the "next" review) and you'll find the flaw. Two balls as big as a house, huh, better go buy yourself 4 grams of heroin, stay high for two days when it wears off and come back among us, the review will be fine.

This is a trick that Dad taught me, dear Dad... Dad LongLegs.

At a minimum, they messed up a tag, making everything invisible; the review is on the page, it's just invisible. Look ->////// DJ Krush is a multifaceted and unpredictable character who, with his vast discography, has revolutionized the way we conceive and produce rap music, blending the typical 4/4 of the genre with elements of world music and jazz, which find their consecration in the extraordinary "Kakusei". <br /> "Meiso", released in 1995, is the third album of the brilliant Japanese producer and also his first true masterpiece after the excellent "Strictly Turntablized" and "Krush", a dark and at times astounding work that marks the definitive growth of Krush as an artist, and the concrete maturation of a refined and instantly recognizable sound.</p><p>The album is structured in ten actual tracks, interspersed with four brief interludes ("Bypath 1", "Bypath 2", "Bypath 3" and the concluding "Bypath – Would You Take It?"), and it surprises with its <strong>darkness that is at times hypnotic</strong>, which almost seems to lead the listener into a state of both mystical and disturbing trance. The robust rhythms of the beautiful opening track "Only The Strong Survive" perfectly blend with Eastern atmospheres and <strong>typical instruments from Japanese culture</strong>, all accompanied by the superb rhymes of CL Smooth, resulting in a stunning outcome.<br /> The ultra-minimalistic compositions of "Anticipation" introduce that absolute gem known as "What's Behind Darkness", an incredible and evocative synthesis of jazz and hip-hop that will have you hitting the repeat button on your stereo multiple times. The remaining tracks on the album are no less impressive; Black Thought and Malik B from the Roots ignite the engaging title track with their tight metrics, "Ground" features Teflon Sallahr dominating the muffled sound of Krush's superbase, in the beautiful "Most Wanted Man" we even find Big Shug and Guru from the Gang Starr Foundation on the mic, and with "3rd Eye" we enter the more reflective part of the work, which culminates in the phantasmagorical "Duality", an endless suite in multiple movements produced in collaboration with DJ Shadow, undoubtedly the deepest and most emotional moment of "Meiso".</p><p>DJ Krush, in short, does not disappoint; rather, he surpasses himself by releasing a stunning album from every point of view, <strong>perhaps not very appreciated by the staunch purists of rap</strong>, but undoubtedly among the first to open new horizons and perspectives for a genre that, otherwise, would have risked merely repeating itself, recycling itself. A must-have.</p>

...I would say Smart Jazz-Prog-Fusion. (and a bit snobby)